Red vs Blue: The Blood Gulch Chronicles, sometimes abbreviated as RvB, is a comic science fiction video series created by Rooster Teeth Productions and distributed via the Internet and DVD. The series chronicles the story of two opposing teams of soldiers fighting a civil war in the middle of a desolate box canyon, in an absurdistLeggat. parody of FPS games, military life, and science fiction films. Initially intended to be a short series of six to eight episodes, the project quickly achieved significant popularity following its April 1 2003 internet premiere. As a result, Rooster Teeth decided to extend the series, whose fourth season ended on April 1 2006.
Red vs Blue emerged from Burnie Burns' voice-over-enhanced gameplay videos of Bungie Studios' first-person shooter (FPS) video game Combat Evolved. The series is primarily produced using machinima technique of synchronizing video footage from a game to pre-recorded dialogue and other audio. Footage is mostly from the multiplayer modes of Halo: Combat Evolved and its sequel, Halo 2, on the Microsoft Xbox video game console.
Both within the machinima movement and among film critics, Red vs Blue has been generally well-received. Praised for its originality, the series has won four awards from the Academy of Machinima Arts & Sciences. It has been credited with bringing new popularity to machinima, helping it to gain more mainstream exposure, and attracting more people to the art form. Graham Leggat, former director of communications for Lincoln Center's film society, described Red vs Blue as "truly as sophisticated as Samuel Beckett".Delaney. Although episodes continue to be released online, the four currently completed seasons are also available on DVD, making the series one of the first commercially released and successful machinima products.
The main Red vs Blue storyline spans four seasons, and a fifth season is planned to premiere in July 2006.Burns, et al., Red vs Blue Season Four, Audio Commentary. Rooster Teeth also periodically releases self-referential public service announcements (PSAs) and holiday-themed videos, which are generally unrelated to the main storyline. In these videos, the members of both teams still act in-character, except during introductions that refer to the Red vs Blue series itself. On June 16, 2006, Burns announced a six-part mini-series, Out of Mind, which chronicles the adventures of the mercenary (Kathleen Zuelch) after her disappearance in season 4. The mini-series premiered exclusively on the Xbox Live Marketplace, but Rooster Teeth hopes to make it available on their main website once all episodes are released.Burns, Out of Sight.
Although the background of Red vs Blue is primarily taken from Halo: Combat Evolved and Halo 2, its creators consciously limit connections to Bungie's Halo fictional universe. A video made for E3 2003 portrays Master Chief, the protagonist of the Halo series, as a larger-than-life member of the army, and the Red vs Blue trailer and first episode establish that the series is set between the events of the two games. Beyond these references, however, the series follows an independent storyline, which, according to Burns, is intended to make it accessible to those unfamiliar with the games. For example, even though the cast includes a character from the alien Covenant Elite race, Rooster Teeth never portrays that character in its original Halo context.Smith.
The indifference in Blood Gulch is disrupted by the introduction of new players to the "conflict". (Dan Godwin) enters the fray on the . On his first day, he captures the Blue flag when his new teammates, (Geoff Ramsey) and , send him on a fool's errand during the absence of the team leader, (Matt Hullum). Meanwhile, a rookie named (Joel Heyman) and a battle tank named (Yomary Cruz) join the and accidentally kill the group's self-appointed leader, (Burnie Burns). At the request of (Jason Saldaña) and Caboose, Blue Command hires a mercenary named Tex to help. Church briefly returns as a ghost to warn his teammates about Tex, who soon arrives and attacks the Reds. After severely injuring Donut, Tex succeeds in returning the Blue flag, but is captured by the Reds. Church again appears to the Blues to explain that Tex is actually his former girlfriend, whose mind is partially controlled by a psychotic artificial intelligence (AI). He organizes a rescue mission that succeeds after some difficulties. In an attempt to keep Tex stationed in Blood Gulch long enough for him to remove the AI from her head, Church possesses the Red Team's robot, (Burnie Burns), to warn them of Tex's impending attack. He fails and, much to his horror, she is killed in action by Donut in revenge for her previous attack. Church runs to her side, stealing Lopez's body in the process.
