For other uses of The Dark Tower, see The Dark Tower (disambiguation).
The Dark Tower is a fantasy fiction, science fantasy, horror, and western themed series of novels by the American writer Stephen King. The series has been described as King's magnum opus - besides the seven novels that comprise the series proper, many of his other books are related to the story, introducing concepts and characters that come into play as the series progresses. As was announced in April 2006, the series will be adapted into a comic book miniseries spin-off to be published by Marvel Comics, scripted by Peter David, colored by Richard Isanove, written by Robin Furth and illustrated by Jae Lee.*
The series was inspired by the poem "Childe Roland to the Dark Tower Came" by Robert Browning and The Waste Land by T.S. Eliot. In the preface to the 2003 edition of The Gunslinger, King also identifies The Lord of the Rings and The Good, the Bad, and the Ugly as inspirations, identifying Clint Eastwood's "Man with No Name" character as one of the geneses of Roland of Gilead.
The central character, Roland, is the last living member of a knightly order known as gunslingers. The world he lives in is quite different from our own and yet bears striking similarities to it. Politically organized along the lines of a feudal society, it shares technological and social characteristics with the American Old West, as well as bearing the magical powers and relics of a highly advanced, but long vanished, society. Roland's quest, his raison d'être, is to find the Dark Tower, a mythical building said to either be, or be located at, the nexus of all universes. Roland's world is said to have "moved on", and indeed it appears to be coming apart at the seams — mighty nations are being torn apart by war, entire cities and regions vanish from the face of the earth without a trace, time does not flow in an orderly fashion; even the sun sometimes rises in the north and sets in the east. As the series opens, Roland's motives, goals, and even his age are unclear, though events in later installments shed light on these mysteries.
In many ways, this series can be viewed as King's statement of the world he portrays in many of his other novels. Terminology such as Ka-tet and the Tower itself appear in other novels (principally Insomnia), Can-toi is mentioned in Desperation, and the theme of a thin world with outside beings seeking to enter and rule it, is an updated version of a similar theme that Lovecraft built his mythos upon. The mention of the two evil corporations, the Sombra Corporation and North Central Positronics, could be viewed as a statement about our world's need to 'ruin' the world with our focus on materialism.
King himself has also stated in the revised version of The Gunslinger that an inspiration for the saga was The Lord of the Rings. This can be seen in the naming of the locations, such as the name Mid-World taking inspiration from Middle-Earth, the all seeing grandiose eye of the main antagonist always looming over the horizon much like the eye of Sauron, and the creation of a unique culture and language much like Tolkien did with the Elvish language in his saga. Some, however, would say that this is ignoring the literary and collective-unconscious's grip on those archetypes.
Roland Deschain, son of Steven Deschain, was born in the fictional Land of Gilead. Roland is the last gunslinger, charged with finding the Dark Tower (it is unclear if the hope of reversing the erosion of time and the universe that may be solved upon finding it is actually a goal of Roland's or if it is simply finding the Tower he cares about). This quest is obsession, monomania and geas to Roland: the success of the quest is more important than the life of his loved ones, family and friends. He is a man who lacks much imagination, and this is one of the stated reasons for his survival against all odds: He can't imagine anything other then surviving to find the Tower.
As the series opens, he is chasing Walter o'Dim, aka the Man in Black, across the seemingly endless Mohaine Desert. He finds Jake Chambers, an 11-year-old boy from 1977 New York City, at a way station and befriends him. Jake was walking down the street one day when someone pushed him under a Cadillac, then he woke up at a way-station in Mid-World and was found soon after by the gunslinger. Roland's relationship with Jake in The Gunslinger defines his personality: He can be friendly but is usually distant; he is wise and skilled but ignorant of our ways; he has no real sense of humor and is noble. However, he fails Jake: when confronted with the choice of saving Jake, who is dangling from a railroad trestle above an abyss, or finally confronting the Man in Black, he lets Jake fall. He catches up with Walter, the Man in Black, who tells Roland's fortune using some sort of Tarot cards during a very long palaver. Roland falls unconscious, to finally wake up (seemingly significantly aged) next to what seems to be Walter's skeleton. He makes his way to a beach, where he is attacked by a swarm of bizarre lobster creatures (called lobstrosities, portmanteau of lobster and monstrosity). One of these creatures catchs an exhausted Roland sleeping and devours the top two fingers (the index & middle finger) of his right hand and the big toe of his right foot. These wounds become infected from the lobstrosities' toxic venom and Roland begins to fall gravely ill.
