Drawn thread work is a form of counted-thread embroidery based on removing threads from the warp and/or the weft of a piece of even-weave fabric. The remaining threads are grouped or bundled together into a variety of patterns. The more elaborate styles of drawn thread work use in fact a variety of other stitches and techniques, but the drawn thread parts are their most distinctive element. It is also grouped as whitework embroidery because it was traditionally done in white thread on white fabric and is often combined with other whitework techniques.
In Ukraine, as in many slavic-language countries, Merezhka is the general term for "drawn-thread" work. "Merezhka" includes all types of drawn-thread work including those mentioned in the paragraphs above.
Pronounce "merezhka" thus: MEh-REh-ZH (like the 's' in "pleasure")-KAh.
The "myreschka" spelling is a mistranslation (spelling error) in writing the cyrillic/slavic word 'merezhka' into English. The correct spelling in English is "MEREZHKA". It does not require capitalization any more than the term 'hemstitch'. Those who do not know Ukrainian (or other slavic language) have misunderstood the meaning of the word 'merezhka', and have been using the mis-spelled form of the word ("myreschka") to mean a specific drawnwork technique; but that is unfortunate and incorrect.
In recent years (199(?)-2005), the mis-spelled word "myreschka" has been incorrectly used to mean a specific Ukrainian drawn-thread technique that is traditionally used in the central lands of Ukraine, esp. in the regions of Poltava and Kyiv, and areas along the Dniepro (Dnieper) River, and some have come to call it "Poltava-style" merezhka. The technique has its own descriptive name in the Ukrainian language, which might be translated into English as "layerings".
The technique for doing Poltava-style 'layerings'-merezhka basically involves withdrawing sets of parallel threads of weft while leaving others in place, then using the antique hem-stitch (called "prutyk") and this special "layerings" technique to create both the openwork 'net' and the design of embroidering threads upon the "withdrawn" part of cloth. The designs which can be created in this way can be simple and narrow, or as complex and wide (high) as any one-colored embroidery design.
"Prutyk" (may also be spelled "prutik") is the bunch (switch or stick) that is created when you pull together each bunch of three threads together using hem-stitch.
In Ukrainian, "prutyk" is simply another name for 'simple hemstitch' (i.e.: "merezhka-prutyk"), or it can mean each tiny 'bunch' in the hemstitching.
A form of double-drawnwork, where both warp and weft are removed at regular intervals, consists of wrapping the remaining threads into "bundles", using embroidery thread to secure them, thus creating something similar to a net. Then embroidery threads are woven in patterns into that net using needle weaving or needle darning. The result is a pattern of the design in white (or colored, depending on ethnic region) embroidery on the "openwork" background of netted cloth.
Another embroidery style that combines drawn thread work with needlelace techniques is Hedebo from Denmark, it originates from the area around Copenhagen and Roskilde. It uses techniques that are clearly distinct from reticella and traditional Italian neddlelace on the one hand and Hardanger on the other. It does make extensive use of buttonhole stitches, but they are done slightly differently than in Italian embroidery.
Today, the most popular style of drawn thread (cutwork) is Hardanger. It was known in all Europe at least since the early 20th century, but it was only one style among many others. After it was made popular in the 1980s by some enthusiasts it became a craze. It is easy enough that hobby embroiderers can learn it from written instructions only and produce intricate pieces in a reasonable amount of time. The patterns available today are of course adapted to meet every possible modern taste.
About 1995, Ukrainian Poltava-style merezhka (cut-and-drawn work) was popularized by fabric companies and European stitching magazines who used the spelling "myreschka" (see discussion page). This was well received by the public because it was "new" and is a relatively quick and easy technique giving lovely results. Interest in learning "myreschka"(sic) continues in English-speaking parts of the world, but has not become as popular as Hardanger work.
At least in Germany, traditional fancy hemstiching is becoming somewhat popular again, maybe because there's a need for something new after everyone interested has explored Hardanger and "myreschka"(sic). Even (modernised) reticella patterns and how-tos make it into popular magazines, although they are really challenging for the occasional embroiderer.
Drawn thread work and needlelace are also used in creative freestyle embroidery. But creative drawn thread work is often done in a seemingly haphazard way that hasn't much in common with traditional counted thread embroidery.
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