Three months after Tex's death, (Matt Hullum), a medic who is soon nicknamed "Doc", arrives in the canyon. On loan to both armies due to a lack of resources, he checks on the Blue Team just before the Reds attack. After the skirmish, the Blues surrender and give Doc as a hostage to the Reds, who soon tire of his personality and ditch him in the middle of the canyon. Meanwhile, Church continues to attempt to acclimate himself to his new, stolen robot body but eventually loses control of it. Tex returns as a ghost and informs the Blues that her evil, megalomaniacal AI, (Joel Heyman, later Matt Hullum)O'Malley is voiced by the actor responsible for whichever character he is possessing at the time., had jumped to Caboose right before her death, thereby explaining his recent aggressive behavior. Church and Tex possess Caboose and force out O'Malley, but the AI survives by taking control of Doc. Later, Donut is captured by the Blues during a reconnaissance mission, and Sarge is forced to build two new robot bodies for Church and Tex in exchange for his return. Meanwhile, Sheila and Lopez form their own robot army and join the exchange in order to conquer the Blues. This culminates in a Mexican standoff, during which Tucker discovers that both teams are apparently secretly controlled by the same Command; the Reds and Blues have the same contact, a man named (Burnie Burns). O'Malley suddenly appears, kidnaps Lopez, and escapes with him through a teleporter. The Red and Blue Teams call a truce and form two-man teams to pursue O'Malley. However, the teleporter malfunctions, and the teams become scattered across various locations outside Blood Gulch.
Meanwhile, Church returns to the Blue Base in Blood Gulch and encounters the blue Simmons, whom he pretends not to recognize, and accidentally contacts (Burnie Burns), a distant descendant of Vic who scoffs at Church's mention of Blue Command. Simmons returns to the Red Base to relay information learned from Vic Jr. about the war, and Tucker, Caboose, and Andy return to the gulch and inform Church of the events at the temple. However, Tucker becomes ill for an unknown reason, and Church calls Doc, whom O'Malley still controls, for help. On his arrival, O'Malley exchanges Doc's aid for something to be named later. The Reds find Lopez, who had returned to the canyon with O'Malley, and discover that important instructions that Red Command has placed inside Lopez's head can only be played in Spanish. While Church confirms Doc's diagnosis that Tucker is pregnant, Sarge distracts Caboose and steals Andy to translate the plans, which turn out to be unhelpful. Upon hearing of Andy’s disappearance, Church becomes enraged at the whole situation and confronts the Reds with Sheila; in response, Sarge radios Command for reinforcements. Andy reveals that the Alien had the ability to impregnate others with parasitic embryos, and, off-screen, Tucker gives birth to a creature heard speaking in a high-pitched alien language. Caboose informs Church that O'Malley had left Doc after Sarge had contacted Command. As Church runs back to the Blue Base, a ship crashes into the gulch, right on top of Donut.
Red vs Blue features characters whose personalities are skewed in different ways and to varying degrees. These quirks and the ways that they interact and conflict with each other drive much of the plot and humor. The series has revolved around eight main characters, four on each team. Several other characters, both team-affiliated and unaffiliated, human and non-human, have played significant roles at various points in the story.
Sarge is the staff sergeantBurns, et al., Red vs Blue Season Three, Character profiles, Sarge. and leader of the Blood Gulch Red Team. A military man with a Southern United States accent, he is the only Blood Gulch soldier on either team consistently serious about the Red versus Blue civil war. His sociopathic battle plans often entail unnecessary casualties in his own men. In particular, a common planned outcome is the death of Grif, who is habitually lazy, irresponsible, and uninsightful. These characteristics earn him the disrespect and ridicule of both Sarge and Simmons, Sarge's sycophantic, insecure right-hand man. Despite this, Simmons and Grif are often seen together, either chatting or bickering. Donut, the eager rookie who joins the team in , tends to annoy his teammates with his naïveté, garrulousness, and cheerfulness and becomes more effeminate and childish as the series progresses.
On the other side of the canyon, Church is the cynical de facto leader of the Blue Team. Often shouldering the responsibility of actually solving the various crises that the Blood Gulch teams encounter, he often ends up taking their brunt, leaving him increasingly disillusioned and antisocial. His serious, reasoned approach conflicts with the personalities of Tucker and Caboose. The former is snide, averse to work and battle, and obsessed with women; the latter, although physically strong, exhibits varying degrees of stupidity and childishness throughout the series. Rounding out the Blue Team is Tex, Church's former girlfriend who is hired by Blue Command to join the team as a mercenary in . Able to eliminate entire teams of soldiers by herself, she is described as "the most lethal soldier in Blood Gulch".Burns, et al., Red vs Blue Season Three, Character profiles, Tex.