He eventually recruits a new ka-tet for himself from a set of doors he finds along the beach, and heals his body as well with medicines from the other side. By the end of the 7th book, however, his ka-tet is either dead or gone, leaving him to climb the Tower on his own. And at the top, he finds...himself. Siguls or signs of his past life are scattered in various rooms. He walks through that final door (engraved on it is his own name) only to find to his horror that it opens up into the Mohaine Desert, sending him back to do his quest all over again like countless times before. His memory is wiped, he is made young again, and his fingers and guns are returned to him whole. The Tower, however, seeing that Roland has progressed so well from a soulless killer to a man of compassion for those who need him, gives him the Horn of Eld, an heirloom he lost long ago, as a symbol that perhaps things will be different next time he reaches the Tower. And so, "the man in black fled across the desert, and the gunslinger followed."
Roland also acquires medicine for his infection during the trip to Eddie's world, but this only temporarily quells the fever.
Eddie passes through the door into Roland's world, and faces the typically horrible withdrawal symptoms, but also shows an affinity for the ways of the gunslinger. Unwillingly at first, and somewhat forcibly, Eddie becomes Roland's companion through Mid-World, and soon falls in love with (and marries, in a way) Susannah, the next member of Roland's ka-tet.
Eddie later dies from a shot in the head by Pimli Prentiss, the head of Algul Siento, and a servant of the Crimson King. He is the first of the ka-tet to die (if you do not count Father Callahan, who was not a full member of their Ka-Tet according to most). However, at the end of the story Susannah crosses over into a world where an Eddie who strongly resembles "her" Eddie is alive and well and living in New York, along with his brother Jake (both now named Toren).
Roland also notes that Eddie's character strongly resembles that of Cuthbert's, a gunslinger of Roland's past, and one of Roland's greatest friends. The character of Cuthbert is mentioned in Browning's poem and is described most fully in Wizard and Glass, although he is first mentioned in The Gunslinger.
Initially, her dominant personality is that of Odetta Susannah Holmes, a sweet, well-mannered woman active in the civil rights movement. At times, however, she is taken over by Detta Susannah Walker, a murderously psychotic but incredibly crafty and strong willed woman whom neither Eddie nor Roland can control. After an incident at the beach with the lobstrosities, where Roland forces her two selves to see each other for the first time, her personalities are melded into one, and she becomes Susannah (later Susannah Dean, wife of Eddie).
During the drawing of Jake, she seduces the demon of the doorway in order to distract it and afterwards, she falls partially pregnant. Susannah shares the experience of her pregnancy with a character named Mia. Susannah is taken by Mia, who takes over her body (and melds with it, giving her legs for a short while), to NYC circa 1999 to help give birth to the demon child.
Susannah is the last of the Humans of his Ka-Tet to leave Roland (and the only one to survive in a Keystone world), having been given the chance to return to Eddie and Jake in a parallel world.
The eleven-year-old boy Roland left to die reappears in The Wastelands due to a paradox. Since Roland prevented Mort from shoving Jake into traffic, he never died, to appeared in Mid-World, and was never left to die under the mountains. Jake and Roland, however, can remember both timelines, and the knowledge is slowly driving them insane.
In the first half of The Wastelands, Roland's ka-tet figure out a way to draw Jake into Mid-world where he belongs (and thus finishes the real Drawing of the Three). Eddie is driven to whittle a key out of wood as they approach a Speaking Ring, where Eddie draws another door into the ground, this one guarded by an invisible demon. Susannah distracts the demon by allowing it to copulate with her, while Eddie perfects the key and opens the door. On the other side, Jake has been led to an abandoned house (by a past-version of Eddie himself) filled with evil spirits and a horrendous gate-keeper, but fights through them (with a bit of timely assistance from Roland) to reach the door. Once in Mid-World again, Roland's and Jake's memories are merged and their descent into insanity abated. Unfortunately, Susannah will pay the price for her distraction of the spirit.
While crossing the desolate city of Lud, Roland promises to come for Jake, despite it appearing that he may have to sacrifice Jake again to ensure their safe passage. Despite the danger, he rescues Jake, reaffirming the father-son bond that has grown between them. Like Eddie and Susannah, Jake shows amazing apptitude to the way of a gunslinger.
Jake is the second member of the ka-tet to die when he sacrifices himself to save Stephen King (a character in his own series) from certain death by putting himself between King and the van meant to take his life. An alternate version of Jake is encountered later by Susannah Dean.
