Ugolino della Gherardesca (c. 1220-1289), count of Donoratico, was the head of the powerful family of Gherardesca, the chief Ghibelline house of Pisa.
He is best known from Dante's fictional depiction of him in Inferno. Alleged to have betrayed his native city of Pisa to its enemies in Genoa, he was betrayed by his co-conspirator the Archbishop Ruggieri and imprisoned, along with his two sons and two grandsons.
He lived quietly in Pisa for some years, although working all the time to extend his influence. War having broken out between Pisa and Genoa in 1284, Count Ugolino was given the command of a division of the Pisan fleet. It was by his flight - usually attributed to treachery - that the fortunes of the day were decided and the Pisans totally defeated at La Meloria (August 1284). But the political ability which he afterwards displayed led to his being appointed podesta for a year and capitano del popolo for ten years.
Florence and Lucca took advantage of the Pisan defeat to attack the republic, but Ugolino succeeded in pacifying them by ceding certain castles. He was however less anxious to make peace with Genoa, for the return of the Pisan prisoners, including most of the leading Ghibellines, would have diminished his power. He was now the most influential man in Pisa, and was preparing to establish his absolute sovereignty, when for some reason not clearly understood he was forced to share his power with his nephew Nino Visconti, son of Giovanni. The duumvirate did not last, and the count and Nino soon quarrelled. Then Ugolino tried to consolidate his position by entering into negotiations with the archbishop, Ruggieri degli Ubaldini, the leader of the Ghibellines. But that party having revived once more, the archbishop obliged both Nino and Ugolino to leave the city, and had himself elected podesta and capitano del popolo.
However, he allowed Ugolino to return soon afterwards, and was even ready to divide the government of the city with him, although he refused to admit his armed followers. The count, determined to be sole master, attempted to get his followers into the city by way of the Arno, and Ruggieri, realizing the danger, aroused the citizens, accusing Ugolino of treachery for having ceded the castles, and after a days street fighting (July q, 1288), Gherardesca was captured and immured together with his sons Gaddo and Uguccione, and his grandsons Nino (surnamed il Brigata) and Anselmuccio, in the Muda, a tower belonging to the Gualandi family; here they were detained for nine months, and then starved to death.
The corpses were buried in the St. Francis church of Pisa.
The historic details of the episode are still involved in some obscurity, and although mentioned by Villani and other writers, it owes its fame entirely to Dante, who placed Ugolino and Ruggieri in the ice of the second ring (Antenora) of the lowest circle of the Inferno (canto xxxii. 124-140 and xxxiii. 1-90). This terrible but magnificent passage, which, according to Landor, includes thirty lines unequalled by any other thirty lines in the whole dominion of poetry, has been paraphrased by Chaucer in the Monk's Tale of the Canterbury Tales, and by Shelley. But the reason why Dante placed Ugolino among the traitors is not by any means clear, as the flight from La Meloria was not regarded as treachery by any writer earlier than the 16th century, although G. del Noce, in Il Conte U. della Gherardesca (Città di Castello, 1894), states that that was the only motive; Bartoli, in vol. vi. of his Storia della Letteratura italidna, suggests Ugolino's alliance with the Ghibellines as the motive. The cession of the castles was not treachery but an act of necessity, owing to the desperate conditions of Pisa.
According to Dante, the prisoners were slowly starved to death and before dying Ugolino's children begged Ugolino to eat their bodies. In the end, Ugolini states that hunger overpowered grief. This ambiguous line has been interpreted in two ways: Either Ugolini devoured his offspring's corpses after being driven mad with hunger, or hunger, but not grief, had the power to kill him. The first and more ghastly of these interpretations has been the most popular and resonant. For this reason Ugolino is known as the "Cannibal" Count and is often depicted biting his own fingers ("eating of his own flesh", a reference to his horrible sin) in consternation, as in the sculpture The Gates of Hell by Auguste Rodin, Ugolino and his Sons by Jean-Baptiste Carpeaux and other artwork. Ugolino appears trapped beneath the ice of the Ninth ring in the Inferno as both a damned soul and a punishing demon who gnaws vengefully at the skull of the evil Ruggieri.
Additionally, Mallegni notes that the putative Ugolino skull was damaged; perhaps he did not ultimately die of starvation, although malnourishment is evident. In 2003 Mallegni was to publish an Italian language book about his study of the Ugolino remains.
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"Ugolino della Gherardesca".
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