Vladimir Yakovlevich Propp (St Petersburg, April 29, 1895 – Leningrad August 22, 1970) was a Russian structuralist scholar who analysed the basic plot components of Russian folk tales to identify their simplest irreducible narrative elements. His Morphology of the Folk Tale was published in Russian in 1928; although it represented a breakthrough in both folkloristics and morphology and influenced Claude Lévi-Strauss and Roland Barthes, it was generally unnoticed in the West until it was translated in the 1950s.

Morphology

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Propp extended the Russian Formalist approach to the study of narrative structure. In the Formalist approach, sentence structures in narrative had been broken down into analysable elements, or "morphemes". Propp used this method by analogy to analyse folk tales. Ignoring narrative tone or mood, or extraneous decorative detail, and breaking down a large number of Russian folk tales into their smallest narrative units, which he called functions, and some of his modern followers like to call "narratemes", Propp was able to arrive at a typology of narrative structures. By analysing types of characters and kinds of action in a hundred tales, Propp was able to arrive at the conclusion that there were just thirty-one generic "narratemes" in the traditional Russian folk tale. While not all are present in every tale, he found that all the tales he analysed displayed the functions in unvarying sequence. He claimed that “^*ive categories of elements define not only the construction of a tale, but the tale as a whole.”:

1. Functions of dramatis personae (see below)
2. Conjuctive elements (ex machina, announcement of misfortune, chance disclosure – mother calls hero loudly, etc.)
3. Motivations (reasons and aims of personages)
4. Forms of appearance of dramatis personae (the flying arrival of dragon, chance meeting with donor)
5. Attributive elements or accessories (witch’s hut or her clay leg)

“Morphologically, a tale (сказка) may be termed any development proceeding from villainy (A) or a lack (a), through intermediary functions to marriage, or to other functions employed as a dénouement. Terminal functions are at times a reward, a gain or in general the liquidation of misfortune, en escape from pursuit, etc. This type of development is termed by us a move (ход). Each new act of villainy, each new lack creates a new move. A tale can have several moves, and when analyzing a tale one must first determine the number of moves of which it consists. One move may directly follow another but they can also interweave.”

As well as finding the 31 narrative functions of Propp's theory he also discovered that there are ONLY 8 broad character types in the thousands of tales he analysed:

1. The villain (struggles against the hero)
2. The donor (prepares the hero or gives the hero some magical object)
3. The (magical) helper (helps the hero in the quest)
4. The princess (person the hero marries, often sought for during the narrative)
5. Her father
6. The dispatcher (character who makes the lack known and sends the hero off)
7. The hero or victim/ seeker hero, reacts to the donor, weds the princess
8. False hero/ anti-hero/ usurper — (takes credit for the hero’s actions/ tries to marry the princess)

Criticism

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This analysis has been criticized for entirely removing all verbal considerations from the analysis, despite the folktale's usual form being oral, and also all considerations of tone, mood, character, and, indeed, anything that differentiates one fairy tale from another.

External links

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• The Functions of the Dramatis Personae
• The 31 narrative units of Propp's formula

• The Fairy Tale Generator: generate your own.
• Criticism
• Assessment of Propp (in German)
• A Fairytale Outline Generator: based on Propp's Morphology

1895 births | 1970 deaths | Russian philologists

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