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"Rule, Britannia!" is a patriotic British national song, originating from the poem "Rule, Britannia" by James Thomson, and set to music by Thomas Arne in 1740. The song was included in Alfred, a masque about Alfred the Great co-written by Thomson and David Mallet and first performed at Cliveden, country home of Frederick, Prince of Wales, to celebrate the accession of King George I and the birthday of the Princess Augusta.

History


This most popular of all British national airs was first heard in London in 1745 and achieved instant popularity. It quickly became so well known that the composer Handel quoted it in his Occasional Oratorio in the following year, when it was sung with the words "War shall cease, welcome peace!" Predictably "Rule, Britannia!" was seized upon by the Jacobites and James Thomson's words were altered to be anti-Jacobite.

The song reflects Britons' pride in the fact that they were afforded more freedoms than residents of other nations. In 1745, Britain, although far from being a modern liberal democracy, was well on the way to developing its constitutional monarchy, with the royal prerogative having been decisively curbed by the Bill of Rights of 1689. This was in marked contrast to the Royal Absolutism still prevalent in Europe—most especially in France, which was then Britain's arch-enemy. Britain and France were at war for much of the century. The French Bourbons were undoubtedly the prime example of "haughty tyrants", whose "slaves" Britons should never be.

A second and related reference, obvious to the audience at the time, was to its naval power as a protection against home-grown tyrants. An island nation with a strong navy to defend it could afford to dispense with a standing army—and since the time of Cromwell, a standing army was conceived in the British public consciousness as a threat and the source of tyranny.

At the time it appeared, the song was not a celebration of an existing state of naval affairs, but an exhortation for the future. It recalls the era when, under Alfred the Great, English ships were more than a match for those of the Danes. Although the Netherlands, which in the 17th century presented a major challenge to English sea power, was obviously past its peak by 1745, Britain did not yet "rule the waves". The time was still to come when the Royal Navy would be an unchallenged dominant force on the oceans, protecting Britain and her burgeoning Empire from "haughty tyrants" and "foreign strokes". The jesting lyrics of the mid 1700s would assume a material and patriotic significance by the end of the 19th century.

The melody was the theme for a set of variations for piano by Ludwig van Beethoven (WoO 79) and he also used it in "Wellington's Victory", Op. 91. Arthur Sullivan, Britain's leading composer during the reign of Queen Victoria, quoted from "Rule, Britannia!" on at least three occasions in music for his comic operas written with W. S. Gilbert and Bolton Rowe. In Utopia Limited, Sullivan used airs from "Rule, Britannia!" to highlight references to Great Britain. In The Zoo (written with Rowe) Sullivan applied the tune of "Rule, Britannia!" to an instance in which Rowe's libretto quotes directly from the patriotic march. Finally, to celebrate the jubilee of Queen Victoria in 1887, Sullivan added a chorus of "Rule, Britannia!" to the finale of H.M.S. Pinafore, which was playing in revival at the Savoy Theatre. The part of the tune's refrain that defiantly repeats "never, never, never", may have provided the theme on which Edward Elgar's Enigma Variations are based.

"Rule, Britannia!" is traditionally performed at the BBC's Last Night of the Proms, normally with a guest soloist (past performers have included Jane Eaglen, Thomas Hampson Felicity Lott, and Bryn Terfel who famously sang a verse in Welsh). However, in recent years the inclusion of the song and other patriotic tunes has been much criticised—notably by Leonard Slatkin—and the presentation has been occasionally amended.

Lyrics


1

When Britain first at Heav'n's command
Arose from out the azure main;
This was the charter of the land,
And guardian angels sang this strain;

Rule, Britannia! Britannia, rule the waves:
Britons never shall be slaves.

2

The nations not so blest as thee,
Shall in their turns to tyrants fall;
While thou shalt flourish great and free,
The dread and envy of them all.

Rule, Britannia! Britannia, rule the waves:
Britons never shall be slaves.

