The Swamp Thing is a fictional character created by Len Wein and Bernie Wrightson for DC Comics, and featured in a long-running horror-fantasy comic book series of the same name. He is a humanoid mass of vegetable matter who fights to protect his swamp home, the environment in general, and humanity, from various supernatural threats. The series was continued by a number of writers, notably Alan Moore, whose reinvention of the character was particularly influential.
After the success of the short story in the House of Secrets comic, the original creators were asked to write an ongoing series, but updating the character to be in the present and to appear more heroic. Swamp Thing #1 (1st series, October-November 1972, by Wein and Wrightson) was then started, fast-forwarding to the 1970s, and relating a completely different origin for the frightfully foliaged character. Scientist Alec Holland, working on a secret restorative formula in the Louisiana swamps that can "make forests out of deserts", is killed by a bomb planted by agents of the mysterious Mr. E, who wants the formula. Splashed with burning chemicals in the massive fire, Holland runs from the lab and falls into the waters of a muck-filled swamp. Some time later, a creature resembling a humanoid plant appears. This creature, called Swamp Thing, was originally conceived as Alec Holland mutated into a vegetable-like being, a "muck-encrusted mockery of a man". Much of his later adventures would involve the Swamp Thing attempting to find a way to become human again.
The major difference between the first and second Swamp Thing is that the latter not only appears more muscular than shambling, but possesses the ability of speech, although inititally with great physical difficulty. The speech impediment of Alex Olsen is a major reason why his wife was unable to recognize him. During Alan Moore's run in Saga of the Swamp Thing #33, a connection was made between the two versions of the Swamp Thing when the narrator of the House of Secrets comic relates Alex Olson's tale and then states "Alec Holland was not the first thing to walk the swamps! There were others before him . . . In the history of the world there have come sour times when the earth feels compelled to create an elemental champion for itself . . . Your world has again shaped a protector."
The appearance of Holland's brother toward the end of the series marked a series of plot developments which subsequent writers had difficulty explaining. Issue 23 featured an aging supervillain called Sabre, hellbent on killing Swamp Thing. In the final panel Alec Holland was shown inexplicably returning into human form, with his brother crying, "Alec Holland lives again!". Although Swamp Thing was on the cover of the 24th and final issue, Holland appeared as human throughout the interior story. The cover illustration showed a yellow muscular creature (Thrudvang) beating up Swamp Thing; the interior showed Holland imagining Swamp Thing beating up Thrudvang, in similar positions but with roles reversed. Holland, and his new love interest/brother's research assistant, spent most of the issue running away from Thrudvang.
The events in these issues were not much referenced thereafter, but they were never written out of continuity. In 1977 Alec went on to appear in the short-lived revivial of Challengers of the Unknown, which picked up where Swamp Thing's first series ended—Alec was still human and again working for the government. Unfortunately, the effect was not permanent, and he reverted into his Swamp Thing form once more. Deadman, who interacted with Swamp Thing during this encounter, still remembered it when they met again in series 2, proving that the events of series 1 and Challengers had, indeed, happened. Swamp Thing also appeared with Superman in DC Comics Presents and with Batman in The Brave and the Bold.
For Issue 20, the British comic book writer Alan Moore was brought in to replace Pasko, whose television work was leaving little room in his schedule for comics. Moore, then relatively unknown, had at that time only written several stories for 2000AD, Warrior and Marvel UK. As Swamp Thing was slated for cancellation, the editors were willing to take whatever risks Moore proposed. Moore recognised that an inherent obstacle to writing the character was that the completion of his quest to become human would result in the end of the series.
The risk Moore took was to, in one fell swoop, destroy the entire concept of the Swamp Thing. In #20, Swamp Thing was shot in the head and captured by the malevolent Sunderland corporation. In #21, the famous "The Anatomy Lesson", his body was delivered to minor supervillain Jason "Floronic Man" Woodrue, who had been hired by Sunderland to perform an autopsy.
During the autopsy, Woodrue discovered that the Swamp Thing's physiology was only superficially human, its organs little more than crude, nonfunctional, vegetable-based imitations of their human counterparts, and that there was no way that the Swamp Thing's body could have been derived from a human corpse. This meant the Swamp Thing was not Alec Holland, but only thought that it was: Holland had indeed died in the swamp vegetation, and the swamp vegetation had absorbed his mind, knowledge, memories, and skills. Alec Holland would not ever be cured, because there was nothing to cure. Woodrue also concluded that, despite the autopsy, Swamp Thing was still alive, as "you can't kill a vegetable by shooting it through the head".
Not content with retconning the Swamp Thing's origin story, about a year later Moore would reveal that the creature styled after Holland was no ordinary plant, but a plant elemental and representative of all plant life on Earth. This redefinition left the character open to much broader interpretations, giving him the ability to control plants, and to travel through "the Green".
