Southern literature (sometimes called the Literature of the American South) is defined as American literature about the Southern United States or by writers from this region. Characteristics of Southern literature include a focus on a common Southern history, the significance of family, a sense of community and one’s role within it, the region's dominant religion (Christianity, See Protestantism) and the burdens/rewards religion often brings, issues of racial tension, land and the promise it brings, a sense of social class, and the use of the Southern dialect.
In addition to the geographical component of Southern literature, certain themes have appeared because of the similar histories of the Southern states in regard to slavery, the American Civil War, and Reconstruction. The conservative culture in the South has also produced a strong focus within Southern literature on the significance of family, religion, and community in one's personal and social life. The South's troubled history with racial issues also continually appears in its literature.
Despite these common themes, what makes writers and their literature Southern is sometimes open to debate. For example, Mark Twain, arguably the father of Southern literature, defined the characteristics that many people associate with Southern writing in his novel The Adventures of Huckleberry Finn. He even referred to himself as a "Southern writer." Despite this, his birthplace of Missouri is not traditionally considered to be part of The South. In addition, many famous Southern writers headed to the Northern U.S. as soon as they were old enough to make it on their own. So while geography is a factor, it is not the defining factor in Southern writing.
The South as a distinct culture began to come into existence in the early 1800s when cotton cultivation, and the expanded enslavement of Africans as farm labor, began to take hold. During this pre-Civil War Antebellum time period, a vibrant literary community was found in Charleston, South Carolina, then one of the largest cities in America. The writers of this period, such as poet Paul Hamilton Hayne, tended to produce lyrical and sentimental works. One noteworthy novel of this time, Clotel; or, The President's Daughter, was written in 1853 by a southern-born slave named William Wells Brown. This novel, based on what at that time were considered rumors about Thomas Jefferson fathering a daughter with his slave Sally Hemings, was the first novel written by an African American.
Another successful writer to come out of the American south was Professor William H. Peck. Born in 1830 in Augusta, Georgia he moved with his father Colonel Peck in 1843 to the Indian River Coloney in Central Florida. He later wrote descriptively about this area and his meeting with early pioneers such as lighthouse keeper Burnham of Cape Canaveral in the Florida Star Newspaper in 1887. He graduated from Harvard in 1853 and his writing career took off with submissions to Richard Bonner's New York Ledger. William Peck served as Professor of History at LSU and later moved to Atlanta, Georgia where he started "The Georgia Weekly". He later retired to the home of his youth in Merritt Island, Florida and died soon after his wife in 1892 in Jacksonville Florida. A notable quote from his May Day ovation is "To the pure all things are pure".
In 1852, Uncle Tom's Cabin was published, possibly the most famous novel ever written about the South. Authored by Connecticut-native Harriet Beecher Stowe, this abolitionist novel focused on the evils of slavery and became the best-selling novel of the century. The book was inspired by the passage of the Fugitive Slave Act two years before, which punished those who aided runaway slaves. The book was highly controversial and fanned the debate over slavery in the country. When Abraham Lincoln met Stowe after the beginning of the Civil War, he reportedly said to her, "So you're the little lady whose book started this great war."
In response to Stowe's novel, Southern writers produced a number of pro-slavery books, including the so-called plantation or anti-Tom novels by John Pendleton Kennedy, William Gilmore Simms, Caroline Lee Hentz, and others.* Anti-Tom novels tended to feature a benign white patriarchal master and a pure wife, both of whom presided over child-like slaves in a benevolent extended-family-style plantation. To counter this type of fiction, a number of former slaves such as Harriet Jacobs and Frederick Douglass wrote slave narratives, which painted a much harsher version of plantation life.
In 1884, Samuel Langhorne Clemens, better known by his pen name Mark Twain, published what is arguably the most influential southern novel of the 19th century, The Adventures of Huckleberry Finn. Ernest Hemingway said of the novel, "All modern American literature comes from one book by Mark Twain called Huckleberry Finn." This statement applies even more to southern literature because of the novel's frank dealings with issues such as race and violence.
In the 1920s and '30s, a renaissance in Southern literature began with the appearance of writers such as William Faulkner, Caroline Gordon, Tennessee Williams, Katherine Anne Porter, Allen Tate, and Robert Penn Warren. Because of the distance the Southern Renaissance authors had from the American Civil War and slavery, they were more objective in their writings about the South. Writers like Faulkner, who won the Nobel Prize in Literature in 1949, also brought new techniques such as stream of consciousness and complex narrative techniques to their writings (such as in his novel As I Lay Dying). "As I Lay Dying" is told by changing narrators ranging from the dead Addie, to her young son.
The late 1930s also saw the publication of one of the most well-known Southern novels, Gone with the Wind by Margaret Mitchell. The novel, published in 1937, quickly became a bestseller and was made into an equally famous movie.
From the 1940s onward, Southern literature grew thematically as it embraced the social and cultural changes in the South resulting from the American Civil Rights Movement. In addition, more female and African American writers began to be accepted as part of Southern literature, including African Americans such as Zora Neale Hurston, Sterling Allen Brown, and Dori Sanders, along with women such as Eudora Welty, Flannery O'Connor, and Carson McCullers. Other well-known Southern writers of this period include Reynolds Price, James Dickey, and Walker Percy. One of the most highly praised Southern novels of the 20th century, To Kill a Mockingbird by Harper Lee, won the Pulitzer Prize when it was published in 1960. Another famous novel of the 1960s is A Confederacy of Dunces, written by New Orleans native John Kennedy Toole in the 1960s but not published until 1980 -- it won the Pulitzer Prize in 1981 and has since become a cult classic.
Others, though, say that the very fabric of the South has changed so much that the old assumptions about southern literature no longer hold. For example, Truman Capote, born and raised in the Deep South, is best known for his novel In Cold Blood, a piece with absolutely none of the characteristics associated with "southern writing." Other southern writers, such as popular author John Grisham, rarely write about traditional southern literary issues at all.
Among the prominent southern writers today are Barry Hannah, Pat Conroy, Fannie Flagg, Randall Kenan, Ernest Gaines, Tom Robbins, Tom Wolfe, Wendell Berry, Cormac McCarthy, Anne Rice, Edward P. Jones, Barbara Kingsolver, and Anne Tyler.
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