The system of Roman numerals is a numeral system originating in ancient Rome, and was adapted from Etruscan numerals. The system used in classical antiquity was slightly modified in the Middle Ages to produce the system we use today. It is based on certain letters which are given values as numerals.
Roman numerals are commonly used today in numbered lists (in outline format), clockfaces, pages preceding the main body of a book, chord triads in music analysis, the numbering of movie sequels, book publication dates, successive rulers with identical names, and the numbering of some sport events, such as the Olympic Games or the Super Bowls.
For arithmetics involving Roman numerals, see Roman arithmetic and Roman abacus.
Roman numerals use a basic set of seven symbols:
For the numbers not assigned a specific symbol, the above given symbols are combined:
For large numbers (five thousand and above), a bar is placed above a base numeral to indicate multiplication by 1000:
For very large numbers (five million and above), there is no standard format, although sometimes a double bar or underline is used to indicate multiplication by 1,000,000.That means an underline X is ten million.
Although the Roman numerals are now written with letters of the Roman alphabet, they were originally separate symbols. The Etruscans, for example, used I Λ X 8 ⊕ for I V X L C M.
They appear to derive from notches on tally sticks, such as those used by Italian and Dalmatian shepherds into the 19th century. Thus, the I descends from a notch scored across the stick. Every fifth notch was double cut (, , , , etc.), and every tenth was cross cut (X), much like European tally marks today. This produced a positional system: Eight on a counting stick was eight tallies, IIIIΛIII, but this could be abbreviated ΛIII (or VIII), as the existence of a Λ implies four prior notches. Likewise, number four on the stick was the I-notch that could be felt just before the cut of the V, so it could be written as either IIII or IV. Thus the system was neither additive nor subtractive in its conception, but ordinal. When the tallies were later transferred to writing, the marks were easily identified with the existing Roman letters I, V, X.
(A folk etymology has it that the V represented a hand, and that the X was made by placing two Vs on top of each other, one inverted.)
The tenth V or X along the stick received an extra stroke. Thus 50 was written variously as N, И, K, Ψ, , etc., but perhaps most often as a chicken-track shape like a superimposed V and I. This had flattened to (an inverted T) by the time of Augustus, and soon thereafter became identified with the graphically similar letter L. Likewise, 100 was variously Ж, , , H, or as any of the symbols for 50 above plus an extra stroke. The form Ж (that is, a superimposed X and I) came to predominate, was written variously as >I< or IC, was then shortened to or C, with C finally winning out because, as a letter, it stood for centum (Latin for 'hundred').
The hundredth V or X was marked with a box or circle. Thus 500 was like a superposed on a or (that is, like a Þ with a cross bar), becoming a struck-through D or a Ð by the time of Augustus, under the graphic influence of the letter D. It was later identified as the letter D, perhaps as an abbreviation of the phrase demi-mille 'half-thousand'. Meanwhile, 1000 was a circled X: , , ⊕, and by Augustinian times was partially identified with the Greek letter Φ. It then evolved along several independent routes. Some variants, such as Ψ and CD (more accurately a reversed D adjacent to a regular D), were historical dead ends (although one folk etymology later identified D for 500 as half of Φ for 1000 because of this CD variant), while two variants of survive to this day. One, , led to the convention of using parentheses to indicate multiplication by 1000 (later extended to double parentheses as in , , etc.); in the other, became and , eventually changing to M under the influence of the word mille ('thousand').
A notation for the value zero is quite distinct from the role of the digit zero in a positional notation system. The lack of a zero digit prevented Roman numerals from developing into a positional notation, and led to their gradual replacement by Hindu-Arabic numerals in the early second millennium. On the other hand, the lack of positional notation may have prevented the Romans to develop a "zero". Which affected which is not certain.
Likewise, on some buildings it is possible to see MDCCCCX, for example, representing 1910 instead of MCMX - notably Admiralty Arch in London. Another notable example is on Harvard Medical School's Library which reads MDCCCCIIII for 1904.
This 'problem' manifested in questions as to why 1999 was not written simply IMM or MIM as opposed to the virtually universal MCMXCIX.
The possibility of using IC for 99 provides one explanation why Cadbury's smaller, unwrapped Flakes (for inserting into ice creams) were designated 99 Flakes.
These practices faded from general use before the start of the twentieth century, though the cornerstones of major buildings still occasionally use them. Roman numerals are today still used on building faces for dates: 2006 can be represented as MMVI.
The film industry has used them perhaps since its inception to denote the year a film was made, so that it could be redistributed later, either locally or to a foreign country, without making it immediately clear to viewers what the actual date was. This became more useful when films were broadcast on television to partially conceal the age of films. From this came the policy of the broadcasting industry, including the BBC, to use them to denote the year in which a television program was made (the Australian Broadcasting Corporation has largely stopped this practice but still occasionally lapses).
