- This article is about stunt performance. For other uses of the term, see Stunt (disambiguation).
A stunt is an unusual and difficult physical feat, or any act requiring a special skill, performed for artistic purposes in TV, theatre or cinema. Stunts are a big part of many action movies.
Before computer generated imagery special effects, these effects were limited to the use of models, false perspective and other in-camera effects - unless the creator could find someone willing to jump from car to car or hang from the edge of a skyscraper - the stunt performer.
Practical effects
One of the most-frequently used practical stunts is
stage combat. Although contact is normally avoided, many elements of stage combat, such as
sword fighting,
martial arts and
acrobatics required contact between performers in order to facilitate the creation of a particular effect, such as noise or physical interaction.
Stunt performances are highly choreographed and may be rigourously rehearsed for hours, days and sometimes weeks before a performance. Seasoned professionals will commonly treat a performance as if they have never done it before, since the risks in stunt work are high, every move and position must be correct to reduce risk of injury from accidents.
Examples
Mechanical effects
A physical stunt is usually performed with help of mechanics.
For example, if the plot requires the hero to jump to a high place, the film crew could put the actor in a special harness, and use aircraft high tension wire to pull him up. Piano wire is sometimes used to fly objects, but an actor is never suspended from it as it is brittle and can break under shock impacts.Crouching Tiger, Hidden Dragon (2000) is a kung-fu movie that was heavily reliant on wire stunts.
In a high fall, a performer will either fall into an air-bag, hidden from view of the audience, or wear a harness attached to a decelerator or descender.
Vehicular stunts
Performers of vehicular stunts require extensive training and may employ specially adapted vehicles. Stunts can be as simple as a
handbrake turn, or as advanced as car chases, jumps and crashes involving dozens of vehicles.
Remy Julienne is a well known pioneering automotive stunt performer and coordinator, particularly for his work on
The Italian Job.
Computer generated effects
In the late 20th century stunt men were placed in dangerous situations less and less as
filmmakers turned to relatively inexpensive (and much safer)
computer graphics effects using harnesses, fans,
blue- or green screens, and a huge array of other devices and digital effects.
The Matrix (1999) is a hit action movie that used CGI stunts extensively.
Examples
Stars who do stunts
In the early days of
cinema, some actors such as
Buster Keaton and
Charles Chaplin did most of their own physical stunts. However, as these performances were usually very dangerous and many
movie stars were not so athletic,
filmmakers and
insurance companies turned to hiring
stunt doubles to do the stunts.
Most action movie actors today use stunt doubles, though some of them do a few of their own stunts to please movie fans. One famous exception to this norm has been Jackie Chan from Hong Kong, although he has recently admitted to using digitized effects in his movies. Phanom Yeerum, an actor who is highly skilled in Muay Thai, also does all his stunts without assistance.
Popular Indian actor Jayan used to do physical stunts without stunt doubles. He was killed in a helicopter crash while doing a stunt for Malayalam movie in 1980.
Notable among the professional Hollywood stuntmen are Yakima Canutt and Dar Robinson.
In all of his movies, Tom Cruise has always performed his own stunts without doubles, including the Impossible Trilogy and Minority Report.
Some notable movie stunts
Silent comedian
Harold Lloyd climbs the entire height of a Los Angeles skyscraper without wires, or nets. Lloyd dangles from a broken clock face on the topmost floor above moving traffic despite having only three fingers on his right hand.
The front of a house falls down with Buster Keaton standing in the exact position of an open window, leaving him unharmed. His stone-faced expression remains.
Joe Canutt Judah Ben-Hur rides his chariot over the wreck of a competitor.
Pursued by Germans,
Bud Ekins as Capt. Virgil “The Cooler King” Hilts jumps his
motorcycle 60 feet over a barbed-wire fence... but doesn't quite make it to safety.
Trapped by the Superposse, Butch and Sundance leap off a cliff into raging waters knowing that the "fall will probably kill
*".
Papillion makes his final bid for freedom by leaping from a cliff into the sea. Dar Robinson doubled for
Steve McQueen, his first major stunt in a
Hollywood film.
Ross Kananga as
James Bond uses four
crocodiles as stepping stones to reach safety on the other side. Kananga, who owned the crocodile farm seen in the film, and after whom the main villain is named, did the stunt five times wearing the same crocodile skin shoes as his character had chosen to wear. During the fourth attempt, the last crocodile bit through the shoe and into his foot. The fifth attempt is one seen on film, with the tied-down crocodiles snapping at his feet as he passes over them.
