Cherub

Related Topics:
Cherubini,_Mario_Luigi_Carlo_Zenobio_Salvatore

This page is about the supernatural entity. For the band, see Cherubs (band) and for the series of books by Robert Muchamore see CHERUB A cherub (Hebrew כרוב, plural כרובים cherubim) is a supernatural entity mentioned several times in the Tanakh (or Old Testament) and the Book of Revelation.

In Catholic theology the Cherubim are one of the highest ranks in the hierarchy of angels, along with Seraphim. In popular Christian tradition, "cherub" and "cherubim" have become synonyms of "angel(s)" and especially with "baby angel(s)". Because most English speakers are unfamiliar with Hebrew plural formation, the word cherubims is sometimes incorrectly used as a plural. In English usage, cherubs is also an acceptable plural form, especially for "baby angels".

Cherubim in the Bible

Descriptions in the Bible vary, but in general all describe cherubim as winged creatures combining human and animal features. In the book of Genesis cherubim are described as guarding the way to the Tree of Life, east of the Garden of Eden armed with flaming swords (Genesis 3:24): "So he drove out the man; and he placed at the east of the garden of Eden cherubim, and a flaming sword which turned every way, to keep the way of the tree of life."

Exodus 26:1 attests that cherubim were embroidered on the curtains of the tabernacle. In Solomon's Temple, two olivewood sculptures of cherubim plated with gold, ten cubits high, stood wingtip-to-wingtip guarding the Ark of the Covenant; in the tabernacle, two smaller cherubim sculpted from solid gold are described as standing on the cover of the Ark facing each other (Ex 25:18). The Ark of the Covenant stood in the Holy of Holies, where the glory of God was said to reside; for this reason God is referred to in the Tanakh as "God who dwells between the cherubim". These were probably hybrid winged figures of a type common in the symbolism of the region, e.g. those depicted in the Megiddo Ivories carrying the throne of a nameless Canaanite king (Wright, 1957).

At an earlier period, when Yahweh was still conceived as making physical appearances, the cherubim formed his living chariot, possibly identical with the storm-winds (, ): "And he rode upon a cherub and did fly: and he was seen upon the wings of the wind ".

Ezekiel documents a different version of cherubim, probably of popular origin (according to the compilers of the Jewish Encyclopedia). The cherubim in this tradition had each four faces— that of a lion, an ox, an eagle, and a man— and combined features of these four creatures, the stature and hands of a man, the hooved feet of a calf (compare the image of Satan), and the two pairs of wings that identified deities, e.g. in contemporary Assyria. Christians will recognize these as the symbols of the four Evangelists. Two of the wings extended upward, meeting above and sustaining the throne of God; while the other two stretched downward and covered the creatures themselves. They never turned, but went "straight forward" as the wheels of the cherubic chariot, and they were full of eyes "like burning coals of fire" (Ezekiel i:5 - 28; ix:3, x; xi:22).

Cherubim in Christian imagery

The conception of angels derived from Biblical descriptions is difficult to present as a visual image, and furthermore composite beings are largely alien to the central Greco-Roman tradition. (Contrast archaic and exotic beings like Harpy, Typhon, Centaur Gryphon etc.) Some art historians believe Christians adopted the image of the lovely winged dawn goddess Aurora (or Eos) to represent angels.

In Eastern Christianity, the most frequently encountered descriptor applied to Cherubim is "many-eyed". They are often represented in iconography as a face peering out from the center of an array of either four or six wings, sometimes visually indistinguishable from Seraphim. Often the wings are depicted covered with many eyes.

In Western Christian art Cherubim are frequently represented as infants (Italian putti) as can be seen in innumerable church frescoes and in the work of Renaissance painters such as Raphael. Even in instances where they are represented with just the head and wings, the head is usually that of an infant and no more than two wings are shown ^* [http://expositions.bnf.fr/renais/grand/006.htm.

Christian novelist Madeline L'Engle depicted a cherubim (who referred to itself as such, in the singular) as one of the principal characters in her children's fantasy novel A Wind in the Door.

Cherubim in Islam

Muslim traditions narrated in the Hadith literature describe how Muhammad ascended to heaven on the back of Buraq, a human-headed winged horse. This sounds very like a cherub; however, the Qur'an neither mentions any such beings, nor describes angels in this way.

Origin of the word

The word cherub is probably related to the Babylonian word karabu (the Akkadian kuribu), meaning to be propitious or blessed—a name applied to spirits who served the gods as advisors and intermediaries (De Vaux, 1961). Others connect it with kirabu, the name of the Assyrian winged-bull god. Some scholars have even suggested tentatively that the Greek word gryphon might be derived from cherub. The Greek sphinx also greatly resembles the beastly image of cherubim, and is sometimes used as an alternate term, often to denote a fallen cherub.

Names attributed to this angelic order

External links

Judaism FAQs: What about angels, demons, miracles, and the supernatural?
Jewish Encyclopedia: Cherub
Catholic Encyclopedia: Cherubim
Biblaridion magazine: Cherubim apostasy

References

De Vaux, Roland (tr. John McHugh), Ancient Israel: Its Life and Institutions (NY, McGraw-Hill, 1961)
Wright, G. Ernest, Biblical Archaeology (Philadelphia, Westminster Press, 1957)

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