During the Moore era, Swamp Thing went catatonic due to the shock, going deep into "The Green", which is the dimension that connects all plant life together. Woodrue went insane after attempting to connect to The Green through Swamp Thing, and Abby had to revive Swamp Thing in order to stop Woodrue after he killed an entire village. He returned to the swamps (now revealed to be situated in Louisiana), and encountered Jason Blood, The Demon, then gave a final burial for Alec Holland.
Matthew Cable, gravely hurt in the previous storyline, was revealed to have been possessed by Anton Arcane, and Abby had been unwittingly having an incestuous relationship with him. After a fight Cable was thrown into a coma, and Abby's soul delivered to hell. In the second Swamp Thing Annual, modelled on Dante's Inferno, Swamp Thing followed Abigail, encountering classic DC characters such as Deadman, The Spectre, Etrigan, and The Phantom Stranger en route, and eventually rescued her. A few months after this, Moore had Swamp Thing encounter Superman a second time, in DC Comics Presents #85.
The relationship between Swamp Thing and Abby deepened, and in issue #34 ("Rites of Spring") the two confessed that they both have been loving each other since they first met, and "made love" though a hallucinogenic experience brought on by Abby eating a fruit produced by Swamp Thing's body. The controversial relationship between plant and human would culminate in Abby being arrested in Gotham City later for "obscene behaviour", the second encounter between Swamp Thing and Batman. Before that, the "American Gothic" storyline introduced the character John Constantine (later to star in his own comic Hellblazer) in issues #37-50, where Swamp Thing had to travel to several parts of America, encountering several archetype horror monsters, including werewolves and zombies, but modernized with relevance to current issues. The "American Gothic" storyline ended with a subtle crossover to Crisis on Infinite Earths, where Swamp Thing had to solve the battle between Good (Light) and Evil (Darkness). Here he also met The Parliament of Trees in issue #47, which was where Earth Elementals like him lay to rest after they have walked the Earth, and it was here Moore solved the continuity problem of the first and second Swamp Thing: the first Swamp Thing, Alex Olsen, was a part of the Parliament.
Although Abby was eventually released (through a loophole Batman pointed out: Superman and Lois Lane were also in a similar alien-human relationship), Swamp Thing was ambushed and his soul sent into space. He would travel to several planets before returning home to exact revenge on his attackers. A particularly popular story in this sequence was issue 56, "My Blue Heaven", an allegory of depression in which Swamp Thing populated a lonely planet with mindless plant replicas of Abby and other reminders of his lost Earth.
Moore's run also included several references to obscure or forgotten comic characters (Phantom Stranger, Cain and Abel, & Floronic Man) but none so prominent as in issue 32, when he broke with the serious and moody storyline for a single issue. In the story "Pog," we see Walt Kelly's funny animal comic character Pogo (created in 1943) and all of his woodland friends show up as costumed visitors from another planet, looking for an unspoiled world after their own utopia had been overrun by brutal monkeys. More than a simple homage to Kelly, the story is a commentary on the lost innocence of the old comics, the cruelty of humans (who are referred to as "the loneliest animal of all"), and the destruction of a natural beauty that can never be reclaimed.
Alan Moore's Swamp Thing had a profound effect on mainstream comic books. It was the first horror comic to approach the genre from a literary point of view since EC Comics' horror comics of the 1950s, and broadened the scope of the series to include ecological and spiritual concerns while retaining its horror-fantasy roots. Moore began a trend (most notably continued by Neil Gaiman) of mining the DC Universe's vast collection of minor supernatural characters to create an overall mythology. Characters spun off from Moore's series gave rise to DC's Vertigo comic book line, notably The Sandman, Hellblazer, and The Books of Magic; Vertigo titles were written with adults in mind and often contained material unsuitable for children. Saga of the Swamp Thing was the first mainstream comic book series to completely abandon the Comics Code Authority and write directly for adults.
It was during this time Swamp Thing first encountered the Black Orchid in Neil Gaiman and Dave McKean's three-part graphic novel. Later, during the Invasion event, Swamp Thing was thrown into the past, and went through time trying to return to the present. The story was published in Swamp Thing #80-87. One issue of this storyline * focused upon Swamp Thing's regular supporting cast. In this issue Matthew Cable passed away from his coma into the land of the Dreaming, where he encountered Morpheus and Eve. Cable would later be written into The Sandman by Neil Gaiman as Matthew The Raven.
Veitch's term ended in a widely publicized creative dispute, when DC refused to publish issue #88 because of the use of Jesus as a character despite having previously approved the script. The move was said to be made due to controversies then arising from the Martin Scorsese film The Last Temptation of Christ. Artist Michael Zulli had already partially completed the art. The move disgusted Veitch and he immediately resigned from writing, as that episode was supposed to be his last. Neil Gaiman and Jamie Delano, who were originally slated to be the next writers, sympathetically declined to take up the helm. Gaiman, however, was cooperative enough with the editorial staff to write Swamp Thing Annual #5 to fill the series hiatus, which led into the run of the new Swamp Thing writer, Doug Wheeler.
