Ulrich Schnauss (b. 1977) is a German musician, producer and remixer. He is known for his ethereal and emotional style of electronic music which owes a heavy debt to the shoegazing sound of the late 1980s, a genre some refer to as indietronica.
By that time Ulrich's musical output had already become prolific with a variety of pseudonyms (most notably View to the Future and Ethereal 77) veering from ambient to drum and bass via electronica. These earlier works were soon catching the eye of Berlin electronica label CCO (City Centre Offices) who took up the story.
"It came a bit of a regular thing, those anonymous packages sent to us from Berlin with a single CDR, a biro scrawl revealing at closer inspection the simple stamp 'Ethereal 77'. Ulrich had been making music for years, producing, touring, piecing together that BIG sound. And yet each of these CDR instalments revealed something a little more personal."
Soon these submissions to CCO developed into Ulrich’s first album under his own name entitled Far Away Trains Passing By which as it slowly seeped into people's consciousness became an electronic classic. Listeners were taken with the lush instrumentation and the emotion of the elegant, simple and beautiful music.
Yet nothing was to prepare his growing army of supporters for this next record A Strangely Isolated Place which slowly came together during 2003 into a record that really showed some of Ulrich's youthful indie influences. His debut album under his real name established his pedigree as an outstanding electronic composer, but somehow he managed to take it further by developing his interest in songwriting for electronic music, born of his love for such giants of the independent world as My Bloody Valentine's Kevin Shields and Cocteau Twins' Robin Guthrie. From this humble conception, comes forth a record of surprisingly rare emotional power.
A Strangely Isolated Place has become one of those extraordinary and rare occurrences; a genuinely word-of-mouth record slowly growing in stature by virtue of its over-riding ability to deliver more than the usual arid and academic treatises on the state of the synthesizer, or solipsistic bedsit meanderings.
"When you've worked with computers and keyboards for a number of years, they become not so fascinating of themselves anymore. I gained in confidence after people began to discover Far Away Trains Passing By, and it hasn't really stopped since then. This time I decided not to compromise on what I wanted to do, with what I thought people might want me to do."
The results are an oddly retro-futurist record, which owes more to MBV's Loveless or Vangelis's Blade Runner soundtrack than Ulrich's computer peers.
Since the release of both albums Ulrich has been asked to work with and remix a host of artists including: Mojave 3, Longview, Johannes Schmoelling, The Zephyrs, Lunz (Rodelius) etc.
He is currently writing and recording his third album.
(from * 2004-11-23 with permission)
(from * 2004-11-23 with permission)
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"Ulrich Schnauss".
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