Woody Allen (born Allen Stewart Konigsberg on December 1, 1935) is an Academy Award-winning American film director, writer, actor, and comedian.
His large body of work and cerebral style have made him one of the most widely respected and prolific filmmakers in the modern era. He writes and directs his own movies and has acted in many of them as well.
For inspiration, Allen draws heavily on literature, philosophy, psychology, European cinema and, most importantly, New York City, where he was born and in which he has lived all his life.
To raise money he began writing gags for the agent David O. Alber, who sold them to newspaper columnists. Reportedly, Allen's first published joke was "I am at two with Nature." At sixteen, he started writing for stars like Sid Caesar and began calling himself Woody Allen. He was a gifted comedian from an early age. He would later joke that when he was young he was often sent to inter-faith summer camps, where he "was savagely beaten by children of all races and creeds."
He started writing prose and plays, and in 1960, started a new career as a stand-up comedian and also began writing for the popular Candid Camera television show, even appearing in some episodes. Together with his managers he turned his weaknesses into his strengths and developed the neurotic, nervous, and shy figure famous from his later movies. He soon became an immensely popular comedian and appeared frequently in nightclubs and on television.
Examples of Allen's standup act can be heard on the album Standup Comic, including the famous routine wherein Allen describes bringing a live moose to a costume party. The moose comes in second in the costume contest to the Berkowitzes, a couple in a moose costume. Occasionally, in his standup act, he referred to himself as "Heywood Allen," but it is not clear that ever used this form officially in either his professional or personal life.
Allen's first directorial effort was What's Up, Tiger Lily? (1966), in which an existing Japanese spy movie was redubbed in English by Allen and his friends with completely new, comic dialogue. In 1967, he also appeared in the offbeat James Bond spoof, Casino Royale.
In 1976, he starred in, but did not direct, The Front, a humorous and poignant account of Hollywood blacklisting during the 1950s.
Allen's most successful movies were produced in a 10-year period starting with Annie Hall; other critical and financial successes were Manhattan, The Purple Rose of Cairo (named by Time Magazine as one of the 100 best films of all time, and one of Allen's self-proclaimed three best films, along with Stardust Memories and Match Point) and Hannah and Her Sisters (winner of three Academy Awards). He also directed the serious drama Interiors, in the manner of the Swedish director, Ingmar Bergman, one of Allen's major influences.
Annie Hall, now a modern classic, marked a major turn to more sophisticated humor and thoughtful drama. Allen's 1977 film won four Academy Awards. Annie Hall set the standard for modern romantic comedy and also started a fashion trend with the unique clothes worn by Diane Keaton in the film (the off-beat, masculine clothing, such as ties with cardigans, was actually Keaton's own).
Stardust Memories was considered by many to be a biting piece of work in which the main character (played by Allen) expresses resentment and scorn for his fans. In the film, overcome by the recent death of a friend from illness, he states, "I don't want to make funny movies any more." However, by the mid-1980s, Allen had begun to combine his love of both tragic and comic elements with the release of such films as Hannah and Her Sisters, Husbands and Wives and Crimes and Misdemeanors.
In the late 1990s he returned to lighter movies, such as Everyone Says I Love You, a musical, and Mighty Aphrodite, for which Mira Sorvino won an Academy Award.
Allen made his only sitcom 'appearance' via telephone in the 1997 episode, "My Dinner With Woody" of the show Just Shoot Me!, an episode paying tribute to several of his films.
Small Time Crooks (2000), his first film with DreamWorks SKG studio, was a modest success, grossing over ten million dollars.
After a number of films that floundered with critics and at the box office, Match Point (2005) was one of Allen's most successful films in the past 10 years. The film, set in London, starred Jonathan Rhys-Meyers and Scarlett Johansson. It earned more than $23 million domestically (more than any of his films in nearly 20 years *) and was nominated for an Academy Award. In an interview with Premiere Magazine, Allen stated this was the best film he has ever made.