Sometimes the numerals are written using lower-case letters (thus: i, ii, iii, iv, etc.), particularly if numbering paragraphs or sections within chapters, or for the pagination of the front matter of a book.
Undergraduate degrees at British universities are generally graded using I, IIi, IIii, III for first, upper second (often pronounced "two one"), lower second (often pronounced "two two") and third class respectively.
Modern English usage also employs Roman numerals in many books (especially anthologies), movies (eg. Star Wars), sporting events (eg. the Olympic Games, the Super Bowl), and historic events (eg. World War I, World War II). The common unifying theme seems to be stories or events that are episodic or annual in nature, with the use of classical numbering suggesting importance or timelessness.
Sports teams can be referred to as the number of players in the squad with roman numerals. In Rugby union, the 1st XV of a particular club would be the 1st and best team the club has, likewise for the XIII in Rugby league, and XI for Football, Hockey and Cricket.
In chemistry, Roman numerals were used to denote the group in the periodic table of the elements. But there was not international agreement as to whether the group of metals which dissolve in water should be called Group IA or IB, for example, so although references may use them, the international norm has recently switched to Arabic numerals.
In astronomy, the natural satellites or "moons" of the planets are traditionally designated by capital Roman numerals, at first by order from the center of the planet, as the four Galilean satellites of Jupiter are numbered, and later by order of discovery; e.g., Callisto was "Jupiter IV" or "J IV". With recent discoveries—Jupiter currently has 63 known satellites—as well as computerization, this is somewhat disparaged for the minor worlds, at least in computerized listings. Science fiction, and not astronomy per se, has adopted the use for numbering the planets around a star; e.g., Planet Earth is called "Sol III".
In music theory, diatonic functions, scale degrees and the triads that have these degrees as their roots are often identified by Roman numerals (as in chord symbols). Upper-case Roman numerals indicate major triads while lower-case Roman numerals indicate minor triads, as the following chart illustrates. The leading tone triad is diminished.
| Roman numeral | I | ii | iii | IV | V | vi | vii° |
| Scale degree | tonic | supertonic | mediant | subdominant | dominant | submediant | leading tone/subtonic |
The French, the Portuguese, and the Spanish use capital Roman numerals to denote centuries. For example, 'XVIII' refers to the eighteenth century, so as to avoid confusion between the '18th century' and the '1800s'. (The Italians take the opposite approach, basing names of centuries on the digits of the years; quattrocento for example is the Italian name for the fifteenth century.) Some scholars in English-speaking countries have adopted the French method, among them Lyon Sprague de Camp.
In Germany, Poland, and Russia, and in Spanish and Portuguese, mixed Roman numerals are used to record dates. Just as an old clock recorded the hour by Roman numerals while the minutes were measured in Arabic numerals, the month is written in Roman numerals while the day is in Arabic numerals: 14-VI-1789 is June the fourteenth, 1789. This is how dates are inscribed on the walls of the Kremlin, for example. This method has the advantage that days and months are not confused in rapid note-taking, and that any range of days or months can be expressed without confusion. For instance, V-VIII is May to August, while 1-V-31-VIII is May first to August thirty-first.
In Eastern Europe, especially the Baltic nations, Roman numerals are used to represent the days of the week in hours-of-operation signs displayed in windows or on doors of businesses. Monday is represented by I, which is the initial day of the week. Sunday is represented by VII, which is the final day of the week. The hours of operation signs are tables composed of two columns where the left column is the day of the week in Roman numerals and the right column is a range of hours of operation from starting time to closing time. The following example hours-of-operation table would be for a business whose hours of operation are 9:30AM to 5:30PM on Mondays, Wednesdays, and Thursdays; 9:30AM to 7:00PM on Tuesdays and Fridays; and 9:30AM to 1:00PM on Saturdays; and which is closed on Sundays.
| I | 9:30–17:30 |
| II | 9:30–19:00 |
| III | 9:30–17:30 |
| IV | 9:30–17:30 |
| V | 9:30–19:00 |
| VI | 9:30–13:00 |
| VII | — |
Since the French use capital Roman numerals to refer to the quarters of the year ('III' is the third quarter), and this has become the norm in some European standards organisation, the mixed Roman-Arabic method of recording the date has switched to lowercase Roman numerals in many circles, as '4-viii-1961'. (ISO has since specified that dates should be given in all Arabic numerals, in ISO 8601 formats.)
In Romania, Roman numerals are used for floor numbering. Likewise apartments in central Amsterdam are indicated as '138-III', with both an Arabic numeral (number of the block or house) and a Roman numeral (floor number). The apartment on the ground floor is indicated as '138-huis'.
Roman numerals are rarely used in Asia. The motion picture rating system in Hong Kong uses categories I, IIA, IIB, and III based on Roman numerals.
The same overline was also used with a different meaning, to clarify that the characters were numerals. Sometimes both underline and overline were used, e. g. , and in certain font-faces, particularly Times New Roman, the capital letters when used without spaces simulates the appearance of the under/over bar, eg. MCMLXVII, which is often exaggerated when written by hand.
