Tuileries Palace

The Tuileries Palace stood in Paris, France, on the right bank of the River Seine until 1871, when it was destroyed.

History of the Tuileries

After the death of Henry II of France in 1559, his widow Catherine de' Medicis (1519-1589) planned a new palace. She began the building of the palace of Tuileries in 1564, using architect Philibert de l'Orme. The name derives from the tile kilns or tuileries which previously occupied the site. The palace was formed by a range of long, narrow buildings with high roofs that enclosed one major and two minor courtyards. The building was greatly enlarged in the 1600s, so that the southeast corner of the Tuileries joined the Louvre.

Louis XIV resided at the Tuileries Palace while Versailles was under construction. His garden designer André Le Notre laid out parterres for the Tuileries in 1664, but when the king left, the building was virtually abandoned; it was used only as a theater, and its gardens became a fashionable resort of Parisians. During the French Revolution, Louis XVI and his family were forced to return from Versailles to the Tuileries under house arrest, starting in October 1789. They tried to escape on the evening of June 20, 1791, but were captured at Varennes and were returned to the Tuileries. The Tuileries were later stormed on August 10, 1792 by the Paris mob, who overwhelmed and massacred the Swiss Guards; the royal family fled through the gardens and took refuge with the Legislative Assembly.

On November 9, 1789, the National Constituent Assembly, formerly the Estates-General of 1789, moved its deliberations from the tennis court at Versailles to the Tuileries, following the removal of the court to Paris. The Tuileries' covered riding ring, the Salle du Manège, home to the royal equestrian academy, provided the largest indoor space in the city, and accommodated the Constituent Assembly, its successor the National Convention and in 1795 Council of 500 of the Directoire, until the body moved to the Palais-Bourbon in 1798. In 1799, the Jacobin Club du Manège had its headquarters there.

When Napoleon came into power he made Tuileries the official residence of the first consul and then the imperial palace. In 1808 Napoleon began constructing the northern gallery which also connected to the Louvre, enclosing a vast place.

As Napoleon's chief residence Tuileries Palace was redecorated in the Neoclassical Empire style by Percier and Fontaine and some of the best known architects, designers, and furniture makers of the day. One of the artists, Pierre Paul Prud'hon's (1758-1823) most splendid commissions was to design the apartments of the new Empress, Marie-Louise. For the bridal suite of the Empress Marie-Louise he designed all the furniture and interior decorations in a Greek Revival style.

In 1809, Jacob-Desmalter, principal supplier of furniture to the Emperor, began work on a jewel cabinet designed for the Empress Joséphine's great bedroom in the Tuileries (and soon to be used by Marie-Louise). This impressive piece of furniture designed by the architect Charles Percier was embellished with several gilt-bronze ornaments: the central panel depicts the "Birth of the Queen of the Earth to whom Cupids and Goddesses hasten with their Offerings" by the bronzier Pierre-Philippe Thomire, after a bas-relief by Chaudet. Jacob-Desmalter completed the "great jewelry box" in 1812, with two smaller items of furniture in the same style but using indigenous woods.

The Tuileries Palace served as the royal residence after the Bourbon Restoration. In the "July Revolution" of 1830, the palace was attacked for a third time by Parisians and occupied. Louis Philippe took up permanent residence there until 1848 when it was again invaded, on February 24, 1848. The Swiss Guards stationed at the palace, aware of what happened in 1792 to their predecessors, abandoned the palace.

The Palace of the Tuileries served again as the official residence of the executive branch of government after the coup d'état by Napoléon III in 1852; when President Louis-Napoléon Bonaparte became Emperor Napoléon III he moved from his presidential office at the Élysée Palace to the Tuileries Palace, ushering in the Second Empire. During the Second Empire, the Tuileries Palace was extensively refurbished and redecorated after the looting and damages that occurred during the Revolution of 1848. Some imposing state rooms were designed and richly decorated, serving as the center stage of the ceremonies and pageantry of the Second Empire, such as on the occasion of Queen Victoria's state visit to the Tuileries in 1855. The Second Empire also completed the northern wing of the Louvre along the rue de Rivoli, linking the Tuileries Palace with the rest of the Louvre, and thus finally achieving the huge complex of the Louvre-Tuileries, whose master plan had been envisioned three centuries earlier.

The prominent roof-lines of the palace and especially its squared central dome were influential prototypes in the Second Empire style adopted for hotels and commercial buildings as well as residences even in the United Kingdom and North America.

