A völva, vala, wala (Old High German), seiðkona, or wicce was a female priestess in Norse mythology, and among the Germanic tribes.
Also associated with the Völvas were incantations called galdrar (see also the A-S quote below). The Völvas were held to possess such powers that even the father of the gods, Odin himself, consulted a Völva for what the future had in store for the gods. This account is preserved in the Völuspá.
Examples of völva in Norse literature include the seeress Heidi (alt. Heith) in Völuspá and the witch Gróa in the Svipdagsmál.
In his Commentarii de Bello Gallico (1, 50) Julius Caesar writes in the course of clashes with Germans under Ariovistus (58 BCE):
Also Tacitus writes about female prophets among the Germans in Histories 4, 61 - notably a certain Veleda:
A detailed eyewitness account of a human sacrifice by what may be a Völva was given by Ahmad ibn Fadlan as part of his account of an embassy to the Volga Bulgars in 921. In his description of the funeral of a Scandinavian chieftain, a slave girl volunteers to die with her master. After ten days of festivities, she is stabbed to death by an old woman (a sort of priestess who is referred to as 'Angel of Death') and burnt together with the deceased in his boat (see ship burial, Oseberg).
The Saga of Eric the Red relates that the settlers in Greenland c. 1000 were suffering a time of starvation. In order to prepare for the future, the Völva Þórbjörgr was summoned. Before her arrival the whole household was thoroughly cleaned and prepared. The high seat, which was otherwise reserved for the master and his wife, was furnished with down pillows.
The Völva appeared in the evening and she was dressed in a blue or black cloak, which was decked with gems to the hem, and it reached down to her feet. In her hand, she wielded the symbolic distaff (seiðstafr) which was adorned with brass and decked with gems on the knob. In Örvar-Odd's Saga, the seiðkona also wears a blue or black cloak and carries a distaff (which allegedly has the power of causing forgetfulness in one who is tapped three times on the cheek by it). The colour of the cloak may be less significant than the fact that it was intended to signify the otherness of the seiðkona.
The Saga of Eric the Red further relates that around her neck she wore a necklace of glass pearls, and on her head she wore a headpiece of black lamb trimmed with white cat skin. Around her waist she wore a belt of tinder from which hung a large pouch, where she hid the tools that she used during the seiðr. On her feet she wore shoes of calf skin and the shoelaces had brass knobs in the ends, and on her hands she wore gloves of cat skin which were white and fluffy inside.
As the Völva entered the room, she was hailed with reverence by the household, and then she was led to the high seat, where she was provided with dishes prepared only for her. She had a porridge made of goat milk and a dish made of hearts from all the kinds of animals at the homestead. She ate the dishes with a brass spoon and a knife whose point was broken off.
The Völva was to sleep at the farm during the night and the next day was reserved for her dance. In order to dance the seiðr, she needed special tools. First, she positioned herself on a special elevated platform and a group of young women sat down around her. The girls sang special songs intended to summon the powers that the Völva wished to communicate with. The session was a success, because the Völva was permitted to see far into the future, and the famine was averted.
They were persecuted and killed in the course of Christianization, which also lead to an extreme polarization of the role of females in Germanic society.
Germanic paganism | Norse mythology | Shamanism | Witchcraft