| Sima Qian's names | ||
|---|---|---|
| Family name and given name | Style name | |
| Traditional | 司馬遷 | 子長 |
| Simplified | 司马迁 | 子长 |
| Pinyin | Sīmǎ Qiān | Zǐcháng |
| Wade-Giles | Ssŭma Ch'ien | Tzu-ch'ang |
While all the officials in the government condemned Li Ling for the defeat, Sima Qian was the only person who defended Li Ling, who had never been his friend but whom he respected. Emperor Han Wudi thought Sima Qian’s defence of Li Ling was an attack on Wudi's brother-in-law who was fighting against Xiongnu without much success. Subsequently, he was sentenced to death. At that time, execution could be replaced either by money or mutilation (i.e. castration). Since Sima Qian did not have enough money to atone his fault, he chose the latter and was then thrown into prison.
In 96 BC, Sima Qian was released from prison. The three-year ordeal in prison ("When you see the jailer you abjectly touch the ground with your forehead. At the mere sight of his underlings you are seized with terror... Such ignominy can never be wiped away.") did not frighten Sima Qian away. On the contrary, it became a driving force compelling him to succeed his family’s legacy of recounting history. So he continued to write Shiji, which was finally finished in 91 BC.
In writing Shiji, Sima Qian initiated a new writing style by presenting history in a series of biographies. His work extends over 130 chapters — not in historical sequence, but was divided into particular subjects, including annals, chronicles, treatises — on music, ceremonies, calendars, religion, economics, and extended biographies. Before Sima Qian, histories were written as dynastic history; his idea of a general history affected later historiographers like Zhengqiao (鄭樵) in writing Tongshi (通史) and Sima Guang (司馬光) in writing Zizhi Tongjian (資治通鑑). Sima Qian even affected the writing style of histories in other places, as seen in The History of Korea, which was written as a general history.
Skillful depiction: its artistry was mainly reflected in the skillful portrayal of many distinctive characters which were based on true historical information. Sima Qian was also good at illustrating the response of the character by placing him in a sharp confrontation and letting his words and deeds speak for him. The use of conversations in his writing also makes the descriptions more vibrant and realistic.
Innovative approach: Sima Qian also initiated a new approach in writing history. The language used in Shiji was informal, humorous and full of variations. This was an innovative way of writing at that time and thus it has always been esteemed as the highest achievement of classical Chinese writing; even Lu Xun (魯迅) regarded Shiji as "the first and last great work by historians, poems of Qu Yuan without rhyme." (史家之絕唱,無韻之離騷) in his Hanwenxueshi Gangyao (《漢文學史綱要‧司馬相如與司馬遷》).
Concise language: Sima Qian formed his own simple, concise, fluent, and easy-to-read style. He made his own comments while recounting the historical events. In writing the biographies in Shiji, he avoided making general descriptions. Instead, he tried to catch the essence of the events and portrayed the characters concretely and thus the characters in Shiji gave the readers vivid images with strong artistic appeal.
Influence on literature: Sima Qian’s writings were influential to Chinese writing, which become a role model for various types of prose within the neo-classical (fu gu kku) (复古) movement of the Tang-Song (唐宋) period. The great use of characterisation and plotting also influenced fictional writing, including the classical short stories of the middle and late medieval period (Tang-Ming [T'ang-Ming), as well as the vernacular novel of the late imperial period. Shiji still stands as a "textbook" for the studies of classical Chinese worldwide.
Other literary works: apart from Shiji, Sima Qian had written eight rhapsodies (Fu 賦), which are compiled in Ban Gu's Hanshu. Sima Qian expressed his suffering during the Li Ling Affair and his perseverance in writing Shiji in these rhapsodies.
Before compiling Shiji, in 104 BC, with the help of his colleagues, Sima Qian created Taichuli (which can be translated as 'The first calendar') on the basis of the Qin calendar. Taichuli was one of the most advanced calendars of the time as it stated that there were 365.25 days in a year and 29.53 days in a month. The creation of Taichuli was regarded as a revolution in the Chinese calendar tradition.
Analysing information: Sima Qian analysed the historical records and sorted out those which could serve the purpose of Shiji. He intended to find out the patterns and principles of the development of human history by writing Shiji so as to find out the relationship between heavenly law and men. This is why Sima Qian adopted a new method in sorting out the historical data and a new approach in writing the historical record.
Sima Qian emphasised the role of men in affecting the historical development of China. It is the first time in Chinese history that men were put under the spotlight in the analysis of historical development. He also denounced superstition by condemning Emperor Han Wudi, who was extravagant in praying to gods. In addition, he also proposed his historical perception that a country cannot escape from the fate of "from boom to trough, and from trough to boom". With these in-depth analyses and insight, Sima Qian set an example for writing journalistic articles in later generations.
Unlike Ban Gu's (班固) Hanshu (漢書), which was written under the supervision of the Imperial Dynasty, Shiji was a privately written historiography. Although Sima Qian was the Prefect of the Grand Scribes in the Han government, he refused to write Shiji as an official historiography. This is why Shiji not only covered those of high rank, but also people of the lower class so as to portray the darker side of the dynasty, and thus Shiji is regarded as a "veritable record".
140s BC births | 90 BC deaths | Ancient Chinese historians | Han Dynasty | Eunuchs
Сима Цян | Sima Qian | Sima Qian | Sima Qian | Sima Qian | Sima Qian | 사마천 | Sima Qian | 司馬遷 | Sima Qian | Sima Qian | Sima Qian | Sima Qian | Sima Qian | Tư Mã Thiên | 司馬遷
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"Sima Qian".
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