Allen, well-known for his love of New York, is in post-production on another film set in London, Scoop, starring Hugh Jackman, Ian McShane, Kevin McNally and Johansson. He recently announced that he was in pre-production for a third film there as well*.
Critical of the American film industry, Allen said, “I'm happy to work in London, because I'm right back in the same kind of liberal creative attitude that I'm used to."* European audiences have tended to be more receptive to Allen's films, particularly France, a country where he has a large fan base. He himself has said that he "survives" on the European market.
He continues to write roles for the neurotic persona he created in the 1960s and 1970s; however, as Allen gets older, the roles have been assumed by other actors such as John Cusack (Bullets Over Broadway), Kenneth Branagh (Celebrity), Jason Biggs (Anything Else), and Will Ferrell (Melinda and Melinda).
Rosen, whom Allen referred to in his standup act as "the Dread Mrs. Allen," later sued Allen for defamation due to comments at a TV appearance shortly after their divorce. Allen tells a different story on his mid-1960s standup album Standup Comic. In his act, Allen said that Rosen sued him because of a joke he made in an interview. Rosen had been sexually assaulted outside her apartment, and according to Allen, the newspapers reported that she "had been violated." In the interview, Allen said, "Knowing my ex-wife, it probably wasn't a moving violation."
Starting around 1980, Allen began a 12-year relationship with actress Mia Farrow, who had leading roles in several of his movies.
Farrow and Allen never married, but they adopted two children together: Dylan Farrow and Moses Farrow; and had one biological child, Seamus Farrow. Allen did not adopt any of Farrow's other biological and adopted children, including Soon-Yi Farrow Previn (now known as Soon-Yi Previn).
Allen and Farrow separated in 1992 after Farrow discovered nude photographs Allen had taken of Previn, and Allen admitted to a relationship with Previn.
During a subsequent protracted legal battle, Farrow accused Allen of sexually abusing their seven-year-old adopted daughter Dylan. The case never went to trial and Allen was never indicted.
Shortly after separating from Farrow in 1992, Allen openly continued his relationship with Soon-Yi Previn, Farrow's adopted daughter. Even though Allen and Previn denied he was ever her stepfather, the relationship drew much scrutiny for its perceived impropriety. At the time, Allen was 57 and Previn was 22.
Allen and Previn married in 1997. The couple later adopted two daughters, naming them Bechet and Manzie after jazz musicians Sidney Bechet and Manzie Johnson.
Farrow won the custody battle over their children and Allen was only granted sharply limited visitation rights. The judge said the sex abuse charges were inconclusive.Brozan, Nadine. "Chronicle," The New York Times, May 13, 1994. but called Allen's conduct with his daughter "inappropriate."Henneberger, Melinda. "Connecticut Prosecutor Won't File Charges Against Woody Allen," The New York Times, September 25, 1993
Allen was ultimately denied visitation rights with Dylan (now known as Eliza) and could only see Satchel (now known as Ronan) under supervision. Moses (now called Misha), who was then 14, chose not to see his father.
In a 2005 Vanity Fair interviewBiskind, Peter. "Reconstructing Woody," Vanity Fair, December 2005 Allen estimated that, despite the scandal's damage to his reputation, Farrow's discovery of the photographs was "just one of the fortuitous events, one of the great pieces of luck in my life. [... It was a turning point for the better."
Of his relationship with Farrow, he said "I'm sure there are things that I might have done differently. * Probably in retrospect I should have bowed out of that relationship much earlier than I did." Just one year after the legal battle, Allen briefly considered Farrow for the role of his wife in his film Mighty Aphrodite, a suggestion quickly rejected by the casting director.
Moment Magazine says "It drove his self-absorbed work". * John Baxter, author of Woody Allen - A Biography, wrote "Like Catholic confession, Allen's form of analysis let the penitent go free to sin again," and that "Allen obviously found analysis stimulating, even exciting."
Allen says he ended his psychotherapy visits around the time he began his relationship with Previn. He says he still is claustrophobic and agoraphobic.
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