3

Still more majestic shalt thou rise,
More dreadful from each foreign stroke;
As the loud blast that tears the skies,
Serves but to root thy native oak.

Rule, Britannia! Britannia, rule the waves:
Britons never shall be slaves.

4

Thee haughty tyrants ne'er shall tame,
All their attempts to bend thee down
Will but arouse thy generous flame;
But work their woe, and thy renown.

Rule, Britannia! Britannia, rule the waves:
Britons never shall be slaves.

5

To thee belongs the rural reign;
Thy cities shall with commerce shine;
All thine shall be the subject main,
And every shore it circles thine.

Rule, Britannia! Britannia, rule the waves:
Britons never shall be slaves.

6

The Muses, still with freedom found,
Shall to thy happy coast repair;
Blest Isle! With matchless beauty crowned,
And manly hearts to guide the fair.

Rule, Britannia! Britannia, rule the waves:
Britons never shall be slaves.

Although the lyrics are always set out as above, the lines are not sung this way; there is much repetition within verses. Thus, the first verse becomes:

When Britain first at Heav'n's command
Arose from out the azure main;
Arose, arose from out the azure main;
This was the charter, the charter of the land,
And guardian angels sang this strain;

Trivia


  • Jules Verne's 1879 novel The Begum's Millions has two crooked British protagonists, a solicitor and a banker, who act as arbiters in the contest between a French and a German over a multi-million inheritance, and manage to skim off a considerable part of these millions into their own pockets. Thereupon, the two celebrate in a nightclub, get drunk, sing "Rule, Britannia" in loud and raucous voices and shout "The whole world belongs to us!". (The words "Rule, Britannia!" appear in the original English inside Verne's French text.)
  • The melody of "Rule, Britannia!" is incorporated in the soundtrack of the 1956 film Around the World in Eighty Days, based on a more well-known Verne book, most of which takes place in the various far-flung colonies of the British Empire at its Victorian peak.
  • The melody of "Rule, Britannia!" can also be heard in the movie The Curse of the Black Pearl and is an obvious reference to Britain's status as the foremost global power of the movie's time setting.
  • "Rule, Britannia!" also plays a prominent role in the "BBC Radio 4 UK Theme" by Fritz Spiegl, symbolically drawing the four nations together in the final section.
  • The melody of the song's chorus appears in the Marx Brothers' film Duck Soup as the song "Hail, Freedonia!", the national anthem of the fictional country of Freedonia.
  • The song was used as the entrance theme of the pro-wrestling tag-team The British Bulldogs.
  • The first few notes of the chorus was also featured in the James Bond movie The Living Daylights as a trigger for Bond's keychain to release sleeping gas.
  • The words "Rule, Britannia!" are the final words a fictional British SAS commander, Trevor Barnaby, said to a Marine Soldier Book Riley in Matthew Reilly's novel Ice Station.
  • In the computer game series Ultima, the song is associated with the reigning monarch of the game world, Lord British, and is usually the background music while the player is in the capital city of the game world (which is the same through all games).
  • In the Commodore 64 and Atari 800 game Blue Max, "Rule, Britannia!" plays whilst the title screen is displayed. In another Commodore 64 game, Henry's House, the song plays in the title screen and between levels.
  • In the Fairly Oddparents episode Diary-Uh!, Rule Britannia is played several times in a more jazz style.
  • Parody: in an episode of The Rocky and Bullwinkle Show, Bullwinkle has "Rue, Britannia" on the bottom of one foot.
  • The hymn of fictional city Ankh-Morpork (Discworld) by Terry Pratchett "We rule you wholesale" is parody of "Rule Britannia".

See also


Other uses


External links


18th century songs | British cultural icons | English phrases | Patriotic songs | Rangers F.C. songs

Rule Britannia | Rule Britannia | Rule Britannia | ルール・ブリタニア | Rule Britannia | «Rule, Britannia!» | Rule Britannia | Rule, Britannia

 

This article is licensed under the GNU Free Documentation License. It uses material from the "Rule, Britannia!".

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