Frederick Jay Rubin (born 1963), is an American record producer best known for his work in rap and heavy metal. He was a major figure in the fusion of rap and hard rock by bringing together Run-D.M.C. and Aerosmith for the hit song "Walk This Way". He was also a major figure in the fusion of rap and heavy metal into Alternative metal, Nu metal and other forms. MTV has called him "the most important producer of the last 20 years." Rubin was given an Esky for Best Visionary in Esquire's 2006 Esky Music Awards in the April issue: "In four words we trust: produced by Rick Rubin. ... While he hides behind a mysterious bearded-shaman schtick, the secret to his success is obvious; He's one of the few industry giants with the confidence to just let artists be themselves." He currently is best known for producing every Red Hot Chili Peppers album since the groundbreaking Blood Sugar Sex Magik.
In high school Rubin had a band called "The Pricks", and later played guitar in a New York University art-punk band called "Hose", influenced by San Francisco's Flipper. In 1982, Hose became Def Jam release #1, a 45-rpm 7" vinyl single in a brown paper bag, and no paper label. The band played in and around the NYC punk scene, toured the Midwest and California, and played with seminal bands like the Meat Puppets, Hüsker Dü, the Circle Jerks and the Butthole Surfers but broke up by 1986 as another passion began consuming Rubin's time: the burgeoning NYC hip-hop scene.
Rubin had not only found himself immersed in punk rock but the hip-hop culture that was being embraced by New York City's Lower East Side art community. Many hip-hop artists from The Bronx and Harlem began performing downtown.
Befriending Zulu Nation's DJ Jazzy Jay, Rubin wanted to learn about hip-hop production. By 1983, the two men produced "It's Yours" for rapper T La Rock, and released it on their independent label, Def Jam Records. Producer Arthur Baker helped to release the record worldwide on Baker's Streetwise Records in 1984.
Jazzy Jay introduced Rubin to concert promoter/artist manager Russell Simmons in a club, and Rubin explained he needed help getting Def Jam off the ground. Simmons and Rubin edged out Jazzy Jay and the official Def Jam record label was founded while Rubin was still attending New York University in 1984. Their early records included LL Cool J's "I Need a Beat", which led to the top 40 hit "Rock the Bells" in 1985. Rubin went off the beaten path of hip-hop being a product of The Bronx, Brooklyn and Harlem by recruiting rappers from Queens, Staten Island and Long Island, which eventually led to Def Jam's release of Public Enemy's records. "Rock Hard"/"Party's Gettin' Rough"/"Beastie Groove" EP by the Beastie Boys came out an on the heels of the success of Rubin's production work with breakthrough act Run-D.M.C.. His productions were characterised by occasionally fusing rap with heavy rock.
It was Rubin's idea to have Run-D.M.C. and Aerosmith collaborate on a cover of Aerosmith's "Walk This Way" in 1987, a production credited with both introducing rap-hard rock to mainstream ears and revitalizing Aerosmith's career. His work on Slayer's Reign in Blood saw him in a purer rock context.
His previous style began with his very first production effort, LL Cool J's Radio, which consisted of little more than rapping and percussive beats (Rubin's liner notes credit for that album, instead of the expected "Produced by Rick Rubin", reads "Reduced by Rick Rubin"). Later he developed a reputation as a "song doctor" who, by performing the same reduction on the sound of veteran singers and bands, could help them break out of the commercial rut they were currently in. He did this most notably with Johnny Cash, but also achieved this effect with Tom Petty, AC/DC (on the album Ballbreaker) and Neil Diamond (on 12 Songs).
Recent albums produced by Rick Rubin contain much Audio level compression and are very loud. A good example of this is Californication (album) by the Red Hot Chili Peppers and (The Subliminal Verses) by Slipknot. This is a mastering decision, not a producer lead decision, however, as most record labels choose the mastering house, not the producer. Rubin relies heavily on arrangements and elements of sound. On this issue, Dan Charnas, a music journalist who worked as vice president of A&R and marketing at Rubin's American Recordings label in the 1990s said "He's fantastic with sound and arrangements, and he's tremendous with artists. They love him. He shows them how to make it better, and he gets more honest and exciting performances out of people than anyone."
Another of Rubin's trademarks is the fusion of rap and hard rock/heavy metal, which he can lay claim to inventing in his work with Run-D.M.C. and the Beastie Boys. His most recent rap-rock work was Jay-Z's 2003 song "99 Problems" and Lil' Jon's 2004 song "Stop Fuckin' Wit Me". The latter sampled Slayer's "Mandatory Suicide" and "Reign in Blood", both originally produced by Rubin.
Another trademark has been having artists cover unexpected material in their own style. In addition to the notable covers of Run-D.M.C. and Johnny Cash, Rubin produced Slayer's cover of Iron Butterfly's "In-A-Gadda-Da-Vida", executive-produced the Black Crowes' career-launching cover of Otis Redding's "Hard To Handle", and produced Rage Against The Machine's 2000 covers album, Renegades. Rubin is currently working on the next Linkin Park record, due for release in mid 2006.
The New York Post stipulates Rubin's work does not have a signature sound, declaring "What is the Rick Rubin sound? There isn't one. Just that signature standard for greatness, as Rubin's résumé includes more than a few classic albums."
1963 births | Living people | Hip hop producers | Jewish-American businesspeople | American record producers | People involved with Red Hot Chili Peppers
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