A striptease or exotic dance is a performance, usually a dance, in which the performer (sometimes called an ecdysiast), "strips off clothing to arouse sexual desire by displaying the naked body in motion." Stripteases are usually performed in strip clubs. The "teasing" part involves the slowness of undressing, while the audience is eager to see more nudity. Delay tactics include additional clothes under clothes being removed, putting clothes or hands in front of just undressed body parts, etc. Emphasis is on the act of undressing along with sexually suggestive movement, not on the state of being undressed: in some cases the performance is finished as soon as the undressing is finished. (Before the sexual revolution, striptease performance often ended with the performer wearing a g-string and pasties).
Along with physical attractiveness and appropriate clothing, the main asset and tool used by the exotic dancer in recent years is the stripper pole. Almost all exotic dancers are drawn to the profession by the potential for high earnings in the form of tips and commissions from lap/couch dances and champagne rooms.
For certain events, including bachelor/bachorette parties, the stripper's job often involves holding games or contests with sexual themes.
The contact between a performer and a customer is regulated in ways that vary in response to local laws and club rules, ranging from "air dances" with minimal or no contact to "friction" lap dances at the dancer's discretion.
The ancient art of the strip tease traces its origins in the Sumerian tablets, on which were written the myth of the descent of the goddess Innana into Hades to retrieve her lover Damouz. At each of the seven gates, she removed a veil and a jewel. As long as she remained in hell, the earth was barren. When she returned, fecundity abounded. Her dance lived on as the famous dance of the seven veils of Salome, who danced for King Herod in the New Testament. Many forms of the strip tease made their way throughout Sumeria, Mesopotamia, into Asia and west into the near east and southern Europe, via Gypsies.
In South India, the dance evolved through the Devadasi temple and court dancers.
In the nineteenth century, French colonists in North Africa and Egypt "discovered" and seized upon the dances of the Ghawazee, especially a courtesan dancer known as Kuchuk Hanem, and exoticized the image of the nonwestern woman as one who would disrobe as part of a dance performance. It is likely that the women performing these dances did not do so in an indigenous context, but rather, responded to the commercial climate for this type of entertainment.
Middle Eastern belly dance, also known as Oriental Dancing, was popularized in the US after its introduction on the Midway at the 1893 World's Fair in Chicago by a dancer known as Little Egypt.
American strip tease nurtured its roots in carnivals and Burlesque theatres. The art and business enjoyed prosperity as the United States economy grew out of the depression of the 1930's through the fifties. In the sixties and seventies, with changing cultural expressions of sexuality, it declined in profitability and status. In the eighties and technology boom of the nineties, those in the profession enjoyed better acceptance and better working conditions.
The People's Almanac credited the origin of striptease as we know it to an act in 1890s Paris in which a woman slowly removed her clothes in a vain search for a flea crawling on her body. Striptease enjoyed a revival with the advent of burlesque theatre, with famous strippers such as Gypsy Rose Lee.
In 1940, humorist H. L. Mencken coined the term ecdysiast as a euphemism for strippers; it derives from the Greek ekdusis meaning "to molt."
In the latter 1990s a number of performers and dance groups have emerged to create New Burlesque, a revival of the classic burlesque of the early half of the twentieth century. Troupes. New Burlesque focuses on dancing, costumes and entertainment (which may include comedy and singing) and generally eschews full nudity or toplessness. Some burlesquers of the past have become instructors and mentors to New Burlesque performers such as Velvet Hammer and the Pontani Sisters. The pop group Pussycat Dolls began as a New Burlesque troupe.
Visits by women to clubs featuring male exotic dancers, usually as a group for an activity such as a bachelorette party, have now become part of mainstream culture in Western countries. Unlike the enforced sedate atmosphere at clubs featuring female exotic dancers for male audiences, the female audience for male strippers is very vocal, rowdy, and even aggressive. Female patrons getting up on stage with the male exotic dancers and helping them strip or joining them stripping is commonplace. Usually, the nightclub management and their bouncers do not try to restrain their female audiences unless disturbances and fights break out. Female patrons tend to "push the envelope" to see how far they're allowed to go. Most commonly, it is the female patrons testing the boundaries who are the ones that start restraining themselves before the bouncers do.
Gay male strip clubs feature men who appear initially in skimpy undergarments (which are quickly removed if full nudity is allowed) and socks. Fondling the strippers is commonplace and considered fair game, even as it is often technically prohibited. In cities such as Washington, D.C. where full nudity is allowed, the male strippers at gay venues stand on the bar or stage and masturbate to maintain erection, allowing the customers to also masturbate them for tips.
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