A telenovela is the term used to describe Spanish and Portuguese television serials derived from the terms tele short for television and novela ("novel"). In spite of their many differences, telenovelas can be compared to soap operas. While most English-language soap operas run indefinitely - that is until the ratings no longer justify the production costs - most telenovelas run for a fixed period of time, but there are some long-running exceptions.
Spanish-language prime time serials, or telenovelas, are produced in all Spanish-speaking countries, Brazil (Portuguese-speaking country, where they are called just novelas), Portugal and the United States. Portuguese-language novelas made in Brazil are also dubbed into Spanish for the Latin American market. They are usually aired during prime time.
The first drama serials were first produced in Brazil, Cuba and Mexico with Sua vida me pertence ("Your life belongs to me", Brazil, 1950) showing twice a week, Senderos de amor ("Love paths", Cuba, 1951) and Ángeles de la calle ("Angels from the street", Mexico 1951) which was shown once a week. Mexico produced its first drama serial in the modern Telenovela format of Monday through Friday showing between 1957 and 1958 called Senda prohibida ("Forbidden path") of Fernanda Villeli and Brazil in 1963 with 2-5499 Ocupado ("2-5499 busy"). Venezuela produced its first telenovela in 1954 titled La criada de la granja ("The farmer's servant"). Puerto Rico produced its first telenovela in 1955 titled Ante la ley ("Before the law"). The first Colombian telenovela was El 0597 está ocupado ("Extension 0597 is busy", 1959). Peru produced its first telenovela in 1959 titled Bar Cristal ("Cristal Bar") and Panamá did so with En la esquina del Infierno ("On Hell's corner") in 1964. The first telenovela viewed in different countries was Simplemente María ("Simply Mary", Perú, 1969) The first global telenovela was Los ricos también lloran ("The rich cry too", Mexico, 1979) and was exported to Russia, China, United States, etc. A great success was also experienced with the Brazilian production Escrava Isaura ("The Slave Isaura", 1976), because it was watched by 450 million people in China, and actress Lucélia Santos became one of the more famous personalities in that country.
Currently, the most famous telenovelas have come from Mexico, Brazil, Colombia and Venezuela. In Spain they are also called culebrón ("long snake") because of the convoluted plots and large number of episodes, of which the standard is 180.
In Argentina, they are usually produced by Telefe, Ideas del Sur and Pol-ka; in Brazil, usually by Rede Globo, SBT, TV Record or Bandeirantes; in Chile by TVN and Canal 13; in Colombia by Caracol TV, RTI Colombia, or RCN TV; in Venezuela by Venevision or Radio Caracas Television; and in Puerto Rico, they were produced by WAPA-TV or Telemundo Puerto Rico. In the United States, Telemundo and Univision, mostly importers of Latin American telenovelas, have started producing telenovelas with Latin American casts and, in the case of Telemundo, Mexican producers Producciones Argos.
In Mexico telenovelas are produced by the two main networks Televisa, which is the largest producer and exporter of Telenovelas and Spanish-language media, TV Azteca, and by the independent company Producciones Argos; these telenovelas are more traditional and one of the four main types is the stereotypical aimed at the working class, which explains their worldwide popularity—they are easy to understand and appropriate family viewing. The plots are often based on stories about a poor girl who falls in love with a rich man whose family spurns her. Four telenovelas are shown on Mexico's most-watched channel alone. Another type of telenovelas in Mexico are "era telenovela" and based on the early 20th century or before, during the colonial period (Martín Garatuza), the independence (El carruaje), the late 1800s (El vuelo del águila) and the revolution (Bodas de odio). A third type of telenovelas started with (Quinceañera) in the late 1980s, this is the "teen telenovela" which portrays the lives of high-school teenagers and their issues with sex, drugs and other coming-of age topics. The fourth type is the "musical telenovela" which portrays the lives of aspiring musicians such as in Alcanzar una estrella and its sequel Alcanzar una estrella II and the new batch of "Rebelde" telenovelas, which started with "Rebelde way" in Argentina and have licenced copies in many other countries, including Israel.
Brazil's novelas are both more racy and apt to broach controversial subjects—many Brazilians can relate, because of the novelas' realistic depiction of the middle class, working class and upper class. Brazilian productions are the most expensively produced in Latin America. A teenage novela, Malhação ("Working Out") is the longest-running novela in Brazil. Novelas usually last 8 months at most in Brazil, but Malhação has been on the air since 1995. Four novelas are shown on Globo, Brazil's leading channel.
Venezuelan, Peruvian and Peruvian-Venezuelan co-productions are watched all over the world and have been dubbed into Russian, Greek, Filipino, Thai, Chinese, Japanese, Korean, and Arabic, among other languages.
Puerto Rico no longer produces telenovelas, although there are negotiations to reopen production there. One of the new productions is going to be called "Dueña y señora" which will be co-produced with Venevision Internacional and a 90% Puerto Rican cast.
Telenovelas are the most-watched shows in Latin America and are the top-rated shows in all Latin-American countries. Each telenovela runs 30, 60 or 90 minutes per episode.
The most-widely marketed telenovelas are Televisa's, from Mexico, followed by Globo's from Brazil. They are more popular worldwide than American, British and Australian soap operas combined.
Other countries attending the conference are Argentina, Brazil, China, Croatia, Colombia, Dominican Republic, Germany, Hungary, India, Israel, Italy, Japan, Portugal, Russia, Serbia, Spain, Syria, Turkey, United States, Venezuela.
There are also stories in Brazilian novelas that have never been shown on American soap operas, such as stories about people who have been cloned (O Clone) as well as women who have risen above poverty and slavery through prostitution (Xica da Silva).
Telenovelas comprise the great majority of the dramatic productions by South American TV networks whereas in the US other formats like sitcoms or TV dramas are more popular.
Some of the famous actors and actresses who have made their mark in these shows include:
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