The tradition of folklore—folktales, jokes, legends, and the like—in the Turkish language is very rich. Perhaps the most popular figure in the tradition is Nasreddin (known as Nasreddin Hoca, or "teacher Nasreddin", in Turkish), who is the central character of thousands of jokes. He generally appears as a person who, though seeming somewhat stupid to those who must deal with him, actually proves to have a special wisdom all his own:
One day, Nasreddin's neighbor asked him, "Teacher, do you have any forty-year-old vinegar?"—"Yes, I do," answered Nasreddin.—"Can I have some?" asked the neighbor. "I need some to make an ointment with."—"No, you can't have any," answered Nasreddin. "If I gave my forty-year-old vinegar to whoever wanted some, I wouldn't have had it for forty years, would I?"Similar to the Nasreddin jokes, and arising from a similar religious milieu, are the Bektashi jokes, in which the members of the Bektashi religious order—represented through a character simply named Bektaşi—are depicted as having an unusual and unorthodox wisdom, one that often challenges the values of Islam and of society.
Another popular element of Turkish folklore is the shadow theater centered around the two characters of Karagöz and Hacivat, who both represent stock characters: Karagöz—who hails from a small village—is something of a country bumpkin, while Hacivat is a more sophisticated city-dweller. Popular legend has it that the two characters are actually based on two real persons who worked for Osman I—the founder of the Ottoman dynasty—in the construction of his palace at Bursa in the early 14th century CE. The two workers supposedly spent much of their time entertaining the other workers, and were so funny and popular that they interfered with work on the palace, and were subsequently put to death.
1. v. To ensure bridegroom been bewitched and impotent for not able to have sexual intercourse with bride. There are several reasons of being tied: A person who wants to impede this marriage, blows into a knot, knots it and puts it on the way of bride or uses other sorceries. However, it is also deemed a reason for being tied if the bride nails, knots or locks a door with a key before the marriage. “While going to the house of bridegroom, way is always changed and the unlooked-for ways are followed to be saved from tie sorceries that could have been buried in the way” 2. n. To tie the animals such as wolfs and bears that harms the flock and named monster, and swine that damages the crop. Generally, an amulet is prepared by a hodja and buried to the places where flock grazes or to the corner of sown field. 3. n. To increase the amount and quality of meadow before the haymaking time, water is brought to the meadows in the plateaus in thin directions from rivers by the arcs. This process is called as to connect water.
Şakir Şevket says that Akçaabat society believed in an idol and worshipped a tree called platana, and that is how the city was given this name. Although the platana (Platanus Orientalis in Latin) was a plane tree he had confused this tree with the poplar.
The words of Lermioglu “today peasants love trees as their children.There were several events which people kill someone for a tree” and a story from 19th century show us that this love comes from very old days. A hunter from Mersin village cut a tree called kragen which was idol of Akcaabat society (Since 1940). Then the peasants called the pollice and said that the hunter cut the Evliya Turkish and Arabic Evliya “Saint”).This event can only be explained with the “paganist” beliefs comes from “Caucasia”. At first the police undersood that the hunter killed a man called Evliya (Saint) but later they saw that the “saint” was a tree so they let the hunter go.It was an example of Colchis culture that can be seen today which was mixed with Islam in Trabzon under the name of saint and common before one God religions that people used to believe in nature.
It is possible to see same things in Hemsheen region of Rize “the branches are praying three days before and during bairam,so we do not cut live branche during bairam, the branches are praying”.
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"Turkish folklore".
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