Undergarments, also called "underwear", "lingerie" (undergarments for women), or sometimes "intimate clothing" and "pants" in British English are clothes worn next to the skin, usually under other clothes.
Some clothing is specifically underwear, while some is also used as swimsuit (if made of suitable material), and both T-shirts and some shorts are suitable as underwear as well as outer clothing. Suitability as outer clothing is, apart from outdoor or indoor climate, largely a social and sometimes even a legal matter. One of the criteria for shorts not to be suitable as outer clothing may be that it has a fly that avoids exposure of the genitals just by an overlap of cloth, without buttons, etc.
In addition to keeping outer garments from soiling, undergarments are worn for a variety of reasons: warmth, comfort and hygiene being the most common. Undergarments are often used for modesty or erotic display; sometimes both of these motivations are simultaneously present.
Undergarments can also have religious significance, as in the special temple garment worn by followers of the LDS Church (Mormons). Some Jews use clothing that should neither touch the skin, nor be used as outer clothing: tallit katan or tallet ketannah or tzitzit. Every Jewish boy and man is supposed to wear Tzitzis, an undergarment, every day, and at a minimum while attending synagogue *. Some Hindus wear a Sacred Thread underneath their clothing that is supported on the left shoulder and wrapped around the body, falling underneath the right arm.
The two major types of men's underpants are boxer shorts (shorts-length and loose) and briefs (smaller and tighter), which are also referred to as Y-fronts in British English.
In warmer climates, the loincloth may be the only clothing worn (making it effectively not an undergarment), as was doubtlessly its origin, but in colder temperatures, the loincloth often forms the basis of a person's clothing and is covered by other garments. In most ancient civilizations, this was the only undergarment available (King Tutankhamun was buried with 145 of them). Men are said to have worn loincloths in ancient Greece and Rome.
It is not clear whether or not Greek women wore undergarments. Roman women sometimes wore wrapped breastcloths or brassieres made of soft leather. They also seem to have worn loincloths and possibly something like panties. Decorative frescoes survive showing semi-nude women cavorting in breastwraps and loincloths *.
Any cloth used may have been wool, linen, or linsey-woolsey blend. Only the upper classes could have afforded imported silk.
The loincloth continues to be worn by people around the world (it is the traditional form of undergarment in many Asian societies, for example). In various -mainly tropical- cultures, the traditional male dress may still prescribe only a single garment below the waist or even at all, without underwear or only optionally, including the Far eastern Dhoti and Lungi or the Scottish kilt.
Braies were usually fitted with a flap in the front that buttoned or tied closed. This codpiece allowed men to urinate without having to remove the braies completely. Henry VIII of England began padding his own codpiece, which caused a spiraling trend of larger and larger codpieces that only ended by the end of the 16th century.
The modern men's shirt appeared during this era, but it was originally an undergarment. Renaissance noblemen also adopted the doublet, a vest-like garment tied together in the front and worn under other clothing.
They may have worn petticoats over the shift and under the dress. Quilted petticoats could be worn during the winter. Elaborately-quilted petticoats might be displayed by a cut-away dress, in which case they became a skirt rather than an undergarment.
During the 16th century, the farthingale was popular. This was a petticoat stiffened with reed or willow rods so that it stood out from a woman's body, like a cone extending from the waist.
Corsets also began to be worn about this time. At first they were called pair of bodies, which may refer both to a stiffened bodice designed to be seen, and a bodice stiffened with buckram, reeds, canes, whalebone etc., worn underneath another, decorative, bodice. These were not the small-waisted, curvy corsets familiar from the Victorian period, but straight-lined corsets that flattened the bust.
There is a myth that Crusaders worried about the fidelity of their wives and forced them to wear chastity belts. There is no reference, image, or surviving belt to support this story. In fact most historians of this period are of the view that chastity belts were worn to prevent unwanted sexual advances and that the woman kept the key.
In the 18th century, women began wearing stays, a type of undergarment that wraps around the torso from behind and ties closed in the front. These stays were often stiffened in the 1750s and 1760s, when they became known as the corset. Different colors became available (though linings remained white). The corset remained popular with aristocratic women well into the 19th century, when the design was modified to fit much more tightly. A tiny waist came to be seen as a symbol of beauty, and the corsets were laced with whalebone or steel to accomplish this. This caused great pain to most women, and some even suffered damage to internal organs and bones as a result. These later corsets did not wrap around the breasts as their predecessors had. Breasts were thrust outward by many corset designs, but were otherwise allowed to hang loose.
The corset was usually worn over a thin shirt-like garment of cotton or muslin called a shift. In the latter half of the 19th Century, long drawers called pantalettes or pantaloons often accompanied the shift to keep the legs out of sight as skirts styles got shorter.
The other major female undergarment of this period was the Crinoline petticoat. This underskirt served a similar purpose to the farthingales of the Renaissance, only the petticoat kept skirts full by means of stiff fabrics and numerous layers rather than hoops. It also differed in that it was fairly inexpensive, and therefore commoners and aristocrats alike could afford to wear it (though wealthy women could usually afford petticoats of finer material and of more elaborate design).
The bustle, a frame or pad worn over the buttocks to enhance their shape, had been used off and on by women for two centuries, but it reached the height of its popularity 1880, and went out of fashion for good in the 1890s.
Meanwhile, designers of women's undergarments relaxed the corset. The invention of new, flexible but supportive materials allowed them to remove the whalebone and steel while still providing support.
