Thomas Hardy

For other people called Thomas Hardy, see Thomas Hardy (disambiguation)

Thomas Hardy, OM (2 June, 1840 – 11 January, 1928) was a novelist, short story writer, and poet of the naturalist movement, who delineated characters struggling against their passions and circumstances. The bulk of his work, set mainly in the semi-imaginary county of Wessex, is marked by poetic descriptions, and fatalism.

Biography

Thomas Hardy was born at at Higher Bockhampton, a hamlet in the parish of Stinsford to the east of Dorchester in Dorset. His father was a stonemason and local builder. His mother was ambitious and well-read, supplementing his formal education, which ended at the age of 16 when he became apprenticed to John Hicks, a local architect. Hardy trained as an architect in Dorchester before moving to London. He won prizes from the Royal Institute of British Architects and the Architectural Association.

In 1874, Hardy married Emma Lavinia Gifford, the subject of his later work A Pair of Blue Eyes. Although Hardy became estranged from his wife, her death in 1912 had a traumatic effect on him. He made a trip to Cornwall to revisit places linked with her, and with their courtship, and wrote a series, Poems of 1912-13, exploring his grief. In 1914 he married Florence Dugdale, 40 years his junior, whom he had met in 1905. The writer Robert Graves, in his autobiography Goodbye to All That, recalls meeting Hardy in Dorset in the early 1920s. Hardy received Graves and his newly married wife warmly, and was encouraging about the younger author's work.

Hardy was an agnostic, some would claim an atheist, with a strong emotional attachment to the Christian liturgy and church rituals, particularly as manifested in rural communities, that had been such a formative influence in his early years. Some attributed the bleak outlook of many of his novels as reflecting his view of the absence of God. Hardy fell ill with pleurisy in December 1927 and died in January 1928, having dictated his final poem to his wife on his deathbed. His funeral, on 16 January at Westminster Abbey, was a controversial occasion: his family and friends had wished him to be buried at Stinsford but his executor, Sir Sydney Carlyle Cockerell, had insisted he should be placed in Poets' Corner. A compromise was reached whereby his heart was buried at Stinsford with Emma and his ashes were interred in the abbey. Hardy's cottage at Bockhampton and Max Gate in Dorchester are owned by the National Trust. Hardy's work was admired by authors D.H. Lawrence and Virginia Woolf. In 1910 he was appointed as a Member of the Order of Merit.

Novels

Hardy's work takes place in the "partly-real, partly-dream" county of Wessex (named after the Anglo-Saxon kingdom which existed in the area). The landscape was modelled on the real counties of Berkshire, Devon, Dorset, Hampshire, Somerset and Wiltshire, with fictional places based on real locations. He captured the epoch just before the railways and the industrial revolution changed the English countryside. His works are pessimistic and bitterly ironic. His writing is rough but capable of immense power. Hardy had an eye for poignant detail, such as the spreading bloodstain on the ceiling at the end of Tess or little Jude's suicide note; he kept clippings from newspaper reports of real events and used them as details in his novels.

His first novel, The Poor Man and the Lady, finished in 1867, failed to find a publisher and Hardy destroyed the manuscript. Only parts of the novel remain. He was encouraged to try again by mentor and friend, Victorian poet and novelist, George Meredith. Desperate Remedies (1871) and Under the Greenwood Tree (1872) were published anonymously. In 1873 A Pair of Blue Eyes was published under his own name. The story draws on Hardy's courtship of Emma Gifford, whom he married in 1874. His next novel, Far from the Madding Crowd (1874), was his first important work. Hardy said that in Far from the Madding Crowd he first introduced Wessex. The novel was successful enough for Hardy to give up architectural work and pursue a literary career. Over the next 25 years Hardy produced 10 more novels. His finest prose work is classified by himself as "Novels of Character and Environment". Hardy was a gloomy pessimist who emphasized the impersonal and, generally, negative powers of fate over the mainly working class people he represented in his novels.