Rooster Teeth was initially unaware of the machinima movement. Co-producer Matt Hullum stated in an interview with GameSpy in 2004, "When we first started Red vs. Blue we thought we were completely original. We never imagined that there were other people out there using video games to make movies, much less that it was a new art form with a hard to pronounce name and an official organization."Kosak.
The nature of Red vs Blue was different from Burns's initial expectation. A partial character introduction released between the original trailer and the first episode featured extensive action and violence and was set to Limp Bizkit's song "Break Stuff". However, as the project developed, the crew realized that it was going to focus more on situation comedy rather than on the heavy action initially implied.Burns, et al., Red vs Blue Season One, Audio Commentary, introduction. Indeed, although the series parodies video games, Ramsey noted, "We try not to make it too much of an inside joke. And I think we use more bureaucracy and military humor than anything else, which everybody working in an office can identify with."Konow, 4. Rooster Teeth noted that Red vs Blue has a wide variety of influences,Oliver. including Homestar Runner,Burns, et al., Red vs Blue Season One, Audio Commentary, episode 16. Penny Arcade, and possibly Mystery Science Theater 3000.
Rooster Teeth also initially envisioned the project to be short, but the series grew beyond their expectations. Burns and Ramsey had preconceived a list of jokes for Red vs Blue and initially planned the series to last between six and eight episodes. By , however, they realized that the series had fleshed out more than expected; they had covered only about one third of their original joke list.Burns, et al., Red vs Blue Season One, Audio Commentary, episode 4. Later in , Burns estimated a series of 22 episodes; however, driven by the series' popularity, he realized that there was more potential story than could be covered in that length,Waters. and was able to conceive an extension of the season 1 plot. Just before the debut of season 4, Ramsey's only indication of final series length was that Rooster Teeth planned "to make as many episodes as they can".Konow, 5.
The writing process for the series has changed over time. Early in season 1, Burns wrote the episode scripts from week to week, with minimal planning in advance; major plot events were conceived shortly before they were filmed.Burns, et al., Red vs Blue Season One, Audio Commentary, episode 8. For the second season, Matt Hullum became a main writer.Burns and Hullum, Red vs Blue Season Two, Audio Commentary. A rough plot outline is now written before a season begins, although the actual content of an individual episode is still decided on a more short-term basis.Konow, 3. Because Red vs Blue is loosely based on the Halo universe, Rooster Teeth encountered some difficulties when trying to synchronize events in the series with the release of Halo 2.Burns, et al., Red vs Blue Season Three, Audio Commentary, episode 39.
Aside from a few scenes created using Marathon Infinity, Marathon 2, and the PC version of Halo, Red vs Blue is mostly filmed with interconnected Xbox consoles. As the series title suggests, the videos are largely set in the Halo map Blood Gulch and its Halo 2 counterpart, . However, some episodes have been filmed on other maps, including from Halo and from Halo 2. Within a multiplayer game session, the people controlling the avatars "puppet" their characters, moving them around, firing weapons, and performing other actions as dictated by the script, and in synchronization with the episode's dialogue, which is recorded ahead of time.Burns, et al., Red vs Blue Season One, Audio Commentary; Delaney.
The "camera" is simply another player, whose first-person perspective is recorded raw to a computer. As the recording occurs within the game, a few different bugs and post-production techniques have been exploited in order to achieve desired visual effects. In particular, Adobe Premiere Pro is used to edit the audio and video together, create letterboxing to hide the camera player's head-up display, add the title and fade-to-black screens, and create some special visual effects that cannot be accomplished in-game.Burns, et al., Red vs Blue Season One, Audio Commentary; Moltenbrey.
Red vs Blue was widely acclaimed within the machinima industry. The first season won awards for Best Picture, Best Independent Machinima Film, and Best Writing at the Academy of Machinima Arts & Sciences' 2003 Machinima Film Festival.Machinima Awards 2003 Results. Two years later, at the 2005 festival, the series' won an award for Best Independent Machinima and was nominated for five others.2005 Award Nominations & Selections.Mackie Winners Announced!.
Among film critics, the response was generally positive. Darren Waters of BBC News Online called Red vs Blue "riotously funny" and "reminiscent of the anarchic energy of South Park". Reviewing the three season DVDs for Cinema Strikes Back, Charlie Prince wrote, "Red vs. Blue is hysterical in large part because all the characters are morons, and so the seemingly intense conflict with the opposing base doesn't exactly work the way you'd think it would."Prince. However, Ed Halter of The Village Voice dismissed the humor as shallow, describing the first season as "Clerks-meets-Star Wars".Halter. Graham Leggat, then director of communications of Lincoln Center's film society, indirectly countered this criticism by arguing, "The literary analog is absurdist drama."