In the same film,
Jerry Comeaux as
James Bond jumps his speedboat 70 feet over a police car, a record that remained for 15 years.
"Bumps" Williard as
James Bond leaps a broken bridge and spins around 360 degrees in flight. Willard was paid £30, 000 for the stunt, which was held under
Eon copyright for several years afterwards.
A major character dies when the rope bridge he is standing on is cut.
British stuntman Joe Powell volunteered for the stunt after the rest of the stuntmen came down with a mysterious ailment. He fell 80 feet onto cardboard boxes balanced on the edge of a ravine. If he had missed the boxes, no safety wire or parachute would have stopped him falling to the bottom of the ravine. Making the situation more dangerous was the rope bridge, which caused Powell to spin as he fell.
Rick Sylvester playing
James Bond escapes the bad guys by
skiing off a cliff in the
Austrian Alps (actually
Mount Asgard in the
Arctic Circle) then releasing a parachute. Sylvester waited two weeks for the weather atop
Mount Asgard to change. Finally he had a 15 minute window to make the jump. Five cameras were meant to record the stunt, but only the master shot worked. Sylvester was allegedly paid $100,000 for the stunt. As he falls, one of his skis hits the parachute on its way down. It shows just how dangerous the stunt really was.
A.J. Bakunas as Hollywood
stuntman Hooper leaps from a helicopter onto an airbag 232 feet below, a record that remains to this day.
The hero fights the villain atop the world's tallest freestanding structure,
Toronto's
CN Tower, and the villain loses. Doubling the villain was Dar Robinson who opened his parachute just 300 feet from the ground after a fall lasting six seconds. Robinson was paid $100,000.
Corrie Jansen leaps 182 feet from a cliff, a record freefall for a woman.
Indiana Jones climbs underneath a moving truck and is dragged along behind it before climbing back on board. The stunt was performed by
Terry Leonard.
Smokey leaps his
Trans-Am motorcar from the back of trailer, setting a record that remains to this day.
Sharky (
Burt Reynolds) punches the villain through the window of the
Hyatt Regeny in
Atlanta. To achieve the affect, Dar Robinson ran at the window, then at the last moment, spun around to go backwards through the glass and land on an
airbag. It is the highest freefall (220 feet) from a building without a cable or parachute.
Renegade cop
Roy Scheider, flying the state-of the-art “Blue Thunder”
helicopter, is chased by a
police helicopter down
L.A.'s
storm drains, weaving between the varying support legs until his pursuer eventually crashes.
Jeannie Epper and
Terry Leonard as Joan Wilder and Jack Colton leap from a car as it falls over an 80 foot waterfall.
During the
skateboard chase, Marty McFly runs over the top of Biff Tannen's convertible and rejoins his skateboard on the other side.
While rampaging through a mall,
Genghis Khan rides up to a trampoline, does a somersault off of it, and lands back on his skateboard.
Dar Robinson asked to play the part of the
albino killer in this Burt Reynolds directed
Elmore Leonard adaptation so the audience would be more shocked by the villain's death. Without cutting away, Robinson was filmed falling backwards off a hotel balcony emptying his revolver at Reynolds' as he fell. A thin cable ran up Robinson's leg to a harness around his waist to arrest his fall just feet off the ground.
This was the third variation on a stunt that had appeared first in
Moonraker and then in
Octopussy;
James Bond battles a bad guy while they are both hanging outside a
plane. In this case, Bond and the villainous Necros fight as they cling to a cargo net filled with bags of opium hanging out the rear of a
Soviet cargo plane. All three stunt sequences were done with ace
parachustists Jake Lombard and
B.J. Worth. Lombard, who had previously doubled for
Roger Moore, took the part of Necros here, while Worth finally got to play Bond by doubling
Timothy Dalton.
Nick Gillard as Eric Visser jumps his speedboat over a bridge in
Amsterdam, breaking the record previously set by
Live and Let Die.
Vic Armstrong as
Indiana Jones rides his horse onto a ledge and jumps onto a moving
Nazi tank.
The killer
robot T-1000 flies a helicopter in a freeway chase after a
S.W.A.T. van driven by
The Terminator and at one point flies under an overpass. As if to prove the stunt was done for real, the pilot attempts a second underpass, but flies away at the last second.
Corrupt
Treasury agent Travers hijacks a jet carrying $100 million, then slides down a cable to the villains'
Learjet.
British stuntman
Simon Crane performed the stunt. When the film's budget could not afford the one million dollars needed to complete the sequence, lead actor
Sylvester Stallone agreed to cut his salary by the same amount.
