Electro, short for electro funk (also known as robot hip hop) is an electronic style of hip hop directly influenced by Kraftwerk and funk records (unlike earlier rap records which were closer to disco). Records in the genre typically have all-electronic sounds and vocals are delivered in a deadpan, mechanical manner often through a vocoder or other electronic distortion.
Characteristics
With few exceptions, the definition of the electro sound is the use of
drum machines as the base of a track. A legendary drum machine with a recognizable sound still used today is the
Roland TR-808. The instrumentation is generally all-electronic with a
funk-style synthesizer bass line. Heavy use of effects such as
reverb and
echo together with electronic
pads create a rich and simultaneously cold sound that emphasizes the common
science fiction theme of the lyrics. Not all electro features
rapping; vocals processed through a
vocoder is a common element and
instrumental tracks are more prominent than in related genres of electronic and hip hop music. In recent years it has become common for electro artists to perform using only
laptop computers, this way emphasizing the technological theme of the music.
Concept albums are common in electro with Kraftwerk pioneering entire albums in technological or futuristic themes such as robots, computers or nuclear science. Many artists are entirely devoted to sci-fi subjects of this kind.
History
Bronx, NY based artist
Afrika Bambaataa's
Planet Rock (
1982) is one of the first electro records, using elements of Kraftwerk's
Trans-Europe Express and "Numbers" (from the
Computer World album). Bambaataa and artists like
Juan Atkins' group
Cybotron, Planet Patrol,
Jonzun Crew, and
Newcleus went on to influence the genres of
detroit techno,
ghettotech,
drum and bass and
electroclash.
Subgenres
Los Angeles artists
Egyptian Lover and
Arabian Prince gave birth to
electro hop, a less funky, more
bass-heavy
West Coast sound, similar to
2 Live Crew and the
Miami Bass scene. Other artists in this style include
Chris "The Glove" Taylor and
World Class Wreckin' Cru.
Detroit also has a unique style sometimes called Techno Bass which is a fusion of Detroit Techno with Miami Bass. On the East Coast and especially in Miami, electro spawned freestyle, a soulful, Latin-centric variant.
Contemporary electro
Although the early 1980s were electro's heyday in the mainstream it enjoyed a popularity increase in the late 1990s with artists such as
DMX Krew,
Mr Velcro Fastener and
Japanese Telecom. Some current making artists making music in this style have embraced the pseudonyms of Detroit techno pioneers. The renewed interest in electro, though influenced to a great degree by Detroit and New York music, is primarily taking hold elsewhere with electro club nights becoming commonplace again. The newfound popularity has influenced other electronic dance music genres such as
EBM, as well as mainstream hiphop.
Artists
See also
External links
Hip hop genres
Electro Funk | Electro Funk | Electro | Electro | אלקטרו | Electro Funk | Electro | Electro