The science fiction novel Snow Crash (1992), the third novel by Neal Stephenson, follows in the footsteps of cyberpunk novels by such authors as William Gibson and Rudy Rucker, though Stephenson breaks away from this tradition by embellishing this story with a heavy dose of satire and black humor.
Much of the territory lost by the government has been carved up into a huge number of sovereign enclaves, each run by its own big business franchise (such as "Mr. Lee's Greater Hong Kong" or the various residential burbclaves (suburb enclaves)). This arrangement bears a similarity to anarcho-capitalism, a theme Stephenson carries over to his next novel The Diamond Age. Hyperinflation has devalued the dollar to the extent that trillion dollar bills, Ed Meeses, are little regarded and the quadrillion dollar note, a Gipper, is the standard 'small' bill. For large transactions, people resort to alternative, non-hyperinflated currencies like yen or "Kongbucks" (the official currency of Mr. Lee's Greater Hong Kong).
The Metaverse, Stephenson's successor to the Internet, permeates ruling-class activities and constitutes Stephenson's vision of how a virtual reality-based Internet might evolve in the near future. Although there are public-access Metaverse terminals in Reality, using them carries a social stigma among Metaverse denizens, in part because of the low visual quality of their avatars (the Metaverse representation of a user). In the Metaverse, status is a function of two things: access to restricted environments (such as the Black Sun, an exclusive Metaverse club) and technical acumen (often demonstrated by the sophistication of one's avatar).
Examples of Metaverse-like "worlds" in reality are There, Second Life, The Palace, Ages Beyond Myst, the now-defunct Blaxxun (originally Black Sun prior to being sued by Sun Microsystems), and Active Worlds, the last two of which are based entirely on Snow Crash. Some massively multiplayer online role-playing games (MMORPGs) resemble the Metaverse.
The story centers on Hiro Protagonist, a hacker and swordsman, and a streetwise young girl nicknamed Y.T. (short for Yours Truly), who works as a skateboard Kourier for a company called RadiKS. The pair meet when Hiro loses his job as a pizza delivery driver for the Mafia, and they decide to become partners in the intelligence business. The setting is a near-future dystopian version of Los Angeles, where franchising, individual sovereignty and automobiles reign supreme (along with drug trafficking, violent crime, and traffic congestion).
The pair soon learn of a dangerous new drug, called "Snow Crash"—both a computer virus, capable of infecting the brains of unwary hackers in the Metaverse, and a drug in Reality, being marketed through a nearly-untraceable chain of sources. As Hiro and Y.T. dig deeper (or are drawn in), they discover more about Snow Crash and its connection to ancient Sumerian culture, the fiber-optics monopolist L. Bob Rife and his enormous Raft of refugee boat people, and an Aleut harpooner named Raven, whose motorcycle packs a nuke triggered by a literal dead man's switch. The Snow Crash metavirus may be characterized as an extremely aggressive meme.
The Raft, a collection of ragtag vessels bringing Asia's poor to California's shores, appears to be a parody of the "Armada of Hope" described in Jean Raspail's openly racist novel The Camp of the Saints (1973), in which a vast flotilla carries a million of India's poor to the southern coast of France.
Stephenson spends much of the novel taking the reader on an extensive tour of the mythology of ancient Sumeria, while theorizing upon the origin of languages and their relationship to the Biblical story of the Tower of Babel. Asherah is portrayed as a deadly biological and verbal virus which was stopped in Ancient Sumer by the God Enki. In order to do that, Enki deployed a countermeasure which was later described as the Tower of Babel. The book also reflects ideas from Julian Jaynes's The Origin of Consciousness in the Breakdown of the Bicameral Mind (1976).
Stephenson speculates in Snow Crash that early Sumerian culture used a primordial language which could be interpreted by human beings through the deep structures of the brain, rendering the learning of what he refers to as "acquired languages" needless. Stephenson relates this theoretical language to glossolalia—also known as the phenomenon of "speaking in tongues"—stating that the babbling of glossolalia is in truth the primordial language. A comparison is made to computers and their binary machine code, which exists on a much more basic level than, for example, the human-readable, high-level programming languages, and as such gives those with the ability to speak the language great power.
In Sumer mythology, the masses were controlled by means of verbal rules called me. Stephenson compares the me to small pieces of software which could be interpreted by humans, and which contained information for specific tasks such as baking bread. Me were stored in a temple and its distribution was handled by a high priest, referred to as the en. Within this context, Enki was an en who had the ability of writing new me, and is described by Stephenson as the primordial hacker.
Me were erased from people's minds by a meta-virus (see the definition of meta-), a fact theoretically explained by the Tower of Babel myth. Enki then wrote a me called "The nam-shub of Enki", which had the effect of blocking the meta-virus from acting by preventing direct access to the primordial language, making the use of "acquired languages" necessary. The meta-virus did not disappear entirely, though, as the "Cult of Asherah" continued to spread it by means of cult prostitutes and infected women breast-feeding infants. Stephenson compares this form of infection to that of the herpes simplex virus.
The author speculates that deuteronomists had an en of their own, and that kabbalistic sorcerers known as the B'alim Shem (masters of the name) could control the primordial tongue.
Snow Crash rocketed to the top of the fiction best-seller charts upon its publication and established Stephenson as a major science fiction writer of the 1990s. The book appeared on Time magazine's list of 100 all-time best English-language novels written since 1923.
1992 novels | Dystopian novels | Fictional drugs | Motif of harmful sensation | Postcyberpunk | Science fiction novels | Time Magazine 100 best novels | Internet history
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"Snow Crash".
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