Psychophysics is a subdiscipline of psychology dealing with the relationship between physical stimuli and their perception.
Gustav Theodor Fechner founded psychophysics in 1860 when he published Elemente der Psychophysik. He described research relating physical stimuli with how they are perceived and set out the philosophical foundations of the field. Fechner wanted to develop a theory that could relate mind to matter, to describe the relationship between the world and the way it is perceived (Snodgrass, 1975). Fechner's work formed the basis of psychology as a science. Wilhelm Wundt built on Fechner's work when he founded the first laboratory of experimental psychology at University of Leipzig.
Psychophysicists usually study stimuli that can be objectively measured, like intensity of light or sound. All the senses have been studied including vision, hearing, touch (including skin and enteric perception), taste, smell, and the sense of time.
The most common use of psychophysics is in producing scales of human experience of various aspects of physical stimuli. Take for an example the physical stimulus of frequency of sound. Frequency of a sound is measured in Hertz, cycles per second. But human experience of the frequencies of sound is not the same as the frequencies. For one thing, there is a frequency below which no sounds can be heard, no matter how intense they are (around 20 Hz depending on the individual) and there is a frequency above which no sounds can be heard, no matter how intense they are (around 20,000 Hz, again depending on the individual). For another, doubling the frequency of a sound (e.g., from 100 Hz to 200 Hz) does not lead to a doubling of experience. The perceptual experience of the frequency of sound is called pitch, and it is measured by psychophysicists in mels.
More analytical approaches allow the use of psychophysical methods to study neurophysiological properties and sensory processing mechanisms. This is of particular importance in human research, where other (more invasive) methods are not used due to ethical reasons.
Areas of investigation include sensory thresholds, methods of measurement of sensitivity, and signal detection theory.
There are two kinds of thresholds: absolute and difference. An absolute threshold is the level of intensity of a stimulus at which the subject is able to detect the presence of the stimulus some proportion of the time (a p level of 50% is often used). An example of an absolute threshold is the number of hairs on the back of one's hand that must be touched before it can be felt - a participant may be unable to feel a single hair being touched, but may be able to feel two or three as this exceeds the threshold.
A difference threshold is the magnitude of the difference between two stimuli of differing intensities that the participant is able to detect some proportion of the time (again, 50% is often used). To test this threshold, several difference methods are used. The subject may be asked to adjust one stimulus until it is perceived as the same as the other, may be asked to describe the magnitude of the difference between two stimuli, or may be asked to detect a stimulus against a background.
Absolute and difference thresholds are sometimes considered similar because there is always background noise interfering with our ability to detect stimuli (Snodgrass, 1975), however study of difference thresholds still occurs, for example in pitch discrimination tasks.
In experiments, the ascending and descending methods are used alternately and the thresholds are averaged. A possible disadvantage of these methods is that the subject may become accustomed to reporting that they perceive a stimulus and may continue reporting the same way even beyond the threshold (the error of habituation). Conversely, the subject may also anticipate that the stimulus is about to become detectable or undetectable and may make a premature judgment (the error of expectation).
To avoid these potential pitfalls, Georg von Bekesy introduced the staircase method in 1960 in his study of auditory perception. In this method, the sound starts out audible and gets quieter after each of the subject's responses, until the subject does not report hearing it. At that point, the sound is made louder at each step, until the subject reports hearing it, at which point it is made quieter in steps again. This way the experimenter is able to "zero in" on the threshold.
The methods of limits, constant stimuli and adjustment can be used in difference detection by asking the subject to detect a difference between stimuli rather than detect a single stimulus.
Psykofysik | Psychophysik | Psychophysique | Psichofizika | 精神物理学
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