The Producers is a 1968 feature-length comedy film set in New York City, in which two con men (Bialystock and Bloom) attempt to cheat theatre 'angels' (investors) out of their investment money.
The film was adapted by its writer/director, Mel Brooks, into The Producers, a Broadway musical, in 2001. The Producers, a film based in turn on that musical, was released on December 25, 2005.
| Max Bialystock | Zero Mostel |
| Leo Bloom | Gene Wilder |
| Franz Liebkind | Kenneth Mars |
| Hold me, Touch me | Estelle Winwood |
| Eva Braun | Renée Taylor |
| Roger De Bris | Christopher Hewett |
| Ulla | Lee Meredith |
| The drunk | William Hickey |
| Carmen Ghia | Andréas Voutsinas |
| Doc Goebbels | David Patch |
| Lorenzo St Dubois (L.S.D.) | Dick Shawn |
Max Bialystock (Mostel) is a failed, aging Broadway producer who ekes out a living romancing rich old women in exchange for money for his "next play." He encounters the nebbish accountant Leo Bloom (Wilder) when the latter is sent to Bialystock's office to do his books; in the process of this, a chance comment by Bloom inspires a scheme to massively oversell shares in a Broadway production, then flee to Brazil with the money. They set out to purposely make a horrific flop, so that no one will ever audit its books, and thus avoid a payout. After an extensive search they find an unproduced play which Bialystock gleefully describes as "a love letter to Hitler," written by a deranged ex-Nazi named Franz Liebkind (Mars). They convince Liebkind to sign over the rights, then collect money from dozens of little old ladies - ultimately selling 25,000 percent of the play - and hire the monumentally untalented director Roger De Bris (Hewett) to stage the production. The part of Hitler goes to a brain-damaged but charismatic hippie named Lorenzo St. Dubois (Shawn), who wanders into the wrong theater by accident during the casting call.
The result of all of this is Springtime for Hitler, a cheerfully upbeat musical comedy detailing the dictator's life, which opens with a lavish production number celebrating Nazi Germany overrunning Europe. Unfortunately for the protagonists, their attempt to make an unwatchable play backfires as, after initial gobsmacked disbelief, the audience finds the inept production so funny that they misinterpret it as an over-the-top satire on Nazism and universally hail it as a hit. Liebkind, who really believed they were producing a tribute to Hitler, is insulted by the audience's laughter and barges onto the stage to interrupt the play, which only makes it funnier to the audience.
After Liebkind attempts to shoot the producers in their office, the three of them band together and, in desperation, blow up the theatre to end the production. They get caught in the explosion and are hauled off to jail. Found "incredibly guilty" in their criminal trial, they are sent to prison where they cast a new show, "Prisoners of Love," among their fellow convicts, running the exact same scam as before.
1968 films | Cult films | Films featuring a Best Supporting Actor Academy Award nominated performance | United States National Film Registry
Frühling für Hitler | Per favore, non toccate le vecchiette | המפיקים | Продюсеры (фильм) | Det våras för Hitler
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"The Producers (1968 film)".
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