Lucius Annaeus Seneca (often known simply as Seneca, or Seneca the Younger) (ca. 4 BC–AD 65) was a Roman philosopher, statesman, dramatist, and in one work, humorist, of the Silver Age of Latin literature.
After his return, he established a successful career as an advocate, someone who spoke on someone elses behalf. Around 37 he was nearly killed, as a result of a conflict with the Emperor Caligula, who only spared him because he believed the sickly Seneca 'would not live long', anyhow. In 41, Messalina, wife of the Emperor Claudius, persuaded Claudius to have Seneca banished to Corsica on a charge of adultery with Julia Livilla. He spent his exile in philosophical and natural study, and wrote the Consolations.
In 49AD, Claudius' new wife, Agrippina, had Seneca recalled to Rome to tutor her son, L. Domitius, who was to become the emperor Nero. On Claudius' death in 54, Agrippina secured the recognition of Nero as emperor over Claudius' son, Britannicus.
For the first five years, the quinquennium Neronis, Nero ruled wisely under the influence of Seneca and the praetorian prefect, Sextus Afranius Burrus. But, before long, Seneca and Burrus had lost their influence over Nero, and his reign became tyrannical. With the death of Burrus in 62, Seneca retired, and devoted his time to more study and writing.
In 65, Seneca was accused of being involved in a plot to murder Nero, the Pisonian conspiracy. Without a trial, Seneca was ordered by Nero to commit suicide. Tacitus gives an account of the suicide of Seneca. His wife, Pompeia Paulina, intended to commit suicide after Seneca's death but was forbidden to do so by Nero.
In the beginning of the 20th century many scholars thought that Seneca's tragedies were written for recitation only (e.g. the German scholar Leo). Today there is general agreement that they were written for performance and that it is likely that actual performance has taken place in Seneca's life time. (George W.M. Harrison (ed.), Seneca in performance, London: Duckworth, 2000).
The tragedies of Seneca have also been successfully staged in modern times. The dating of the tragedies is highly problematic in the absence of any ancient references. A relative chronology has been suggested on metrical grounds but scholars remain divided. It is inconceivable that they were written in the same year. They are based on Greek tragedies and whilst the influence of Euripides on these works is considerable, so is the influence of Vergil and Ovid.
Seneca's plays were widely read in medieval and Renaissance European universities. So they strongly influenced tragic drama in that time, such as Elizabethan England (Shakespeare and other playwrights), France (Corneille and Racine) and the Netherlands (Joost van den Vondel) .
Tragedies:
Dante, nevertheless, placed Seneca in the First Circle of Hell, or Limbo, a place of perfect natural happiness where good non-Christians like the ancient philosophers had to stay for eternity, due to their lack of the justifying grace required to go to heaven.
4 BC births | 65 deaths | Ancient Roman dramatists and playwrights | Roman era humorists | Roman era philosophers | Stoic philosophers
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It uses material from the
"Seneca the Younger".
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