Billy Morts as
L.A.P.D. cop Jack Traven rips the door of a
Jaguar sports car then leaps to the open door of a speeding bus, his feet scraping against the ground.
Wayne Michaels as
James Bond bungee jumps over a
dam to break into a
Russian chemical weapons factory. Michaels reached 100 miles per hour during the jump and came perilously close to the sloping surface of the dam, which was studded with irons struts that could have torn him to pieces. The stunt was further complicated as Bond had to take out a gun during the fall, which threw Michaels off trajectory.
Echoing
The Man with the Golden Gun,
Gary Powell as
James Bond leaps his
boat in a 360 degree spin, wrecking a gun emplacement on the bad girl's boat.
Stunts that have gone wrong
A.J. Bakunas died doubling for George Kennedy in a fall from the
Kincaid Building in
Kentucky, for the movie "High Steel".Bakunas had successfully performed a fall from the ninth floor of the construction site, but when he learned that Dar Robinson had broken his record high fall for a non-movie related publicity stunt, Bakunas returned to perform the fall from the top of the 300 foot construction site. Bakunas performed the fall expertly, but the airbag split and Bakunas was killed.
Professional wrestler Owen Hart died in May 1999's * PPV Over The Edge after he was scheduled to glide down from the rafters for a ring entrance. This stunt was botched and Owen fell over 50 feet to the ring below.
The making of the movie Twilight Zone had consequences that overshadowed the film itself. During the filming of a segment directed by John Landis on July 23, 1982, actor Vic Morrow and child actors Myca Dinh Le (aged 7) and Renee Shin-Yi Chen (aged 6) died in an accident involving a helicopter being used on the set. Without warning, it spun out of control and crashed, decapitating Morrow and one of the children with its blades. The remaining child was crushed to death as the helicopter crashed. Everyone inside the helicopter was unharmed.
Recognition of stunt performers
Movies such as
Hooper and
The Stunt Man and the 80s television show
The Fall Guy sought to raise the profile of the stunt performer and debunk the myth that movie stars perform all their own stunts. Noted stunt coordinators
Hal Needham,
Craig R. Baxley and
Vic Armstrong went on to direct the action films
The Cannonball Run,
Action Jackson,
The Joshua Tree.
Vic Armstrong became the first stuntman to win both an
Academy Award (for developing a descender rig as a safe alternative to airbags) and a
Bafta award (for lifetime achievement in film). But the status of stuntmen in Hollywood is still low; despite the fact that few films of any genre or type could be made without them, stunt performers are still seen as working mainly in action movies. Repeated campaigns for a "Best Stunts" Academy Award have been rejected.
In 2001, the first "World Stunt Awards" was held in Los Angeles. Presented by actor Alec Baldwin, the event had a A-list stars presenting the statues to Hollywood's unsung heroes. Arnold Schwarzenegger was presented with the first "Lifetime Achievement" award. He presented the awards in 2001. The awards show hands out eight awards: Best Fight, Best Fire Stunt, Best High Work, Best Overall Stunt by a Stunt Man, Best Overall Stunt by a Stunt Woman, Best Speciality Stunt, Best Work with a Vehicle and Best Stunt Coordinator and/or 2nd Unit Director.
Shows such as "Jackass" on MTV2 and "Totally Outrageous Behavior" on G4 feature people doing outrageous stunts.
Equality in stunts
In past Hollywood movies it was common for men to double for women and
White American stunt performers to double for
African-American performers. It is now against
union rules for
stunt performers to double an actor of a different gender or race unless the stunt is so dangerous that there are no other volunteers, for example when
B.J. Worth doubled for African-American
Grace Jones parachuting off the
Eiffel Tower in
A View to a Kill. The rise of action heroines like
Angelina Jolie and African-American stars like
Will Smith has offered wider opportunities for stunt performers from diverse backgrounds.
The future of stuntwork
A backlash against dangerous stunts following the death of
Sonya Jones, coinciding with developments in
Computer Generated Imagery (CGI) that make such stunts unnecessary threatens to reduce stunt performers to the status of body doubles. And yet a backlash against movies that resemble
video games could lead to a resurrection in pure stuntwork. Movies such as
The Matrix and
Impossible II have shown how CGI and stunts can be integrated for maximum effect. But - if for no other reason than safety - it is doubtful that the records established by
Hooper and
Sharky's Machine will be broken anytime soon.
See also
Film techniques | Special effects
Stuntman | Stunt | Doble de riesgo | بدلکاری | Kaskader | スタント | Каскадер | Stunt