The practice of sati (or suttee) is a Hindu funeral custom, now very rare, in which the dead man's widow immolates herself on her husband’s funeral pyre.
The term is derived from the original name of a goddess (see article on Dakshayani), who immolated herself, unable to bear the humiliation of her (living) husband. The term may also be used to refer to the widow herself. The term sati is now sometimes interpreted as 'chaste woman'.
Few reliable records exist of the practice before the time of the Gupta empire, approximately 400 AD. While a couple of instances of voluntary self immolation by women as well as men are mentioned in the Mahabharata and other works that may be considered at least partly historical accounts, it is known that large parts of these works are relatively late interpolations into an original story. Also, the immolation or desire of self immolation is not regarded as a custom in the Mahabharata and as such the word 'sati' as a custom never occurs in the epic as compared to other customs such as the Rajasuya yagna. Rather, the instances are viewed as an expression of extreme grief on the loss of a beloved one.
There is an early Greek account of an instance of voluntary co-cremation however. This describes an account of an Indian soldier in Persia, whose two wives vied to die on his funeral pyre, in 316 BC.
Voluntary death at funerals has been described in northern India before the Gupta empire. The original practices were called anumarana, and were not common. They were not necessarily practices that would be understood as sati at present, since it was not necessarily a widow who died. Those who died could be anyone, male or female with a personal loyalty to the dead person. They included other relatives of the dead person, servants, followers or friends. Sometimes these deaths were because of vows of loyalty taken in life. Compare with later Japanese seppuku.
Widow burning, the practice as understood today, started to become more extensive after about 500 AD, and the end of the Gupta empire. This is sometimes ascribed to the decline of Buddhism in India, the rise of caste based societies, and the idea that sati was used to reinforce caste status. There are also suggestions that the practice was introduced into India by the Huna invaders who contributed to the fall of the Gupta empire.
At about this time, instances of sati began to be marked by inscribed memorial stones. The earliest of these is in Sagar, Madhya Pradesh, though the largest collections are some centuries later, in Rajasthan. These stones, called devli, or sati-stones, became shrines where the dead woman became an object of reverence and worship. They are most common in western India.
By about the 10th century sati, as understood today, was known across much of the subcontinent. It continued to occur, usually at a low frequency and with regional variations, until the early 19th century.
Traditionally, the funeral of any dead person would usually have taken place within a day of the death. Thus a decision by a widow to die at her husband's funeral would often have to be made quickly. In some cases, such as when the husband died elsewhere, it was still possible for the widow to die by immolation, but at a later date.
The connection with the original marriage between the widow and the deceased was emphasised. Unlike other mourners, the sati at the funeral was often dressed in marriage robes, or in other finery. Her death may have been seen as a culmination of the marriage. In the preliminaries of the related act of Jauhar, both the husbands and wives have been known to dress in their marriage clothes and re-enact their wedding ritual, before going to their separate deaths.
There are accounts of many different approaches of the widow to her death. The majority have the widow seated or lying down on the funeral pyre beside her dead husband. There are also many descriptions of widows who walked or jumped into the flames after the fire had been lit, and there are descriptions of widows who lit their own funeral pyres after seating themselves on it.
Some written prescriptions to the practice exist; a recent one has been quoted at a mailing list.
Pictorial and narrative accounts often describe the woman seated on the unlit pyre, and tied or otherwise restrained to keep her from fleeing after the fire was lit. Some accounts say that the woman was drugged. There is one description of men with long poles preventing a widow from fleeing the flames.
However, it has been said elsewhere that it was unusual in higher caste women in the south (quoted from Kamat).
It is known to have occurred in the south from the 9th century through the period of the Vijayanagara empire, up to the 17th century. Madhavacharya, who is probably the best known of those historical figures who justified the practice, was originally a minister of the court of this empire. The practice continued to occur after the collapse of the empire, though apparently at a fairly low frequency. A record exists of a minister of the kingdom of Mysore giving permission for a widow to commit sati in 1805.
In the Upper Gangetic plain, while it occurred, there is no indication that it was especially widespread. The earliest known attempt by a government to stop the practice took place here, that of Muhammad Tughlaq, in the Sultanate of Delhi in the 14th century.
