In Norse mythology the valkyries are dísir, minor female deities, who serve Odin. The valkyries' purpose was to choose the most heroic of those who had died in battle and to carry them off to Valhalla where they became einherjar. This was necessary because Odin needed warriors to fight at his side at the preordained battle at the end of the world, Ragnarök. In Valhalla the valkyries also “serve drink and look after the tableware and drinking vessels” (Prose Edda Gylfaginning 35).
It appears, however, that there was no clear distinction between the valkyries and the norns. Skuld is for instance both a valkyrie and a norn, and in the Darraðarljóð (lines 1-52), the valkyries weave the web of war (see below). According to the Prose Edda (Gylfaginning 35), “Odin sends valkyries to every battle. They allot death to men and govern victory. Gunn and Rota valkyries and the youngest norn, called Skuld, always ride to choose who shall be slain and to govern the killings”.
In modern art, the valkyries are sometimes depicted as beautiful shieldmaidens on winged horses, armed with helmets and spears. However, valkyrie horse was a kenning for wolf (see Rök Stone), so contrary to the stereotype, they did not ride winged horses. Their mounts were rather the packs of wolves that frequented the corpses of dead warriors. They were gruesome and war-like. Whereas the wolf was the valkyrie's mount, the valkyrie herself appears to be akin to the raven, flying over the battlefield and "choosing" corpses (*). Thus, the packs of wolves and ravens that scavenged the aftermath of battles may have been seen as serving a higher purpose.
According to Thomas Bulfinch's highly influential work Bulfinch's Mythology (1855), the armour of the valkyries "sheds a strange flickering light, which flashes up over the northern skies, making what men call the 'Aurora Borealis,' or 'Northern Lights.'" However, there is nothing in our sources which supports this claim. [http://www.vikinganswerlady.com/njordrljos.htm
In the mythological poems of the Poetic Edda the valkyries are supernatural deities of unknown parentage; they are described as battle-maidens who ride in the ranks of the gods or serve the drinks in Valhalla; they are invariably given unworldly names like Skogul (“Raging”), Hlok (“Shrieking”) and Gol (“Screaming”).
In the Heroic lays, however, the valkyries are described as bands of warrior-women only the leader of whom is ever named. She is invariably a human woman, the beautiful daughter of a great king, though she shares some of the supernatural abilities of her anonymous companions. In the first of the three Helgi Lays, Helgi Hjörvarðsson is accosted by a band of nine valkyries the leader of whom, Svava, is the daughter of a king called Eylimi. In the second and third lays, the valkyries are led by Sigrun, who is the daughter of King Hogni; she marries the hero Helgi Hundingsbani and bears him sons. The most famous of the valkyries, Brynhildr, is also a human princess. In the Sigrdrífumál (The Ballad of the Victory-Bringer) she is never named, being called simply Sigrdrífa (“Victory-Bringer”), and there are only hints that she is not a deity; what's more, we are told nothing of her parentage. In the corresponding passage in the Volsunga saga, however, she is identified as Brynhildr, the daughter of King Budli. (Sigrdrífa is also identified with Brynhildr in another heroic lay, Helreið Brynhildar, or Bryndhildr's Ride to Hel.)
Other sources indicate that some other valkyries were notable characters in Norse mythology, such as Gunnr who appears on the Rök Runestone, and Skögul who still appeared on a runic inscription in 13th century Bergen.
In Grímnismál we have Odin reciting the following stanza.
In Völuspá there are still more names.
More are mentioned in Darraðarljóð (lines 1-52), a poem where their connection with the Norns is evident:
As can be seen from the above, several of the names exist in different versions. Many of them have a readily apparent warlike meaning - Hjörþrimul, for example, means "battle of swords" while Geirahöð means "battle of spears".
To what an extent this multitude of names ever represented individual mythological beings with separate characteristics is debatable. It is likely that many of them were never more than names and in any case only a few occur in extant myths.
Richard Wagner incorporated Norse tales that included the valkyrie Brünnhilde (Brynhildr) and her punishment and subsequent love for the warrior Siegfried (Sigurðr) into his operas Die Walküre, Siegfried and Götterdämmerung. These depictions have subsequently lead to modern representations of valkyries less as gore-spattered, shrieking and wolf-riding figures in a battle's sky but more commonly as romanticised, pristine white and gold clad figures riding winged horses.
In the famed computer game Starcraft, the expansion set has a new Terran Spaceport unit, The Valkyrie Missile Frigate, which is an anti-air fighter in the game.
In the Game Boy Advance game The Knight of Lodis, the valkyrie is a unit class for female soldiers that fights with a lance and can cast offensive magic spells. The character portrait is depicted with a pair of small wings on the sides of her head.
In the upcoming game Too Human, valkyries are shown with a high degree of technology, such as a mechanical wing rig, most likely to aid in flight.
Norse mythology | Indo-European mythology | Valkyries
Валкирии | Valquíria | Valkyrie | Walküre | Βαλκυρίες | Valquiria | Valkirioj | والکیری | Valkyrie | Valquiria | Valchiria | ולקיריה | Valkīras | Valkirijos | Valkűr | Walkure | ワルキューレ | Valkyrie | Valkyrier | Walkirie | Valquíria | Walkirie | Валькирия | Valkire | Valkyyria | Valkyria | วาลคิรี | Валькирія | 女武神
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