A monocle is a type of corrective lens used to correct the vision in only one eye. It consists of a circular lens, generally with a wire ring around the circumference that can be attached to a string. The other end of the string is then connected to the wearer's clothing to avoid losing the monocle. The connoisseur of antiquities Philipp von Stosch wore a monocle in Rome in the 1720s, in order closely to examine engravings and antique cameos, but the monocle did not become an article of gentlemen's apparel until the nineteenth century, introduced by the dandy's quizzing glass of the 1790s, best remembered in the first cover of The New Yorker (illustration, right), repeated once annually, in April, ever since.
The third style of monocle was frameless. This consisted of a cut piece of glass, with a serrated edge to provide a grip, and sometimes a hole drilled into one side for a cord. Often the frameless monocle had no cord and would be worn freely. This style was popular at the beginning of the 20th century as they could be cut to fit any shape eye orbit cheaply, without the cost of a customized frame.
It is a myth that monocles were uncomfortable to wear. If they were customised then they could be worn securely with no effort. However, often only the rich could afford to have them custom-manufactured and the poor had to settle for poorly-fitted monocles that were less comfortable and less secure. The popular perception was (and still is) that a monocle could easily fall off with the wrong facial expression. A once-standard comedic device exploits this: an upper-class gentleman makes a shocked expression in response to some event, and his monocle falls into his drink, smashes into pieces on the floor, etc.
Monocles were most prevalent in the late 19th Century but are rarely worn today. This is due in large part to advances in optometry which allow for better measurement of refractive error, so that glasses and contact lenses can be prescribed with different strengths in each eye. The monocle did, however, garner a following in the stylish lesbian circles of the mid 20th century, with lesbians donning a monocle for effect. Such women included Una Lady Troubridge, Radclyffe Hall, and Weimar German reporter Sylvia von Harden.
Some famous figures who wore a monocle include British politician Joseph Chamberlain and his son Austen, Muslim nationalist Mohammad Ali Jinnah, Portuguese President António de Spínola, filmmakers Fritz Lang and Erich von Stroheim, Dadaists Tristan Tzara and Raoul Hausmann, esotericist Julius Evola, Poet laureate Alfred Lord Tennyson, singer Richard Tauber and perhaps ironically Karl Marx. In another vein G. E. M. Anscombe was one of only a few noted women who occasionally wore a monocle.* Famous wearers today include astronomer Sir Patrick Moore and former boxer Chris Eubank. The painting Portrait of the Journalist Sylvia Von Harden by German expressionist painter Otto Dix depicts its subject sporting a monocle. Abstract Expressionist painter Barnett Newman wore a monocle mainly for getting a closer look at artworks. Famed singer Richard Tauber wore a monocle to mask blindness in one eye.
Famous fictional wearers include Wilkins Micawber, Mr. Peanut, Edgar Bergen's dummy Charlie McCarthy, Batman's nemesis The Penguin, Colonel Klink (played by actor Werner Klemperer, who once admitted his was held in place with spirit gum), most incarnations of Colonel Mustard from the game Cluedo/Clue, and the character Cho Hakkai from the anime Saiyuki. The fictional Lord Peter Wimsey, an amateur detective from an upper-class background, possessed a set of detecting tools disguised as more gentlemanly accessories, including a powerful magnifying glass disguised as a monocle. The DC Comics supervillian The Monocle gains his powers from a mystic version of his namesake.
مونوكل | Monokel | Monokel | מונוקל | მონოკლი (ოპტიკა) | Monocle | Monokkeli | Monokel