The Turangalîla-Symphonie is a large-scale piece of orchestral music by Olivier Messiaen. It was written from 1946-1948, being commissioned by Serge Koussevitzky for the Boston Symphony Orchestra, and was premiered by that orchestra in 1949, conducted by Leonard Bernstein.
Messiaen stated that the title of the piece derived from two Sanskrit words, turanga and lîla, together meaning something like "love song and hymn of joy, time, movement, rhythm, life and death." While the vast majority of Messiaen's work was religious in nature, at the time of writing the symphony the composer was fascinated by the myth of Tristan and Isolde, and the Turangalîla Symphony forms the central work in his trilogy of compositions concerned with the themes of romantic love and death, the first of which is the song cycle Harawi (poème d'amour et de mort) and the third Cinq rechants for unaccompanied choir.
The Turangalîla-Symphonie is scored for triple woodwind, 4 horns, 5 trumpets, 3 trombones, 1 tuba, piano solo, glockenspiel, celesta, vibraphone, 5 percussionists and strings, as well as an ondes Martenot. The demanding piano part includes several solo cadenzas, and has been compared by some commentators to a piano concerto.
The work is in ten movements, as follows:
Compositions by Olivier Messiaen
Turangalîla-Symphonie (Olivier Messiaen) | トゥランガリーラ交響曲 | Turangalîla-sinfonia | Turangalîla-Symphonie | Turangalîlasymfonin
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"Turangalîla-Symphonie".
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