The comedy of remarriage is a subgenre typical of American cinema in the 1930's and 1940's. At the time, the Production Code (aka Hays Code) banned any explicit references to or attempts to justify adultery and illicit sex. The comedy of remarriage enabled filmmakers to evade this provision of the Code. The protagonists divorced, flirted with strangers without risking the wrath of censorship, and then got back to each other. This typical pattern often generated great tension between the characters, for the greatest pleasure of the audience.
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It uses material from the
"Comedy of remarriage".
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