High-heeled shoes are shoes which raise the heel of the wearer's foot significantly higher than the toes. When both the heel and the toes are raised, as in a platform shoe, it is generally not considered to be a "high-heel." High-heels come in a wide variety of styles, and the heels are found in many different shapes, including stiletto, block, tapered, blade, and wedge. While high heels are today mostly associated with female shoe styles, they are also found in some specialist shoe designs worn by both sexes such as cowboy boots.
The obvious solution was to design a leather shoe with a thicker sole that supported the rider's weight, distributing the pressure from the stirrups over more of the bottom of the rider's feet. However this failed to solve the problem of the rider's feet slipping forward in the stirrups, often with comical, if not tragic results.
Cobblers had been adding thin, flat heels to shoes by this time, as a pair of leather shoes was very expensive. Both soles and heels were developed to protect the owner's comfort and investment by increasing the long-term durability of the shoe and distributing uneven pressures from rough terrain more evenly over the owners' feet.
Riders and cobblers worked together to develop the "rider's heel," with a height of approximately 1-1/2", which appeared around 1500. The leading edge was canted forward to help grip the stirrup, and the trailing edge was canted forward to prevent the elongated heel from catching on underbrush or rock while backing up, such as in on-foot combat. These design features are still in use today in riding boots, primarily on both men and women's cowboy boots.
The simple riding heel gave way to a more stylized heel over its first three decades. During this time military uniforms became more stylized, particularly among the nobility, who equated style with social status. Beginning with the French, heel heights among men crept up, often becoming higher and thinner, until they were no longer useful while riding, but were relegated to "court-only" wear. By the late 1600s men's heels were commonly between three and four inches in height.
In 1533, more than three decades after the male French nobility began wearing heels, the diminutive wife of the Duke of Orleans, Catherine de Medici, commissioned a cobbler to fashion her a pair of heels, both for fashion, and to increase her stature. They were an adaptation of chopines, like chopines both the heel and toe were raised (not unlike modern platform shoes), but unlike what had come before, the heel was higher than the toe and the "platform" was made to bend in the middle like the foot.
It's been said by some that Leonardo Da Vinci was the inventor of the high-heel. While he may have designed a heel or two in his day, the truth is that it really was invented due to military necessity. High-heeled fashion quickly caught on with the fashion-conscious men and women of the French court, and spread to other pockets of nobility in other countries. Both men and women continued wearing heels as a matter of noble fashion throughout the seventeenth and eighteenth centuries.
When the French Revolution drew near, in the late 1700s, the practice of wearing heels drew to a close, as the term "well-heeled" had became synonymous with opulent wealth, and could incur the ire of the public at large.
Throughout most of the 1800s, flats and sandals were the normative style for both sexes, but the heel resurfaced in fashion during the late 1800s, almost exclusively among women. Since the early 1900s, high-heel design has run the gamut of styles. While today's fashions favor pointed toes, most styles that have appeared over the last century remain available in one form or another, along with a plethora of newer styles.
Today's high-heels, regardless of the heel's shape, are generally limited to women's footwear. Some men's footwear, such as cowboy boots and shoes with a Cuban heel are considered by some to be a high-heel, even though neither tops 3" in the heel. What height constitutes a "high-heel" has long been a point of contention between those who wear very high-heels and those who wear lower heels. Most high-heeled shoes have heels between 2" and 3". Less popular are shoes with higher heels, such as those above 4". Extremely high-heeled shoes, such as those higher than 5", are effectively worn only for display, and typically for the enjoyment of shoe fetishists and/or the wearer.
