The Nose (Нос in Russian, Nos in transliteration) is a satirical opera by Dmitri Shostakovich to a Russian libretto by the composer and others, based on a story with the same name by Nikolai Gogol. First performance: Maliy Opera Theatre, Leningrad, 18 January 1930.
The opera tells the story of a St. Petersburg official whose nose leaves his face and develops a life of its own. It was written between 1927 and 1928. In 1929, the opera was criticised as "formalist" by RAPM, and it opened to generally poor reviews. After sixteen performances, it was not performed again in the Soviet Union until 1974, when it was revived by Gennady Rozhdestvensky and Boris Pokrovsky.
The music is a montage of different styles, including folk music, popular song and atonality. The apparent chaos is given structure by formal musical devices such as canons and quartets, a device copied from Alban Berg's Wozzeck.
The morning after shaving Kovalyov, one of his regular customers, a barber finds a nose in his bread. He tries to get rid of it by throwing it in the Neva River, but he is caught by a policeman. Meanwhile Kovalyov wakes and finds his nose missing. He later sees his nose in the Kazan Cathedral, but it has acquired a higher rank than him and refuses to return to his face.
Kovalyov visits the newspaper office to place an advert about the loss of his nose, but is refused. He returns to his flat, where his servant sings a love song and Kovalyov is left in despair.
Kovalyov wakes up with his nose reattached. He is shaved by the barber and flirts as he walks along Nevsky Prospekt.
Nikolai Gogol | Operas by Dmitri Shostakovich | Russian-language operas | Satirical opera | Operas | Nenä (ooppera)
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"The Nose (opera)".
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