QWERTY, (pronounced ) is the most common modern-day keyboard layout on English language computer and typewriter keyboards. It takes its name from the first six letters seen in the keyboard's top first row of letters. The QWERTY design was patented by Christopher Sholes in 1868 and sold to Remington in 1873, when it first appeared in typewriters.
Frequently used pairs of letters were separated in an attempt to stop the typebars from intertwining and becoming stuck, thus forcing the typist to manually unstick the typebars and also frequently blotting the document*. The home row (ASDFGHJKL) of the QWERTY layout is thought to be a remnant of the old alphabetical layout that QWERTY replaced. QWERTY also attempted to alternate keys between hands, allowing one hand to move into position while the other hand strikes home a key. This sped up both the original double-handed hunt-and-peck technique and the later touch typing technique; however, single-handed words such as stewardesses and monopoly show flaws in the alternation.
Minor changes to the arrangement are made for other languages; for example, German keyboards add umlauts to the right of "P" and "L", and interchange the "Z" and "Y" keys both because "Z" is a much more common letter than "Y" in German (the letter seldom appearing except in borrowed words), and because "T" and "Z" often appear next to each other in the German language; consequently, they are known as QWERTZ keyboards. French keyboards interchange both "Q" and "W" with "A" and "Z", and move "M" to the right of "L"; they are known as AZERTY keyboards. Italian typewriter keyboards (but not most computer keyboards) use a QZERTY layout where "Z" is swapped with "W" and "M" is at the right of "L". Portuguese keyboards maintain the QWERTY layout but add an extra key: the letter "C" with cedilla (Ç) after the "L" key. In this place, the Spanish version has the letter "N" with tilde (Ñ) and the "Ç" (which is not used in Spanish, but is part of sibling languages like French, Portuguese and Catalan) is placed at the rightmost position of the home line, beyond the diacritical dead keys. Norwegian keyboards inserts "Å" to the right of "P", "Ø" to the right of "L", and "Æ" to the right of "Ø", thus not changing the appearance of the rest of the keyboard. The Danish layout is like the Norwegian, only switching "Æ" and "Ø", and Swedish has their umlaut letters "Ä" and "Ö" in those places. Some keyboards for Lithuanian used a layout known as ĄŽERTY, where "Ą" appears in place of "Q" above "A", Ž in place of "W" above "S", with "Q" and "W" being available either on the far right-hand side or by use of the Alt Gr key.
Some researchers, such as economists Stan Liebowitz at the University of Texas at Dallas, Texas, and Stephen E. Margolis of North Carolina State University, claim that QWERTY is really no less efficient than other layouts. Opponents point out that August Dvorak stood to gain from the success of his layout, and that he may have perpetuated his "efficiency myth" to increase his financial gains. Other QWERTY advocates claim that for a QWERTY typist to switch to Dvorak or another layout requires more effort than initially learning to touch-type, because of having to retrain the fingers' muscle memory. Computer users also need to unlearn the habit of pressing key shortcuts (for example: Ctrl-C for copy, Ctrl-X for cut, Ctrl-V for paste, on Microsoft Windows), though some programs and operating systems allow the use of alternate layouts combined with QWERTY shortcuts.
Opponents of alternative keyboard designs most often point to QWERTY's ubiquity as a deciding factor, because the costs incurred by using the supposedly inefficient layout are much less than those of retraining typists. It is not unusual to find Dvorak typists who also touch-type the QWERTY layout for convenience, since QWERTY dominates the keyboard market. The tension between the Dvorak efficiency and the QWERTY ubiquity illustrates the problem of collective switching costs, assuming QWERTY's relative inefficiency.
Besides the Dvorak layout, there are many other newer alternative keyboard layouts, but those layouts have not gained widespread use.
Keyboard layouts | Computer keyboards | Typewriters
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