There are many reasons why women desire to wear heels, including:
However, many women shun these shoes because:
As a result of these conflicting factors, women who wear high heels have a love/hate relationship with their shoes. A small proportion of women seem to be obsessed with high-heels, owning many pairs. Imelda Marcos, for example, was famous for her vast collection. Second-wave feminism considered high-heeled shoes a tool of female oppression, constraining a woman's movements and behavior as much as possible; however, third-wave "sex-positive" feminism supports a person's choice to wear high heels for pleasure. Throughout the last sixty years, high-heels have fallen in and out of favor several times, most notably in the late 90s, when lower heels and even flats predominated. Lower heels were preferred during the late 60s and early 70s, as well, but higher heels returned in the late 80s and early 90s. The shape of the heel has vacillated back and forth between block (70s), tapered (90s), and stiletto (50s, 80s, and post-2000).
The best solution to avoid these problems is to avoid heels altogether. If that is not possible, then the wearer should ensure they are wearing high-heels no more than half the time, and that they are spending at least a third of the time on their feet either barefoot, in supportive flat-soled shoes, or in good running/walking/cross-training shoes. Saving high heels for rare occasions is best for the overall health of the feet.
One of the most critical problems with high-heels is with the design and construction of the toebox. Improper construction here wreaks the most damage and long-term pain on the foot. Narrow toe boxes force the toes together. Several celebrities, such as Victoria Beckham, have come to the point where surgery is needed to recover from the damage caused by wearing high-heels too often. Ensuring room exists for the toes to assume a normal position and spending sufficient time out of high-heels allows the body to repair any damage caused by high-heels, thereby recovering to a sufficiently healthy point where high-heel wear remains an option, rather than a debilitating practice. Unfortunately, the most common design trend today is towards the extremely pointed toe.
Block heels do not necessarily offer more stability, and any raised heel with too large a width, such as blade and block heels, induces unhealthy side-to-side torques to the ankle every step. Heels which strike the ground too far after of the ankle over-torque the ankle forward, producing extreme stress on the ankle, and creating additional impact on the ball of the foot, both of which are highly likely to cause damage to the feet. Thus, the best design for a high-heel is one with a narrower width, where the heel is closer to the front, more solidly under the ankle, where the toe box provides room enough for the toes, and where forward movement of the foot in the shoe is kept in check by material snug across the instep, rather than by toes jamming together in the toe box. Naturally, this rules out most pumps, but boots, particularly lace-ups with a round toe box and forward heel, are surprisingly supportive.
Interestingly enough, despite the medical issues surrounding high-heel wear, a few podiatrists recommend a well-constructed low heel of no more than two inches for their patients with flat feet. It appears the moderate heel improves the angle of contact between the metatarsals and the horizontal plane, thereby more closely approximating the angle and resulting weight distribution of a normally-arched foot. The angle for high-arched feet, however, is already exaggerated, and the wear of heels by those with high arches can be particularly problematic for the metatarsal phalangeal joint.
Regardless of fashions, it's important to note that high heels do cause cumulative damage to the feet. Many report back pain and problems with spinal alignment, from the abnormal posture that high heels induce.
While high-heels are marketed almost exclusively to women, a small percentage of men have worn, and continue to wear heels for various reasons, including personal preference, medical reasons, gender identity issues, and fetish roles.
Heel wear among men is especially prevalent among rock stars, which has seen many performers wearing heels, both on and off the stage since the late 1960s, beginning with the Beatles, who wore shoes with a higher heel.
The practice of men wearing heels continues to grow throughout Westernized countries including the US and Europe, and to a lesser extent in various pockets of Asia. This trend has not been lost on fashion designers, who have occasionally featured men wearing heels on the runways since the mid 1990s. Recent changes by shoe manufacturers, including marketing more masculine styles and heels with significantly larger sizes to accommodate men, appears to underscore this trend, and many of the more masculine high-heeled shoe and boot designs that were only available in sizes up to 11 just two years ago are now available in sizes up to 13, with some in sizes quite larger.
High-heeled shoes in women's styles are also available in men's sizes from specialist suppliers, and are principally worn by male transvestites and drag queens, although they may also be worn out of necessity by women with unusually large feet and male-to-female transsexuals.
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