Wheeler saw the birth of the Sprout through to its conclusion. The spirit was born as a human-looking girl, whom Swamp Thing and Abby named Tefé Holland. From there Wheeler went on to depict Hell, the Green, and the Gray (a fungal realm in opposition to the plant-based Green), in striking and often bewildering detail, as Swamp Thing fought to avert a war between the Green and the Gray.
Wheeler had the unfortunate task of writing under the shadow of Moore and Veitch, and also of Neil Gaiman, who had just finished the Swamp Thing Annual and a Black Orchid miniseries. The bright and clean style of Wheeler's regular illustrator Pat Broderick was also a departure from previous popular Swamp Thing artists, although John Totleben continued to contribute painted covers up to issue #100.
Most of Millar's run is divided into several smaller arcs, in each of which Swamp Thing first learns of the existence of, then becomes the champion of, the Parliaments of the various other elements. In order, these are Stone, Waves, Vapour and Flames. In the final six issues, Swamp Thing, no longer approachable by mortals, is willing to rid the world of humanity in order for the other elements to survive. Passing the final trials, he unites all the elements within his being, achieving global consciousness and, in merging with everything — and everyone — in the world, finds the good and the potential in even his worst enemy. He thus spares humanity and becomes a planet elemental, representing the Earth itself, and joins the Parliament of Worlds, which is made up of all the other "enlightened worlds." (The only others actually named were Mars, who greeted Swamp Thing into their number, and Oa, who, due to its destruction some time before Green Lantern #0, Mars lamented Oa could not witness Earth's induction.) This was the most significant change made to the character since Moore's reinterpretation. (Oa is later referenced in Neil Gaiman's Endless Nights.)
Millar wrote Swamp Thing until the series ended, with issue #171 (October 1996). His run was more similar to those of Moore and Veitch than those of his immediate predecessors, especially in its use of guest stars from the wider DC Universe. One of his achievements include the reintroduction of Anton Arcane, resurrected but converted to devout Catholicism, raising the question of whether evil could indeed be changed after all. The final storyline of the long-running second series would be resolved in the Michael Zulli story "Look Away", found within the 2000 Swamp Thing Vertigo Secret Files special relating to the beginnings and origins of the third Swamp Thing series. "Look Away" resolved the issue of his new existence, and the worldwide cult worship as a deity of his evolution into the Earth Incarnate of the Parliament of Worlds, begun in Millar's "Trial By Fire" (#166-171). After being overlooked in the "Final Night" DC Universe event, Swamp Thing and John Constantine would appear next together by the end of 1996 in Green Lantern #81 written by Ron Marz, attending the funeral of fallen hero Hal Jordan. In 1997, Swamp Thing was written into Aquaman #32-33 by Peter David. By the end of the same year, the Swamp Thing would be attending another funeral, this one for ghost Jim Corrigan in the final issue of The Spectre #62.
Early 1998 saw the production of John J. Muth's Vertigo graphic novel, Swamp Thing: Roots. Sandman spin-off The Dreaming #22-24 written by Caitlin R. Kiernan saw Matthew Cable's return to human form, his uneasy reunion and final departure from his ex-wife Abby married to Swamp Thing and Cable's restoration to his dream raven form. Matthew The Raven died in The Dreaming story "Foxes and Hounds" in issues #42-43, a fact that was later touched upon by the 2000 Swamp Thing Vertigo Secret Files Special. The final week of 1999 saw Swamp Thing teaming up with other Vertigo heroes from the DC Universe in the one-shot special Totems.
There were also merchandise items produced in line with the cartoon and the television series, including action figures, stickers, a board game, and a green chalk resembling Swamp Thing. (The label of the chalk is especially curious: text hovers above the little figurine with the words "I'm Chalk!".)
It should be noted that both the Swamp Thing and Man-Thing bear striking similarities to the Glob, a creature that appeared in The Incredible Hulk #121.
The best-known precursor to both characters was the shambling muck-monster The Heap, who first appeared in a 1942 Hillman comic. But the Heap (and consequently, both Swamp Thing and Man-Thing) may owe its existence to a 1940 horror story by Theodore Sturgeon titled "It", in which a shambling monster, made from decaying plant life and a human corpse, creates havoc for a farm household.
The Heap was mentioned by Alan Moore in his introduction of the Parliament of Trees, though never by name.
The Brazilian character Morto do Pântano ("Swamp Deadman"), created by Eugenio Colonnese two years before Swamp Thing, resembles in many ways Wein and Wrightson's creation. "Parliament of the Trees", a Moore-scripted Swamp Thing episode from 1986, includes visual nods towards these other "muck monsters" when various past and present plant/human "tree spirits" assemble together in the Amazon Rainforest.
Long-time DC comics villain Solomon Grundy shares an origin similar to the swamp monsters mentioned above, although his appearance differs greatly. During his run on Swamp Thing, Rich Veitch indicated that Grundy was "meant" to be a plant elemental, but his development was stunted and incomplete.
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Swamp Thing | Swamp Thing | Monstro do Pântano | Болотная тварь (фильм)
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