Another common criticism of Red vs Blue was that its season 3 plot was too far-fetched and out-of-character for the series. Charlie Prince wrote, "By the third season, however, the Red vs. Blue idea seems to be running out of steam.… It's not funny so much as just odd." Writing for the Honolulu Star-Bulletin, Wilma Jandoc agreed that the first part of "season 3… throws the teams into a ridiculous situation and has limited member interactions, leading to a lack of witty dialogue."Jandoc. In an about.com review of the season 4 DVD, writer Eric Qualls noted that season 3 was "a little too long, and too complicated, and the jokes were a bit too far apart."Qualls. Nevertheless, both Prince and Jandoc expressed optimism that the series would improve from this low point, and Qualls stated that the fourth season had "returned to the series' roots" as "some of the funniest stuff you’ll ever see".
Outside the machinima and film community, Rooster Teeth Productions has been asked to create special Red vs Blue videos for various events. For example, Microsoft has commissioned Red vs Blue videos for Xbox demo kiosks found in game stores and for a developer conference.Red vs. Blue : The Interview Strikes Back. Barenaked Ladies has also commissioned videos for their concerts. Other videos have been specifically created for gaming magazines, including Electronic Gaming Monthly and Computer Gaming World; gaming conventions, including E3 and the Penny Arcade Expo; and the Sundance Film Festival.
Red vs Blue has also received praise from soldiers stationed in the Middle East. In August 2005, Burnie Burns wrote, "Whenever someone tells me that they are in the military and they watch Red vs Blue, I half-expect to be put in a choke hold for having such goofy characters playing soldiers. Instead, I get endless tales about how Sarge reminds them of their CO or how the guy in their platoon that aims the 20-megaton artillery 'is just like Caboose'."Burns, We're Huge in Normandy. An August 2005 blog entry by Kimi Matsuzaki of 1UP.com displays photographs of soldiers holding various weapons, as well as copies of the first and second season Red vs Blue DVDs.Matsuzaki. Geoff Ramsey later stated in an interview, "We get a lot of merchandise and DVDs out to Iraq and get a lot of great e-mails back."
In the machinima industry, the series is credited with popularizing the idea of shorter, multiple episodes, and in turn, the long-running serial. This distribution format allows for gradual improvement as a result of viewer feedback, and gives viewers a reason to return for future videos. Previously, most machinima productions were released in lengthier, singular pieces. Following the success of Red vs Blue, more machinima has been released in serial format.Hancock.
Members of the official website can gain sponsor status for a fee of States dollar|US$" target="_blank" >*10 every six months. Sponsors can access videos a few days before the general public release, higher-resolution (720-by-480 for QT and DivX, 640-by-480 for WMV) versions of the videos, and special content released only to sponsors. Additionally, while the public archive is limited to rotating sets of videos, sponsors can access content from previous seasons at any time.Sponsorship FAQ.
Although it is distributed serially over the Internet, Red vs Blue is also one of the first commercially released products made using machinima, as opposed to a product merely containing machinima. DVDs of the four completed seasons are sold through Rooster Teeth's official website, as well as at some GameStop and Hot Topic stores in the United States.Where To Buy Rooster Teeth Products. Each season is released on DVD within two months of that season's final episode. For the DVDs, the episodes of the main storyline are edited together to play continuously as a full-length film. Because the episodes as individually released often contain dialogue that continues into or past the fade to black at the end of the video, Rooster Teeth either removes that dialogue entirely or films extra footage to replace the original fade to black.Burns, et al., Red vs Blue Season One, Audio Commentary, episode 18.
A third version of the season is further edited for time for showing at the Lincoln Center and at other film festivals. In a 2005 interview, Burns noted that the first season, normally 75 minutes in length, was cut to 55 minutes for these venues, with an entire episode omitted.Marks. Burns also noted in a website news post that the 135-minute season 3 DVD version had to be shortened to "a watchable-in-a-theater runtime of 100 minutes".Burns, It's Official.
Absurdist fiction | American films | Comedy science fiction films | Fan films | Film serials | Halo | Machinima productions | Parody films | Rooster Teeth Productions | Time travel films
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