In the Lower Gangetic plain, the practice may have reached a high level fairly late in history. it appears possible, based on available evidence and the existing reports of the occurrences of it, that the greatest incidence of sati in any region and period, in terms of total numbers, occurred in Bengal and Bihar in the late 18th and early 19th centuries. This was during the earlier period of British rule, and before the abolition. The Bengal Presidency kept records from 1813 to 1829. The frequency increased in periods of hardship and famine. Ram Mohan Roy suggested that it was more prevalent in Bengal than in the rest of the subcontinent. An unusually large number of the surviving reports for this period are from Bengal, also suggesting that it was most common there.
In modern times, it has been largely confined to Rajasthan, mostly in or near Shekhawati, with a few instances in the Gangetic plain.
Sati still occurs occasionally, mostly in rural areas. About 40 cases have occurred in India since independence in 1947, the majority in the Shekhawati region of Rajasthan. The last clearly documented case was that of Roop Kanwar. However there are claims that other more recent deaths have also been cases of Sati.
Roop Kanwar, a childless 18-year old widow, committed sati on 4 September 1987, some allege forcibly, dressed in her red wedding dress, in Rajasthan's Deorala village. Several thousand people were said to have been at the event. After her death, she was hailed as a 'sati mata', meaning pure mother. The event quickly produced a public outcry in urban centres, pitting a modern Indian ideology against a traditional one. A much-publicised investigation led to the arrest of a large number of people from Deorala, said to have been present in the ceremony, or participants in it. Eventually, 11 people were charged. On January 31, 2004, a special court in Jaipur acquitted all of the 11 accused in the case, observing that the prosecution had failed to prove charges that they glorified Sati.
On 18th May 2006, Vidyawati, a 35-year-old woman allegedly committed sati by jumping into the blazing funeral pyre of her husband in Rari-Bujurg Village, Fatehpur district in the State of Uttar Pradesh.
There is justification also in the later work of the Brihaspati Smriti (25-11). Both this and the Vishnu Smriti date from the first millennium AD.
The Manu Smriti is often regarded as the culmination of classical Hindu law, and hence its position is important. It does not mention or sanction sati though it does prescribe life-long asceticism for most widows.
The Puranas have examples of women who commit sati and there are suggestions in them that this was considered desirable or praiseworthy: A wife who dies in the company of her husband shall remain in heaven as many years as there are hairs on his person. (Garuda Purana 1.107.29) According to 2.4.93 she stays with her husband in heaven during the rule of 14 Indras, i.e. a kalpa.
It is notable that in the Ramayana, Tara, in her grief at the death of husband Vali, wished to commit sati. Hanuman, Rama, and the dying Vali dissuade her and she finally does not immolate herself. Examples of the act in the puranas include the following.
In the Mahabharata, Madri, the second wife of Pandu, immolates herself. She holds herself responsible for the death of her husband, who had been cursed with death if he ever had intercourse. He died while performing the forbidden act with Madri, who blamed herself for not having rejected his advances, although she was well aware of the curse.
The text does not mention widowhood, and other translations differ in their translation of the word here rendered as 'pyre' (yoni, literally "seat, abode"; Griffith has "first let the dames go up to where he lieth"). In addition, the following verse, which is unambiguously about widows, then contradicts any suggestion of the woman's death; it explicitly states that the widow should return to her house.
A reason given for the discrepancy in translation and interpretation of verse 10.18.7, is that one consonant in a word that meant house, yonim agre "formost to the yoni", was deliberately changed by those who wished claim scriptural justification, to a word that meant fire, yomiagne.
Explicit criticisms in the first millennium AD, included that of Medhatithi, a commentator on various theological works. He considered it suicide, which was forbidden by the Vedas
Another critic was Bana, who wrote during the reign of Harsha. Bana condemned it both as suicide, and as a pointless and futile act. There does not seem to be any thought or suggestion among any of these critics that the act would not be voluntary.
Reform and bhakti movements within Hinduism tended to be anti-caste, favoured egalitarian societies, and in line with the tenor of these beliefs, they generally condemned the practice, sometimes explicitly. The Alvars condemned sati, in the 8th century. The Virashaiva movement in the 12th and 13th centuries, also condemned it.
In the early 19th century, Ram Mohan Roy wrote and disseminated arguments that the practice was not part of Hinduism, as part of his campaign to ban the practice.
The Sikh religion explicitly proscribed the practice, by about 1500 AD .