Roland also notes that Jake strongly resembles Alain, another gunslinger, in using a psychic skill referred to as the "touch". Alain is described mostly as his time with Roland as a teen in Wizard and Glass.
On the road to Lud, Jake finds a wounded "billy-bumbler". These animals are described as looking like a cross between a raccoon and a dog, with a corkscrew-spiral tail. When Jake first sees the bumbler, he calls "Come here, boy," and the animal mimics the sound with "Oy". The bumbler is friendly and intelligent -- Roland explains that it used to be common for billy-bumblers to speak and even be able to perform simple math -- and Jake decides to call him Oy, after the first word they heard him say. Seemingly a mere pet at first, Oy proves to be strangely helpful in times of need and nearly human at times in both intelligence, and compassion.
At the time of their meeting, Roland concedes that Oy may quite possibly be meant as another member of their Ka-Tet. Later, in the 6th book, this is confirmed when the Tet Corporation forms as the association of "Deschain, Dean, Dean, Chambers, and Oy." Oy dies with honor defending Roland from Mordred.
Callahan is the "damned" priest who appeared in the novel Salem's Lot. He makes his first appearance in the Dark Tower series in Wolves of the Calla, although his character's reappearance was hinted at in the afterword to Wizard and Glass. After being infected by the vampire Barlow, Father Callahan spends time in a homeless shelter that he later runs. A male partner in running the shelter, who is also the object of Callahan's love (it is too much to say that his is a Gay priest, only that he was in love with this man. It is stated many times that the Father still has an eye for the ladies, and shows no other interest in any other men (save the Man Jesus)), is given AIDS by a vampire. Callahan made it a goal to get even with the vampires for what they did to his partner. He is aided in this due to his ability to spot the vampires; since Jerusalem's Lot (and the forced taking of some of the vampire Barlow's blood) he has been able to tell who is a vampire. He enters Mid-World after jumping from a window escaping the agents of the Red King, then arrives at the Way Station from the The Gunslinger (right after Jake & Roland left), although this is not revealed until Wolves of the Calla. He assists the ka-tet (becoming a partial member) in the Battle against the Wolves, helps Susannah's rescue mission from 1999 New York, sacrificing himself so that Jake may live making his final stand in The Dark Tower VII against the can-toi (low men) and vampires: Thus he is redeemed from his fall in ’Salem’s Lot. Callahan kills himself before allowing himself to fall at the hands of the vampires in the Dixie Pig.
Patrick appears at the end of the series, and in Insomnia first as a promising artist, then as an artist with enough talent to shape the real world as he sees fit. As a young boy, he was prophesized to save two men in the future (Roland and Eddie). He drew pictures of Roland and the roses as well. In the Dark Tower series, he was kept imprisoned for an unknown amount of time and was rescued by Susannah and Roland. Patrick draws the door that allows Susannah to enter a parallel world, and erases the Red King from the tower, allowing Roland to proceed.
Also known as the Ageless Stranger, Walter o'Dim, Marten Broadcloak and Randall Flagg; he appears in many books of Stephen King, most notably in The Eyes of the Dragon and in The Stand, always as a nearly-demonic sorcerer. He is the Crimson King's chief agent, but secretly plots to rule the tower himself. This evil figure knows dark magic and uses it to spread chaos. He has destroyed civilizations, led numerous violent factions, and killed his way to ruling kingdoms, the whole time serving the Crimson King. His true name is Walter Padick, but he has taken many aliases, among them Randall Flagg. Flagg is a central character in another sprawling King novel, "The Stand." In this tale, he is also called "The Dark Man" or "The Walkin' Dude", and knows much about Roland, his history, and his quest for the Dark Tower. Walter is eaten alive by Mordred Deschain, Roland's bastard, half-spider son. Walter also, in the course of the series, reveals himself to be Marten Broadcloak, Chief adviser to Steven Deschain, Roland's father, and lover to Gabrielle Deschain, Roland's mother. This is significant as Marten Broadcloak is also revealed to be either John Farson (the Good Man) himself, or an ally of his. In goading Roland into his early test of manhood, Walter o'Dim (who actually returns to advise Roland's father under this name, with a slightly altered appearance, after Marten's mysterious disappearance) has sowed the seeds of his own undoing. Not, of course, before wiping out all of the gunslingers except for Roland in a massive civil war against Farson.