By the end of the 1910s, Chalmers Knitting Company split the union suit into upper and lower sections, effectively inventing the modern undershirt and drawers. Women wore lacier versions of this basic duo known as the camisole and drawers.
In 1913, a New York socialite named Mary Phelps Jacob changed women's fashion forever when she cobbled the first brassiere together by tying two handkerchiefs together with ribbon. Jacob's original intention was to cover the whalebone sticking out of her corset, which was visible through her sheer dress. Jacob began making brassieres for her family and friends, and word of mouth soon spread about the garment. By 1914, Jacob had a patent for her design and was marketing it throughout the United States. Although women had worn brassiere-like garments years past, Jacob's was the first to be successfully marketed and widely adopted.
In 1912, the United States had its first professional underwear designer. Lindsay "Layneau" Boudreaux, an immigrant from France established the short lived panty company "Layneau". Though her company closed within one year, it had a significant impact on many levels. Boudreaux showed the world that an American woman could establish and run a company, and she also caused a revolution in the underwear industry. Boudreaux is possibly the reason why up-scale underware and panty stores exist today.
By the end of the decade, trouser-like "bloomers" (popularized by Amelia Jenks Bloomer 1818-1894 but invented by Elizabeth Smith Miller) gained popularity with the so-called Gibson girls who enjoyed more athletic pursuits such as bicycling and tennis. This new female athleticism helped push the corset out of style, as well. The other major factor in the corset's demise was the fact that metal was in short supply in much of the world during World War I. Steel-laced corsets were dropped in favor of the brassiere.
Meanwhile, the soldiers of World War I were issued button-front shorts as underwear. The buttons attached to a separate piece of cloth, or yoke, sewn to the front of the garment, and tightness of fit was adjusted by means of ties on the sides. This design proved so popular that it began to supplant the union suit in popularity by the end of the war. Garments of rayon also became widely available in the post-war period.
Women's bloomers became much shorter and stockings covered the legs instead. The shorter bloomers became looser and less supportive as the boyish flapper look came into fashion. By the end of the decade, they came to be known as step-ins, very much like modern panties but with wider legs, worn for the increased flexibility they afforded.
As dancing became a favorite pastime of young flappers, the garter belt was invented to keep stockings from falling. Nevertheless, the increased sexuality of the flapper also made underwear sexier than ever before. It was the flappers who ushered in the era of lingerie.
A Russian immigrant named Ida Rosenthal further developed the brassiere in this decade when she introduced modern cup sizes in 1928 for her company, Maidenform.
Meanwhile, other companies began selling buttonless drawers fitted with an elastic waistband, the first true boxer shorts (named for their resemblance to the shorts worn by professional fighters). Scovil Manufacturing also introduced the snap fastener at this time, which became a popular addition to various kinds of undergarments.
Women of this decade brought the corset back, now called the girdle. The garment lacked the whalebone and metal supports and usually came with a brassiere (now usually called a bra) and often garters attached.
At war's end, Jockey and Hanes remained the industry leader in the United States, but Cluett, Peabody and Company would make a name for itself when it introduced a preshrinking process called Sanforization, which came to be licensed by most major manufacturers.
Meanwhile, some women readopted the corset once again, now called the waspie for the wasp-shaped waistline it gave the wearer. Many women began wearing the strapless bra, as well, which gained popularity for its ability to push the breasts up and enhance cleavage.
Women's undergarments began to emphasize the breasts instead of the waist in the 1950s. The decade saw the introduction of the bullet bra, which featured pointed cups. Fredericks of Hollywood's push-up bra finally hit it big in this decade as well. Meanwhile, women's panties had become even more colorful and decorative, and by the mid-Sixties were also available in two smaller, more abbreviated styles called the hip-hugger and the bikini (after the island of that name), frequently in sheer nylon fabric.
Panty hose, also called "tights" in British English, which combined panties and hose into one garment, made their first appearance in 1959, invented by Glen Raven Mills of North Carolina. The company later introduced seamless panty hose in 1965, spurred by the popularity of the miniskirt.
There are also many types of long underwear, union suits, and other variations of men's underwear. Some underpants also have a fly. These usually do not allow detachment at the waist; elasticity allows them to be taken on and off. Usually the fly of underpants avoids exposure of the skin just by an overlap of cloth, without buttons, etc. Such a property may be one of the criteria for boxer shorts not to be suitable as outer clothing.
Today, there are many other specialized types of underwear made for sexual purposes, such as edible underwear. Most of these are meant simply to display the body or genitals in certain ways, while some are intended to provide genital stimulation as well. Frederick's of Hollywood is an example of a business centered around manufacturing and selling such underwear.
Not wearing undergarments under one's outer clothing is known in American slang as freeballing for men or freebuffing for females; the terms going commando and going bareback are also used for both sexes *.
This trend shows that not everybody considers underwear essential for hygiene, especially for modern people who bathe every day.
In situations where a certain amount of body coverage is required (legally or socially), people who prefer to go clothes free might enjoy not wearing undergarments, as that is the closest they can get to nudity. For others, there may be sexual motives; undergarments are the final physical barrier to sex, and not wearing them might be arousing.
Cycling shorts are usually worn without underwear. Often the same applies for a kilt; the uniforms of several Scottish military regiments mandate wearing no underwear with the kilt except at specified occasions.
History of fashion | Underwear
Calces | Spodky | Undertøj | Unterwäsche | Aluspüksid | Bragas | Subvesto | Portail:Lingerie | Biancheria intima | תחתונים | Apatinis trikotažas | Ondergoed | 下着 | Undertøy | Trosor | 内衣
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"Undergarment".
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