The principal foreign early visitors to the subcontinent whose have left records of the practice, are from Western Asia, mostly Muslim, and later on, Europeans. Both groups were fascinated by the practice, and sometimes described it as horrific, but often also as an incomparable act of devotion . Ibn Battuta described an instance, but said that he collapsed or fainted and had to be carried away from the scene. European artists in the eighteenth century produced many images for their own native markets, showing the widows as heroic women, and moral exemplars.
As Islam established itself in the subcontinent, their opinion of sati changed to regarding it as a barbaric practice. The earliest known governmental effort to halt the practice were by Muslim rulers, including Muhammad Tughlaq.
Europeans also showed a change in their attitude to local customs as they became dominant local powers. The earliest Europeans to establish themselves were the Portuguese in Goa. They tried early on to override local customs and practices, including sati, as they attempted to Christianise territories in their control. The British entered India as a trading body, and in the earlier periods of their rule, they were largely indifferent to local practices. A campaign against sati was however set up by the evangelical movement in Britain, particularly by William Wilberforce, as part of a campaign to increase missionary activity in India. The practice of sati, and its later legal abolition by the British (along with the suppression of thuggee) went on to become one of the standard justifications for British rule. British attitudes in their later history in India are usually given in the following much repeated quote, usually ascribed to General Napier -
Noted political scientist Barrington Moore mentions the practice of sati in his book Social Origins of Dictatorship and Democracy. Moore says of sati that "Such a custom might indeed test the beliefs of even the most firm present-day believer in the equal worth of all cultures". Moore goes on to state that the British suppression of sati and other religious and cultural activities was a factor in the Mutiny of 1857.
Akbar required that permission be granted by his officials, and these officials were instructed to delay the woman's decision for as long as possible. The reasoning was that she was less likely to chose to die once the emotions of the moment had passed. In the reign of Shah Jahan, widows with children were not allowed in any circumstances to burn. In other cases governors did not readily give permission, but could be bribed to do so. Later on in the Mughal period, pensions, gifts and rehabilitative help were offered to the potential sati to wean her away from committing the act. Children were strictly forbidden from the practice. The later Moghuls continued to put obstacles in the way but the practice carried on in the areas outside their capitals.
The strongest attempts to control it were made by Aurangzeb. In 1663, he "issued an order that in all lands under Mughal control, never again should the officials allow a woman to be burnt". In spite of such attempts however, the practice continued, especially in conditions of war and upheaval.
From about 1812, the Bengali reformer Ram Mohan Roy started his own campaign against the practice. He was motivated by the experience of seeing his own sister-in-law commit sati. Among his actions, he visited Calcutta cremation grounds to persuade widows not to so die, formed watch groups to do the same, and wrote and disseminated articles to show that it was not required by scripture.
On 4 December, 1829, the practice was formally banned in the Bengal Presidency lands, by the then governor, Lord William Bentinck. It was mainly due to the efforts of Raja Ram Mohan Roy. The ban was challenged in the courts, and the matter went to the Privy Council in London, but was upheld in 1832. Other company territories also banned it shortly after. Although the original ban in Bengal was fairly uncompromising, later in the century British laws include provisions that provided mitigation for murder when "the person whose death is caused, being above the age of 18 years, suffers death or takes the risk of death with his own consent".
Sati remained legal in some princely states for a time after it had been abolished in lands under British control. The last such state to permit it, Jaipur, banned the practice in 1846.
In modern India, following outcries after each instance, there have been various fresh measures passed against the practice, which now effectively make it illegal to be a bystander at an event of sati. The law now makes no distinction between passive observers to the act, and active promoters of the event; all are supposed to be held equally culpable. Other measures include efforts to stop the 'glorification' of the dead women. Glorification includes the erection of shrines to the dead, the encouragement of pilgrimages to the site of the pyre, and the derivation of any income from such sites and pilgrims.
Enforcement of these measures is not always consistent however. The enforcement of some measures, such as the possible stopping of worship at ancient shrines, is a matter of modern controversy.
A famous fictional depiction of sati is found in Around the World in Eighty Days (1872). The English gentleman Phileas Fogg and his servant Passepartout are travelling India when they find a sati. They risk their lives battling the Indians and rescue the drugged princess Aouda from death.
In Tom Robbins' 1984 novel Jitterbug Perfume, the main character Alobar witnesses and attempts to intervene in an act of sati, although it is written "suttee".
Enkebrænding | Sati | Widdomoard | סאטי | Weduwenverbranding | Sati (ceremonia) | Sati
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