End of the Tuileries

The final completion of the long planned Louvre-Tuileries complex was not to last long. On May 23, 1871, during the suppression of the Paris Commune, twelve men under the orders of a Commune extremist, Dardelle, set the Tuileries on fire at 7 pm, using petroleum, liquid tar, and turpentine. The fire lasted for 48 hours and entirely consumed the palace. It was only on May 25 that the Paris fire brigades and the 26th battalion of the Africa Chasseurs managed to put out the fire. Other portions of the Louvre were also set on fire by Commune extremists and entirely destroyed. The museum itself was only miraculously saved.

The ruins of the Tuileries stood on the site for eleven years. Although the roofs and the inside of the palace had been utterly destroyed by the fire, the stone shell of the palace remained intact, and restoration was possible. Other monuments of Paris also set on fire by Commune extremists, such as the Paris City Hall, were rebuilt in the 1870s. After much hesitation, the Third Republic eventually decided not to restore the ruins of the Tuileries, which had become a symbol of the former royal and imperial regimes. On the other hand, the portions of the Louvre that had also been destroyed by fire were rebuilt in their original style by the French government.

In 1882 the French National Assembly voted for the demolition of the ruins, which were sold to a private entrepreneur for the sum of 33,300 gold francs (approximately US$130,000 in 2005), despite the protests of Baron Haussmann and other members of French artistic and architectural circles, who opposed what they thought was a crime against French arts and history. The demolition was started in February 1883 and completed on September 30, 1883; bits of stones and marbles from the palace were sold by the private entrepreneur as souvenirs.

Tuileries Gardens and the Axe Historique

When the large empty space between the northern and southern wings of the Louvre now familiar to modern visitors was revealed in 1883, for the first time the Louvre courtyard opened into an unbroken Axe historique. The Tuileries Gardens (French Jardins des Tuileries) are surrounded by the Louvre (to the east), the Seine (to the south), the Place de la Concorde (to the west) and the Rue de Rivoli (to the north). Farther to the north lies the Place Vendôme.

The Tuileries Gardens cover about 63 acres (25 hectares) and still closely follow a design laid out by landscape architect Andre Le Notre in 1664. His spacious formal garden plan drew out the perspective from the reflecting pools one to the other in an unbroken vista along a central axis from the west façade, which has been extended as the Axe historique.

The Galerie nationale du Jeu de Paume is a museum of contemporary art located in the north-west corner of the gardens.

Rebuilding the Tuileries?

Since 2003, in France, a committee has been proposing to rebuild the Tuileries Palace. This effort is similar to the proposal of reconstruction of the Berliner Stadtschloss. There are several reasons for rebuilding the Palace of the Tuileries. Ever since the destruction of 1883, the famous perspective of the Champs-Élysées, which ended on the majestic facade of the Tuileries Palace, now ends in the Arc du Carrousel, formerly centered on the Tuileries but now occupying a large empty space. The Louvre with its pyramid on the one hand and the axis of the Place de la Concorde-Champs-Élysées-Arc de Triomphe on the other hand are not aligned on the same axis. The Arc du Carrousel fortuitously stands near the intersection of the two axes. The Palace of the Tuileries, which was located at the junction of these two diverging axes, helped to disguise this bending of the axes. Famous architects argue that the rebuilding of the Tuileries would allow the re-establishment of the harmony of these two different axes. The Tuileries Gardens would also recover their purpose, which was to be a palace garden. Also, it is emphasized that the Louvre Museum needs to extend its groundplan to properly display all its collections, and if the Tuileries Palace is rebuilt, the Louvre Museum could expand into the rebuilt palace. It is also proposed to rebuild the state apartments of the Second Empire as they stood in 1871. All the plans of the palace and many photographs are still stored in French archives, which would make it easy to rebuild the palace and its rooms exactly as they stood in 1871. Furthermore, all the furniture and paintings from the palace survived the 1871 fire, because they had been removed from the palace in 1870 at the start of the Franco-Prussian War, and stored in secure locations. Today, these furniture and paintings are still deposited in storehouses and not on public display due to the lack of space in the Louvre Museum. It is argued that recreating the state apartments of the Tuileries Palace would allow display these treasures of Second Empire style which are currently hidden away from the public.

A rebuilding of the Palace of the Tuileries is estimated to cost 300 million euros (US$ 365 million). It would be financed by public subscription, and the work would be undertaken by a private foundation, with the French government spending no money in the project. Since 2003, the idea has gained momentum in French media, but it remains to be seen whether such a rebuilding will ever happen. It would be the largest construction project undertaken in the center of Paris since the early 20th century.

External links

Gourt Home::Gourt :: Tuileries Palace

History of the Tuileries

End of the Tuileries

Tuileries Gardens and the Axe Historique

Rebuilding the Tuileries?

See also

External links