The Hardys moved from London to Yeovil and then to Sturminster Newton, where he wrote The Return of the Native (1878). In 1885 they returned to Dorchester, moving into Max Gate—a house that Hardy had designed himself. There Hardy wrote The Mayor of Casterbridge (1886), and The Woodlanders (1887). Tess of the d'Urbervilles (1891) attracted criticism for its sympathetic portrayal of a 'fallen woman' and was initially refused publication. Its subtitle, A Pure Woman / Faithfully Narrated, was intended to raise the eyebrows of the Victorian middle-classes. It was denounced by critics at the time and when Jude the Obscure was published, in 1895, it was met with even stronger negative outcries by the Victorian public for its frank treatment of sex. It was referred to as "Jude the Obscene." It was heavily criticized for its apparent attack on the institution of marriage. The book caused further strain on Hardy's already difficult marriage due to Emma's concern that it would be read as autobiographical. Some booksellers sold the novel in brown paper bags and the Bishop of Wakefield is reputed to have burnt a copy. Disgusted with the public reception of two of his greatest works, Hardy gave up writing novels altogether. Later critics have commented however that there was very little left for Hardy to write, having creatively exhausted the increasingly fatalistic tone of his novels, with Jude as the pinnacle achievement.

Poetry

In 1898 Hardy published his first volume of poetry, Wessex Poems, a collection of poems written over 30 years. Hardy claimed poetry was his first love, and published collections until his death in 1928. His poetry was not as well received by his contemporaries as his novels had been, but critical response to Hardy's poetry has warmed considerably in recent years, in part because of the influence of Philip Larkin. However, critically his poetry is still not considered as highly as his prose.

The poems deal with themes of disappointment in love and life, and mankind's long struggle against indifference to human suffering. Some, like The Darkling Thrush and An August Midnight are thought of as poems about writing poetry, because the nature mentioned in them gives Hardy the inspiration to write those. A vein of regret tinges his often seemingly banal themes. His poems range in style from the three-volume epic closet drama Dynasts to smaller, and often hopeful or even cheerful poems of the moment such as the little-known The Children and Sir Nameless, a comic poem inspired by the tombs of the Martyns, builders of Athelhampton. Here is The Darkling Thrush dated 31 December 1900.

I leant upon a coppice gate

When Frost was spectre-grey,

And Winter's dregs made desolate

The weakening eye of day.

The tangled bine-stems scored the sky

Like strings of broken lyres,

And all mankind that haunted nigh

Had sought their household fires.

The land's sharp features seemed to be

The Century's corpse outleant,

His crypt the cloudy canopy,

The wind his death-lament.

The ancient pulse of germ and birth

Was shrunken hard and dry,

And every spirit upon earth

Seemed fervourless as I.

At once a voice arose among

The bleak twigs overhead

In a full-hearted evensong

Of joy illimited;

An agèd thrush, frail, gaunt, and small,

In blast-beruffled plume,

Had chosen thus to fling his soul

Upon the growing gloom.

So little cause for carolings

Of such ecstatic sound

Was written on terrestrial things

Afar or nigh around,

That I could think there trembled through

His happy good-night air

Some blessèd Hope, whereof he knew

And I was unaware.

This has elements typical of Hardy's work. The first person voice; an incident in nature triggering deep reflections; the bucolic setting; the desolate landscape; the struggle of small forces against inimical nature; the possibility of redemption. Note the formal rhythm and rhyme, the high poetic tone, and simple phrases such as "happy good-night air".

The composer Gerald Finzi produced 6 song-cycles for poems by Hardy, and Benjamin Britten's song cycle Winter Words is based on Hardy's poetry.

More Poems:

Bibliography

Prose

Hardy divided his novels into three classes.

Novels of Character and Environment

Romances and Fantasies

A Pair of Blue Eyes (1873)
The Trumpet-Major (1880)
Two on a Tower (1882)
A Group of Noble Dames (1891)
The Well-Beloved (1897) (first published as a serial from 1892).

Novels of Ingenuity

There are a number of minor tales and novels including, the unpublished The Poor Man and the Lady, written in 1867, and Alicia's Diary (1887). Hardy also wrote a few short stories, including The Three Strangers (1883).

