The Emperor's New Groove is the thirty-ninth animated feature in the Disney animated features canon. A wacky comedy having more in common with a Looney Tunes or Tex Avery cartoon than a traditional Disney film, The Emperor's New Groove was produced by Randy Fullmer and directed by Mark Dindal. It was produced by Walt Disney Feature Animation over a troubled six-year timeline. During that time the film was altered significantly from its original concept as a more traditional Disney musical entitled Kingdom of the Sun, to have been directed by Dindal and Roger Allers (co-director of The Lion King).
The Emperor's New Groove was released by Walt Disney Feature Animation and Buena Vista Distribution on December 15, 2000. While not a box-office hit, it was successful enough to warrant a direct-to-video sequel, Kronk's New Groove, released December 2005, and an animated television series, The Emperor's New School, in January 2006.
The story revolves around a self-centered South American emperor named Kuzco and a humble peasant and family man named Pacha. Teenaged Kuzco is the self-proclaimed "King of the World" at this time. Although he is not an overly cruel tyrant, he does harbor a childish and selfish will to have everything go his way. After firing his ancient and power-hungry advisor, Yzma (pronounced "EEZ-muh"), he reveals to Pacha that Pacha's village is to be destroyed in order to build Kuzco's 18th birthday gift to himself: a gaudy summer-home called Kuzotopia(oh yeah), complete with pool and waterslide. Pacha starts to protest, and is dismissed from the palace. Before the final construction order can be issued, however, Yzma and her muscular, easily-distracted lackey Kronk launch a poisoning plot against Kuzco. The plot is botched, resulting instead in Kuzco being turned into a llama, and then, unknown to Yzma, accidentally spirited out of the capital.
Kuzco ends up at Pacha's village and arrogantly orders the peasant to return him to the palace. At first Pacha lets the newcomer wander off into the jungle, but then repents and goes after him, rescuing the llama from a pack of jaguars, an effort which ends with the two of them tied to a dead tree trunk and taking a plunge over an enormous waterfall. Recovering from this, Pacha says that he will take Kuzco home only if the Emperor agrees to build Kuzotopia somewhere else; Kuzco pretends to agree, and they set out for the palace. The emperor only truly begins to change after the two of them are forced to work together to survive the collapse of a rope bridge, even returning the favor of saving Pacha's life.
Back at the palace, Yzma has staged Kuzco's funeral and taken over as ruler of the Empire. She only then learns that Kuzco is still alive, and she and Kronk set out to look for him. After a string of near-misses at a roadside diner, they find and chase the heroes, who appear to decisively give them the shake, leaving the lightning-struck pursuers plunging towards the bottom of a chasm. Kuzco and Pacha make it back to Yzma's secret lab beneath the palace, where it turns out that in violation of all laws of physics and common sense (as the movie itself explicitly notes) Yzma and Kronk have somehow gotten there first and now hold the antidote to Kuzco's condition. Yzma demands that Kronk personally kill the heroes. When he gets bogged down in a coversation with the good and bad sides of his conscience, Yzma viciously berates him for his stupidity, and, then in the last straw, insults his beloved cooking. Kronk changes sides, but his attempt to destroy Yzma fails and he is dropped through a trapdoor.
Kuzco and Pacha take advantage of this distraction to steal the antidote, but Yzma manages to mix it in with numerous other identical potions and then summon the palace guards. While being chased, the duo tries to find the right potion through trial and error, turning Kuzco into a turtle, a songbird, a whale, and back into a llama again. Finally, they escape the guards and narrow the choice down to two potions, but Yzma catches up with them. In her haste to reclaim the antidote, she accidently smashes the other vial and turns herself into a kitten. Following a struggle high on the palace's outer walls, she still manages to steal back the final potion, only to be foiled at the last second by the sudden reappearance of Kronk.
Kuzco returns to human form and sets out repairing the damage done by his arrogant behavior. In the end, he builds a tiny cottage near Pacha's village in lieu of his extravagant summer home, while outdoorsman Kronk becomes a scout leader, with kitten-Yzma as an extremely reluctant member of his troop.
Kingdom of the Sun was to have been a tale of a greedy, selfish emperor who finds a peasant (voiced by Owen Wilson) who looks just like him; the emperor swaps places with the peasant for fun, much as in author Mark Twain's archetypal novel The Prince and the Pauper. However, the evil witch Yzma has plans to lasso the sun and capture it so that she may retain her youth forever (the sun gives her wrinkles, so she surmises that living in a world of darkness would prevent her from wrinkling). Discovering the switch between the prince and the peasant, Yzma turns the real emperor into a llama and threatens to reveal the pauper's identity unless he obeys her. The emperor-llama learns humility in his new form, and even comes to love a girl llama-herder. Together, the girl and the llama set out to undo the witch's plans.
Disney chief Michael Eisner and his studio executives were not pleased at the uneven story, the lukewarm test-audience response, and the slow pace of production. However, the executives were at first reluctant to intervene because of Allers' success with The Lion King, which had also had a troubled time in production. In addition, most of Allers' crew had complete faith in the director, who was determined to create a sweeping epic on the scale of The Lion King.
By the summer of 1998, it was apparent that Kingdom of the Sun was not far along enough in production to be released in the summer of 2000 as planned. At this time, one of the Disney executives stormed into Randy Fullmer's office and, placing his thumb and forefinger a quarter-inch apart, angrily remarked that "your film is this close to being shut down". Jim Hill, "The Long Story Behind the Emperor's New Groove". Part 1, page 3. * Fullmer approached Allers, and informed him of the need to finish the film on time for its summer 2000 release (crucial promotional deals with McDonalds, Coca-Cola, and others were already established and depended upon meeting that release date). Allers acknowledged that the production was falling behind, but was confident that, with an extension of between six months to a year, he could complete the film. When Fullmer denied Allers' request for an extension, the director quit the project.
When work on the film resumed, it had a new title and a new story. Gone were the sun-capturing plot, the look-alike peasant, and the llama-herder love interest. Now the film was a buddy movie, with Yzma depicted more as a mad scientist. The co-lead became Pacha, a portly farmer from the countryside. Eisner worried that the new story was too close in tone to Disney's 1997 film Hercules, which had performed decent but yet below expectations at the American box office. Dindal and Fullmer assured him that The Emperor's New Groove, as the film was now called, would have a much smaller cast, making it easier to involve audiences.
Andreas Deja declined to return to the film, and moved to Orlando, Florida to work on Lilo & Stitch instead. Sting's songs, related to specific scenes that were now gone, had to be dropped. Sting was bitter about the removal of his songs (which are available on The Emperor's New Groove soundtrack album). "At first, I was angry and perturbed. Then I wanted some vengeance." (Dec. 14, 2000). "Studio Briefing: How Sting Spun Out Of The Groove". Interet Movie Database.
The resulting film has a much different feel than most Disney animated features; it is irreverent and self-referential, much more like a Warner Bros. cartoon or DreamWorks' Shrek. The Emperor's New Groove made $89,302,687 at the U.S. box office, and an additional $80,025,000 worldwide; totals lower than those for most of the Disney films released in the 1990s. New Groove and all but one of the four future traditional Disney Feature Animation films - 2002's Lilo and Stitch - would sustain losses during their theatrical releases.
2000 films | Animated comedy films | Disney animated features canon
Ein Königreich für ein Lama | הקיסר נפל על הראש | The Emperor's New Groove | Keisarin uudet kuviot | 变身国王
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