Preston Sturges (August 29, 1898 – August 6, 1959), originally Edmund Preston Biden, was a celebrated screenwriter and director born in Chicago.
Sturges took the screwball comedy format of the 1930s to another level, writing dialogue that, heard today, is often surprisingly naturalistic, mature, and ahead of its time, despite the farcical situations. It is not uncommon for one of Sturges' actors to deliver an exquisitely turned phrase and take an elaborate pratfall within the same scene. A love scene between Henry Fonda and Barbara Stanwyck in The Lady Eve was enlivened by a horse, who repeatedly poked his nose into Fonda's head.
He is often credited as the first writer to direct his own script, but this is untrue. Many major directors such as Frank Capra and Howard Hawks preceded Sturges in making the leap from writing to directing. However, Sturges may have been the first to be promoted as such by the studios for publicity. Famously, he supposedly sold his screenplay for The Great McGinty to Paramount Pictures for $1, in exchange for the director's job.
As a young man, Preston Sturges bounced back and forth between Europe and the States. In 1916 he worked as a runner for New York stock brokers, a position available through Solomon Sturges. The next year Preston enlisted in the Air Service and graduated as a lieutenant from Camp Dick in Texas. While at camp Preston published "Three Hundred Words of Humor," his first work, in the camp newspaper. Returning from camp, Sturges picked up a managing position at the Desti Emporium in New York, a store owned by his mother's fourth husband. He spent eight years (1919-1927) there, until he married the first of his four wives, Estelle De Wolfe.
Several Sturges stage plays were produced from 1930-1932, but none were hits. By the end of the year, he was working more in Hollywood as a writer-for-hire, operating from short contract to short contract, for studios like Universal, MGM and Columbia. He also sold his original screenplay for The Power and the Glory to Fox, where it was filmed as a vehicle for Spencer Tracy. The film told the story of a self-involved financier via a series of flashbacks and flashforwards, and was an acknowledged source of inspiration for the screenwriters of Citizen Kane.
For the remainder of the 1930s, Sturges operated under the strict auspices of the studio system, working on a string of scripts, some of which were shelved. This experience built his resolve to take control of his own projects, which he finally accomplished in 1939 by trading his screenplay for The Great McGinty (written six years earlier) in exchange for the chance to direct it.
Though he enjoyed a 30-year Hollywood career, the greatest of Sturges' comedies were filmed in a furious 5-year burst of activity. One of them, The Miracle of Morgan's Creek, was literally being written by Sturges at night even as the production was being filmed in the daytime; the cast and crew were rarely more than 10 pages ahead of Sturges the screenwriter. Half a century later, that movie was one of four Sturges' films to be chosen among the American Film Institute's 100 funniest, along with The Lady Eve, Sullivan's Travels and The Palm Beach Story. Their combination of sentiment and cynicism has kept them fresh for today's audiences.
Sturges liked to reuse many of the same character actors, such as William Demarest, Byron Foulger, Victor Potel, Robert Grieg, Jimmy Conlin, Charles R. Moore, Robert Warwick, or Franklin Pangborn, giving him what amounted to a regular troupe even within the studio system.
He died in New York from a heart attack, and was interred in the Ferncliff Cemetery in Hartsdale, New York. His book "Preston Sturges by Preston Sturges: His Life in His Words" was published in 1990 by Simon & Schuster. (ISBN 0671679295)
Charles Coburn: "Don't be vulgar, Jane. Let us be crooked, but never common."
(studio executives, arguing over a movie) Robert Warwick: "It died in Pittsburgh." Porter Hall: "Like a dog!" Joel McCrea: "Aw, what do they know in Pittsburgh?" Porter Hall: "They know what they like." Joel McCrea: "If they knew what they liked, they wouldn't live in Pittsburgh!"
Rudy Vallee: "Chivalry is not only dead, it's decomposed."
Mary Astor: "I'd marry Captain McGloo tomorrow, even with that name." Rudy Vallee: "And divorce him the next month." Mary Astor: "Nothing is permanent in this world. Except for Roosevelt."
Claudette Colbert: "You have no idea what a long-legged woman can do without doing anything."
William Demarest: "The trouble with kids is they always figure they're smarter than their parents. Never stop to think if their old man could get by for fifty years and feed 'em and clothe 'em, he maybe had something up here to get by with. Things that seem like brain twisters to you might be very simple for him."
Diana Lynn: "If you don't mind my mentioning it, Father, I think you have a mind like a swamp."
(after the news that the town plans to build a statue of Bracken, the fraudulent war hero) Eddie Bracken: "What do I do now?" William Demarest: "Well, you just let it blow over." Eddie Bracken: "Did you ever see a statue blow over?" William Demarest: "I tell you it'll all blow over. Everything is perfect... except for a couple of details." Eddie Bracken: "They hang people for a couple of details!"
Elizabeth Patterson: "Well, that's the war for you. It's always hard on women. Either they take your men away and never send them back at all, or they send them back unexpectedly just to embarrass you. No consideration at all."
American film directors | American screenwriters | Burials at Ferncliff Cemetery and Mausoleum | Deaths from cardiovascular disease | Entertainers who died in their 60s | Best Original Screenplay Academy Award winners | 1898 births | 1959 deaths | English-language film directors
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