Walter's tenacity and slipperiness are inhuman; in The Stand: The Complete & Uncut Edition he is exposed to a nuclear explosion but escapes to wreak havoc elsewhere via some sort of magic; in The Eyes of the Dragon he is shot through the eye with Foe-Hammer, yet escapes and lives. Even under Roland's own gun, he managed to disappear in Wizard and Glass. Though it seems he met his final end between the jaws of Mordred Deschain, it is contested between fans of the series whether or not he is really dead, though the accepted canon is that Mordred saw to his end when, in hybrid spider form, he telepathically forced Walter to rip out his own eyes and tongue to drop into Mordred's gaping mouth for food ("appetizers"), after which Mordred devoured the rest of Walter's body.
The ultimate in evil, this mysterious figure wishes to conquer the Dark Tower and raze it to the ground. Since this will destroy nearly the entire universe, he is naturally cast as the villain in The Dark Tower books. He is also present in another Stephen King book, Insomnia, and the second King-Peter Straub collaboration, Black House. He is also known as Ram Aballah, and once ruled from his castle in Thunderclap, but now is imprisoned on a balcony on the Dark Tower, which he had run to in a fit of madness that had taken him over. He believes that when the Tower falls, he will rule the Todash darkness that was once the multiverse. He is the one whom Walter/Flagg serves, whom the low men and taheen serve, and has opposed Roland of Gilead from the beginning. Like Roland, he is descended from Arthur Eld, but there is speculation among Tower fans whether or not he and Arthur Eld are the same individual. This is noted in the sixth book; when Susannah enters the Dixie Pig, she is confronted by a room full of low men and Taheen, who are eating roasted babies. As she looks around the room, she is also confronted with a tapestry depicting Arthur Eld eating the leg of a baby at the Round Table.
However, in the seventh book Roland notes that the tapestry is a 'blasphemous parody of Eld's Last Fellowship.' Presumably, the tapestry in question is a play on The Last Supper. If so, the depiction in the Dixie Pig is likely a perversion, and not a clue to the identity of the Crimson King.
A decrepit old witch, Rhea Dubativo was the one responsible for the death of Roland's true love, Susan Delgado. She was trusted with the pink Wizard's Glass, which slowly drained her and drove her insane, similar to the deterioration of Gollum from Lord of the Rings. We never find out what happens to her, although Roland does imply that he killed her, nothing more is elaborated upon beyond that.
Mia called the child her "chap" was being carried by both Susannah and Mia. Susannah had became pregnant with Roland's seed from the demon she copulated with in "The Waste Lands", during Jake's Drawing. The demon, a hermaphrodite able to change its sex, had copulated previously with Roland as a female in The Gunslinger while Roland protected Jake and queried it for information. The demon had somehow preserved Roland's seed (and allowed it to be somehow mixed with that of the Red King's seed) and impregnated Susannah with it while male. Mia possessed Susannah in order to take over the birthing of her "chap".
This concept is similar to that of IVF. Roland's sperm is stored by the demon and "delivered" to Susannah, without either's consent.
Mia is killed and eaten by her child, Mordred, shortly after giving birth.
Son of two fathers and two mothers, Mordred was born of Susannah's egg fertilized by the seed of both Roland of Gilead and the Crimson King (via the demon encountered while drawing Jake into the world), and carried to term by Mia. Mordred is half-human, half-god, and if his fate is fulfilled, he will both kill Roland (one of his fathers) and topple the Dark Tower itself. He is very powerful, yet he is also extremely arrogant as well (embodying all youth). His abilities include (but may not be limited to): the ability to change between human form and spider form at will, although it taxes his energy greatly; the ability to exert his will over others (both animal & human) & machines, even overcoming protective devices (such as Walter's "thinking cap"), as well as reading another's mind; and absorb one's knowledge and experience by devouring them. Walter o'Dim was devoured alive helplessly in an attempt to make Mordred his puppet when he was just a baby, and the boy still managed to pursue Roland for numberless miles less than a week after his birth.
However, neither the seers nor fate itself could protect Mordred from the death of magic in Mid-World as the Tower falters. Mordred becomes deathly ill after eating poisoned "horse" meat, and when he makes a final attempt to kill his White Father, he is attacked by Oy. Oy, dying during the battle, is able to distract Mordred long enough to allow Roland to wake up kill his son, at the threshold of the Dark Tower.
Taheen resemble humans with the heads and hands of animals. They are mostly considered the servants of the Crimson King. The Taheen, much in the same way as humans, have a choice in their destiny, thus they can be good or evil. Their exact origin, however, remains a mystery.
