The movie was written by Michael Wilson, directed by Herbert J. Biberman, and produced by Paul Jarrico. All had been blacklisted by Hollywood.
The Washington Post writes: "During the course of production in New Mexico in 1953, the trade press denounced it as a subversive plot, anti-Communist vigilantes fired rifle shots at the set, the film's leading lady was deported to Mexico, and from time to time a small airplane buzzed noisily overhead.... The film, edited in secret, was stored for safekeeping in an anonymous wooden shack in Los Angeles."
The film was denounced on the floor of the United States House of Representatives for its supposed "Communist" sympathies, and the FBI investigated the film's financing. The American Legion called for a boycott. Film-processing labs were told not to handle it. Unionized projectionists were instructed not to show it. After its opening night in New York, the film languished for ten years as all but 12 additional theaters refused to screen it.
However, the film found a wide and appreciative audience in Eastern Europe, and it received two awards at the 1954 Karlovy Vary International Film Festival in Czechoslovakia (now the Czech Republic). Rosaura Revueltas was awarded Best Actress, and the film tied with the USSR romantic comedy "Vernyye druz'ya" (True Friends) for the Crystal Globe Award for Best Picture.
The story of the film's suppression, as well as the events it depicted, inspired an underground audience of unionists, leftists, feminists, and Mexican-Americans, not to mention film historians. The film found a new life in the '60s and gradually reached wider audiences through union halls, women's centers, and film schools. The fiftieth anniversary of the film saw a number of commemorative conferences held across the U.S.
In 1992, the film has been deemed "culturally significant" by the United States Library of Congress and selected for preservation in the National Film Registry. The film has also been preserved by the Museum of Modern Art in New York.
In 1999, a digitally restored print of the film was released onto DVD by the Criterion Collection, packaged with the documentary "The Hollywood Ten", which reported on the ten filmmakers who refused to cooperate with the House Un-American Activities Committee (HUAC), resulting in their being blacklisted.
That same year, the book "The Suppression of 'Salt of the Earth': How Hollywood, Big Labor, and Politicians Blacklisted a Movie in Cold War America" by James J. Lorence, was published. It was followed in 2003 by director Herbert J. Biberman's own book "Salt of the Earth: The Story of a Film", detailing the production, distribution and suppression of the film.
See also next item:
1954 films | American propaganda films | Public domain films | United States National Film Registry
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It uses material from the
"Salt of the Earth".
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