Sometimes 500, usually D, was written as I followed by an apostrophus, resembling a backwards C (Ɔ), while 1,000, usually M, was written as CIƆ. This is believed to be a system of encasing numbers to denote thousands (imagine the Cs as parentheses). This system has its origins from Etruscan numeral usage. The D and M symbols to represent 500 and 1,000 were most likely derived from IƆ and CIƆ, respectively.
An extra Ɔ denoted 500, and multiple extra Ɔs are used to denote 5,000, 50,000, etc. For example:
| Base Number: | CIƆ = 1,000 | CCIƆƆ = 10,000 | CCCIƆƆƆ = 100,000 | |
|---|---|---|---|---|
| 1 extra Ɔ: | IƆ = 500 | CIƆƆ = 1,500 | CCIƆƆƆ = 10,500 | CCCIƆƆƆƆ = 100,500 |
| 2 extra Ɔs: | IƆƆ = 5,000 | CCIƆƆƆƆ = 15,000 | CCCIƆƆƆƆƆ = 105,000 | |
| 3 extra Ɔs: | IƆƆƆ = 50,000 | CCCIƆƆƆƆƆƆ = 150,000 |
Sometimes CIƆ was reduced to an lemniscate symbol () for denoting 1,000. John Wallis is often credited for introducing this symbol to represent infinity, and one conjecture is that he based it on this usage, since 1,000 was hyperbolically used to represent very large numbers.
In medieval times, before the letter j emerged as a distinct letter, a series of letters i in Roman numerals was commonly ended with a flourish; hence they actually looked like ij, iij, iiij, etc. This proved useful in preventing fraud, as it was impossible, for example, to add another i to vij to get viij. This practice is now merely an antiquarian's note; it is never used. (It did, however, lead to the Dutch diphthong IJ.)
| Roman | Unicode | Arabic | Notes |
|---|---|---|---|
| none | none | 0 | N was used once (by Bede about 725). |
| I | 1 | ||
| II | (or ) | 2 | |
| III | (or ) | 3 | |
| IV | (or ) | 4 | IIII () is still used on clock and card faces. |
| V | 5 | IIIII was rarely used in the Middle Ages. | |
| VI | (or ) | 6 | |
| VII | (or ) | 7 | |
| VIII | (or ) | 8 | IIX was rarely used in the Middle Ages. |
| IX | (or ) | 9 | |
| X | 10 | VV was rarely used in the Middle Ages. | |
| XI | (or ) | 11 | |
| XII | (or ) | 12 | |
| XIII | 13 | ||
| XIV | 14 | ||
| XV | 15 | ||
| XVI | 16 | ||
| XVII | 17 | ||
| XVIII | 18 | ||
| XIX | 19 | ||
| XX | 20 | ||
| XXX | 30 | ||
| XL | 40 | ||
| L | 50 | ||
| LX | 60 | ||
| LXX | 70 | The abbreviation for the Septuagint | |
| LXXX | 80 | ||
| XC | 90 | ||
| XCIX | 99 | As opposed to the "shortcut" way IC seen above. | |
| C | 100 | hundred dollar bill >$100 bill" target="_blank" >*". | |
| CC | 200 | ||
| CD | 400 | ||
| D | 500 | ||
| DCLXVI | 666 | Using every basic symbol but M once gives the beast number. | |
| CM | 900 | ||
| M | 1000 | MIX=1009 | |
| MCMXLV | 1945 | ||
| MCMXCIX | 1999 | Shortcuts like IMM and MIM disagree with the rule stated above | |
| MM | 2000 | ||
| MMM | 3000 | ||
| MMMM | 4000 | ||
| IƆƆ | ⅠƆƆ | 5000 | I followed by two reversed C, an adapted Chalcidic sign |
An accurate way to write large numbers in Roman numerals is to handle first the thousands, then hundreds, then tens, then units.
Example: the number 1988.
One thousand is M, nine hundred is CM, eighty is LXXX, eight is VIII.
Put it together: MCMLXXXVIII ().
Unicode has a number of characters specifically designated as Roman numerals, as part of the Number Forms range from U+2160 to U+2183. For example, MCMLXXXVIII could alternatively be written as . This range includes both upper- and lowercase numerals, as well as pre-combined glyphs for numbers up to 12 ( or XII), mainly intended for the clock faces for compatibility with non–West-European encodings. The pre-combined glyphs should only be used to represent the individual numbers where the use of individual glyphs is not wanted, and not to replace compounded numbers. Similarly precombined glyphs for 5000 and 10000 exist.
The Unicode characters are present only for compatibility with other character standards which provide these characters; for ordinary uses, the regular Latin letters are preferred. Displaying these characters requires a user agent that can handle Unicode and a font that contains appropriate glyphs for them.
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