All-World is divided into regions, such as In-World, Mid-World, End-World, Out-World, and Thunderclap. The geography is widely varied. It includes deserts, mountains, rolling plains and vast wastelands. It is said to have "moved on." This seems to mean that where there was once great order there is now little if any order. For example: the sun doesn’t always rise in the right place and sometimes it doesn’t even cross the sky in a whole day; also, the compasses directions themselves are at drift: What is East today, might be South-East next week, and next year might be full on South. According to Blaine the Mono, his Slo-Trans engines were supposed to last for millions of years, but were already faltering after a few thousand. However, since time appears to run at different rates all throughout All-World, and given Blaine's dementia, this assessment may not be dependable.
It seems that an extremely advanced civilization once existed in All-World, possibly a parallel United States. This can be inferred from the high degree of similarity between Old Ones (the name for these ancient people) architecture, automobiles, clothing and the fact that an Old Ones military outpost used an everyday phone modem and Microsoft products. There was also a cola product called Nozz-a-la whose artwork was identical to that of Coca-Cola. They might have spoken English.
The civilization of the Old Ones collapsed because of the replacement of magic, which could last forever, with technology, which would disintegrate if left unattended, but which nevertheless was allowed to be responsible for maintaining the Beams of the Dark Tower.
The Beams are six invisible forces connecting the edge of the world/universe to the center. These Beams are the primary sources of force in All-World and they maintain order. Failure of the Beams cause changes in physical and astronomical constants, which causes chaos in nature, as well as in civilization. There were six Beams with twelve Guardians, one for each "Portal" (the end of a Beam) arranged like the spokes of a wheel with The Tower at the center. (see also: The Waste Lands). Guardians were based on novels like Shardik (for the bear) and Discworld for the turtle (Discworld's turtle was based on the ancient myth Akupara). (Some feel that the Hindu Chukwa something similar have a better claim to origin for the turtle then the Discworld mythos)
The Old One civilization used technology to maintain the Beams of the Dark Tower instead of magic, and sought to literally control reality. The final blow for the Old One civilization seems to have been nuclear war, germ warfare, chemical warfare, and something "else" something that is hinted to be more horrible/powerful then those three. It is not known when such wars took place (but long ago enough that it is in the ancient past, and that the gene lines are finally starting to breed true, or "threaded"), why they took place, or even between which nations or organizations such wars were fought. It is widely hinted the Crimson King was ultimately working behind the scenes, manipulating people and events to bring about civilization's destruction, since such destruction serves his ultimate ends.
The All-World of most of the Dark Tower series seems to be sparsely populated and dangerous, filled with mutants both human and animal, and vast swaths of land are irradiated. Demons and robots are to be found, as well as Taheen, who are in the employ of the Crimson King. Governments do not extend beyond the town/local level. Resources are scarce, and relics of the Old Ones technology exist mainly in perverted, deranged, or damaged forms that threaten instead of helping the last remnants of civilization.
(excerpt from Wolves of the Calla)
The Manni religion could be the descendant or parallel of modern Christianity, showing another similarity that All-World has with this world. There are numerous references to the "Man Jesus" throughout the novels, and the Manni quote certain Bible verses, as shown in The Dark Tower V: Wolves of the Calla. However in The Gunslinger Revised Version the Manni are somewhat differentiated from followers of the Man Jesus when Roland notes, "He was not a Manni, however, nor a follower of the Man Jesus, and considered himself in no way holy," implying that the two are different even if somehow related religions.
"It is ka, and ka is destiny." -Ted Brautigan, Hearts in Atlantis: Low Men in Yellow Coats. Ka can be described as destiny or fate, but is more complex than that. It is said to be a wheel that can only be broken by death or by betrayal. But, as Cort put it, those are also spokes on the wheel of ka. The image of ka as a wheel is reminiscent of the philosophy, "what goes around comes around."
Synonyms: Fate, Destiny, Karma, Luck, Kismet, Purpose, chi, and similar to "the force" in Star Wars
Each book in the series was originally published in hardcover format with a number of full-color illustrations spread throughout. Each book contained works by a single illustrator only. Subsequent printings of each book in trade paperback format usually preserve the illustrations in full, except for books I and IV. Pocket-sized paperback reprints contain only black-and-white chapter or section header illustrations.
The illustrators who worked on each book are:
The following is a list of specific connections between books. Note that all Dark Tower books are connected to each other chronologically.
Series of fantasy books | Novel series | The Dark Tower
Det Mørke Tårn | Der Dunkle Turm | La Tour sombre | La torre nera (serie) | המגדל האפל | ダーク・タワー | Mroczna Wieża (cykl) | Musta torni
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