The Weber–Fechner law attempts to describe the relationship between the physical magnitudes of stimuli and the perceived intensity of the stimuli. Ernst Heinrich Weber (1795–1878) was one of the first people to approach the study of the human response to a physical stimulus in a quantitative fashion. Gustav Theodor Fechner (1801–1887) later offered an elaborate theoretical interpretation of Weber's findings, which he called simply Weber's law, though his admirers made the law's name a hyphenate.
Fechner believed that Weber had discovered the fundamental principle of mind/body interaction, a mathematical analog of the function Rene Descartes once assigned to the pineal gland.
where dp is the differential change in perception, dS is the differential increase in the stimulus and S is the stimulus at the instant. A constant factor k is to be determined experimentally.
Integrating the above equation gives
where is the constant of integration, ln is the natural logarithm.
To determine , put , i.e. no perception; then
where is that threshold of stimulus below which it is not perceived at all.
Therefore, our equation becomes
The relationship between stimulus and perception is logarithmic. This logarithmic relationship means that if a stimulus varies as a geometric progression (i.e. multiplied by a fixed factor), the corresponding perception is altered in an arithmetic progression (i.e. in additive constant amounts). For example, if a stimulus is tripled in strength (i.e, 3 x 1), the corresponding perception may be two times as strong as its original value (i.e., 1 + 1). If the stimulus is again tripled in strength (i.e., 3 x 3 x 1), the corresponding perception will be three times as strong as its original value (i.e., 1 + 1 + 1). Hence, for multiplications in stimulus strength, the strength of perception only adds.
This logarithmic relationship is valid, not just for the sensation of weight, but for other stimuli and our sensory perceptions as well.
In addition, the mathematical derivations of the torques on a simple beam balance produce a description that is strictly compatible with Weber's law (see link1 or link2).
In the case of perception of pitch, humans hear pitch in a logarithmic or geometric ratio-based fashion: For notes spaced equally apart to the human ear, the frequencies are related by a multiplicative factor. For instance, the frequency of corresponding notes of adjacent octaves differ by a factor of 2. Similarly, the perceived difference in pitch between 100 Hz and 150 Hz is the same as between 1000 Hz and 1500 Hz. Musical scales are always based on geometric relationships for this reason. Notation and theory about music often refers to pitch intervals in an additive way, which makes sense if one considers the logarithms of the frequencies, as .
"Any one who has just taken a certain quantity of food of a certain kind will not immediately have the same strength of desire for another similar quantity," he wrote. "Within any single period of want every additional act of satisfaction will be estimated less highly than a preceding one obtained from a quantity of goods equal in kind and amount."
James saw Weber's law as an accurate generalization as to the friction in the neural machinery.
"If our feelings weight, sight, sound, etc. resulted from a condition of the nerve molecules which it grew ever more difficult for the stimulus to increase, our feelings would naturally grow at a slower rate than the stimulus itself. An ever larger part of the latter's work would go to overcoming the resistances, and an ever smaller part to the realization of the feeling-bringing state."
Perception | Eponymous laws | Psychological theories
Weber-Fechner-Gesetz | Loi de Weber-Fechner | Закон Вебера — Фехнера | ウェーバーの法則
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"Weber–Fechner law".
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