Poetry

References

Hedgcock, F. A., "Thomas Hardy: penseur et artiste." Paris: Librairie Hachette, 1911.

Brennecke, Jr., Ernest. "The Life of Thomas Hardy." New York: Greenberg, 1925.

Hardy, Florence Emily. "The Early Life of Thomas Hardy, 1840-1891." London: Macmillan, 1928.

Hardy, Florence Emily. "The Later Years of Thomas Hardy, 1892-1928." London: Macmillan, 1930.

Holland, Clive. "Thomas Hardy O.M.: The Man, His Works and the Land of Wessex." London: Herbert Jenkins, 1933.

Weber, Carl J. "Hardy of Wessex, his Life and Literary Career." New York: Columbia University Press, 1940.

Blunden, Edmund. "Thomas Hardy." New York: St. Martin's, 1942.

Hardy, Evelyn. "Thomas Hardy: A Critical Biography." London: Hogarth Press, 1954.

Deacon, Lois and Terry Coleman. "Providence and Mr. Hardy." London: Hutchinson, 1966.

Stevens-Cox, J. "Thomas Hardy: Materials for a Study of his Life, Times, and Works." St. Peter Port, Guernsey: Toucan Press, 1968.

Stevens-Cox, J. "Thomas Hardy: More Materials for a Study of his Life, Times, and Works." St. Peter Port, Guernsey: Toucan Press, 1971.

Stewart, J. I. M. "Thomas Hardy: A Critical Biography." New York: Dodd, Mead & Co., 1971.

Halliday, F. E. "Thomas Hardy: His Life and Work." Bath: Adams & Dart, 1972.

Gittings, Robert. "Young Thomas Hardy." Boston : Little, Brown, 1975.

O'Sullivan, Timothy. "Thomas Hardy: An Illustrated Biography." London: Macmillan, 1975.

Phelps, Kenneth. "The Wormwood Cup: Thomas Hardy in Cornwall." Padstow: Lodenek Press, 1975.

Orel, Harold. "The Final Years of Thomas Hardy, 1912-1928." Lawrence: University Press of Kansas, 1976.

Gittings, Robert. "Thomas Hardy's Later Years." Boston : Little, Brown, 1978.

Kay-Robinson, Denys. "The First Mrs Thomas Hardy." London: Macmillan, 1979.

Gittings, Robert and Jo Manton. "The Second Mrs Hardy." London: Heinemann, 1979.

Millgate, Michael. "Thomas Hardy: A Biography." New York: Random House, 1982.

Millgate, Michael (ed.). "The Life and Work of Thomas Hardy by Thomas Hardy." London: Macmillan, 1984.

Orel, Harold. "The Unknown Thomas Hardy." New York: St. Martin's, 1987.

Gatrell, Simon. "Hardy the Creator: A Textual Biography." Oxford: Clarendon, 1988.

Draper, Jo. "Thomas Hardy: A Life in Pictures." Wimborne, Dorset: The Dovecote Press.

Hands, Timothy. "Thomas Hardy : Distracted Preacher? : Hardy's religious biography and its influence on his novels." New York: St. Martin's Press, 1989.

Pinion, F. B. "Thomas Hardy: His Life and Friends." London: Palgrave, 1992.

Seymour-Smith, Martin. "Hardy." London: Bloomsbury, 1994.

Wilson, Keith. "Thomas Hardy on Stage." London: Macmillan, 1995.

Gibson, James. "Thomas Hardy: A Literary Life." London: Macmillan, 1996.

Jedrzejewski, Jan. "Thomas Hardy and the Church." London: Macmillan, 1996.

Turner, Paul. "The Life of Thomas Hardy: A Critical Biography." Oxford: Blackwell, 1998.

Millgate, Michael. "Thomas Hardy: A Biography Revisited." Oxford: Oxford UP, 2004.

Pite, Ralph. "Thomas Hardy: The Guarded Life." London: Picador, 2006.

External links