Poul William Anderson (November 25, 1926 – July 31, 2001) was an American science fiction author of the genre's Golden Age; some of his short stories were first published using the pseudonyms "A. A. Craig", "Michael Karageorge", and "Winston P. Sanders". Poul Anderson also wrote fantasy such as the King of Ys series.
He was born in Bristol, Pennsylvania.
He received a degree in physics from the University of Minnesota in 1948. He married the former Karen Kruse in 1953. They had one daughter, Astrid, who is married to the science fiction author Greg Bear.
He was the sixth President of Science Fiction and Fantasy Writers of America, taking office in 1972.
He was also a member of the Swordsmen and Sorcerers' Guild of America (SAGA), a loose-knit group of Heroic Fantasy authors founded in the 1960s, some of whose works were anthologized in Lin Carter's Flashing Swords! anthologies.
In addition, he was a founding member of the Society for Creative Anachronism.
Anderson is probably best known for adventure stories in which larger-than-life characters succeed gleefully or fail heroically. He also wrote some quieter works, generally of shorter length, which appeared more during the latter part of his career. However, Anderson was seldom interested in psychological analysis.
Much of his science fiction is thoroughly grounded in science (with the addition of dubious but standard speculations such as faster-than-light travel). A specialty was imagining scientifically plausible non-Earthlike planets. Perhaps the best-known was the planet of The Man Who Counts — Anderson adjusted its size and composition so that humans could live in the open air but flying intelligent aliens could evolve, and he explored consequences of these adjustments. His stories often depicted a shipwrecked or stranded hero's struggle to survive in the hostile environment of an alien world through ingenuity and sheer drive.
In many stories, Anderson commented on society and politics. One of his early stories, "Un-man", is a future thriller where the Good Guys are agents of the UN Secretary General working to establish a world government while the Bad Guys are nationalists (especially American ones) who seek to preserve their respective nations' sovereignty at all costs. (The title has a double meaning — the hero is literally a UN man and has superhuman abilities which make his enemies fear him as an "un-man").
In later years Anderson completely repudiated this idea (a half-humorous remnant is the beginning of Tau Zero — a future where the nations of the world entrusted Sweden with overseeing disarmament and found themselves living under the rule of the Swedish Empire). In Star Fox, his unfavorable depiction of a future peace group called "World Militants for Peace" indicates clearly where he stood with regard to the Vietnam War, raging when the book was published. A more explicit expression of the same appears in the later The Shield of Time where a time-travelling young American woman from the 1990s pays a brief visit to a university campus of the 1960s and is not enthusiastic about what she sees there.
Anderson often returned to libertarianism (which accounts for his Prometheus Awards) and to the business leader as hero, most notably his character Nicholas van Rijn. Van Rijn is, however, far from the modern type of business executive, being a kind of throwback to the merchant venturer of the Dutch Golden Age of the Seventeenth Century - if he spends any time in boardrooms or plotting corporate takeovers, the reader remains ignorant of it - since virtually all his appearances are in the wild space frontier.
Beginning in the 1970s, Anderson's historically grounded works were influenced by the theories of the historian John K. Hord, who argued that all empires follow the same broad cyclical pattern — in which the Terran Empire of the Dominic Flandry spy stories fit neatly.
The writer Sandra Miesel (1978) has argued that Anderson's overarching theme is the struggle against entropy and the heat death of the universe, a condition of perfect uniformity where nothing can happen.
In the numerous books and stories depicting conflict in science-fictional or fantasy settings, Anderson takes trouble to make both sides' points of view comprehensible. Even where there can be no doubt on whose side the author is, the antagonists are usually not depicted as villains but as honourable on their own terms. The reader is given access to their thoughts and feelings, and they have often a tragic dignity in defeat. Typical examples are The Winter of the World and The People of the Wind.
In Star Fox, a relationship of grudging respect is built up between the hero, space privateer Gunnar Heim, and his enemy Cynbe — an exceptionally gifted member of Alerione trained from a young age to understand his species' human enemies, to the point of being alienated from his own kind. In the final scene, Cynbe challenges Heim to a space battle which only one of them would survive and Heim accepts, whereupon Cynbe says "I thank you, my brother".
He set much of his work in the past, often with the addition of magic, or in alternate or future worlds that resemble past eras. A specialty was his ancestral Scandinavia, as in his novel versions of the legends of Hrólf Kraki (Hrolf Kraki's Saga) and Haddingus (The War of the Gods). Frequently he presented such worlds as superior to the dull, over-civilized present. Notable depictions of this superiority are the prehistoric world of "The Long Remembering", the quasi-medieval society of "No Truce with Kings", and the untamed Jupiter of "Call me Joe" and Three Worlds to Conquer. He handled the lure and power of atavism satirically in "Pact", critically in "The Queen of Air and Darkness" and The Night Face, and tragically in "Goat Song".
In many stories, a representative of a technologically advanced society underestimates "primitives" and pays a high price for it. In The High Crusade, aliens who land in medieval England in the expectation of an easy conquest find that they are not immune to swords and arrows. In "The Only Game in Town", a Mongol warrior, while not knowing that the two "magicians" he meets are time travellers from the future, correctly guesses their intentions — and captures them with the help of the "magic" electric flashlight they had given him in an attempt to impress him. In another time-travel tale, The Shield of Time, a "time policeman" from the Twentieth Century, equipped with information and technologies from much further in the future, is outwitted by a medieval knight and barely escapes with his life.
That story is also an example of a tragic conflict, another common theme in Anderson's writing. The knight tries to do his best in terms of his own society and time, but his actions might bring about a horrible Twentieth Century (even more horrible than the one we know). Therefore, the Time Patrol protagonists, who like the young knight and wish him well (the female protagonist comes close to falling in love with him), have no choice but to fight and ultimately kill him.
In "The Pirate", the hero is duty-bound to deny a band of people from societies blighted by poverty the chance for a new start on a new planet — because their settling the planet would eradicate the remnants of the artistic and articulate beings who lived there before. A similar theme but with much higher stakes appears in "Sister Planet": although terraforming Venus would provide new hope to starving people on the overcrowded Earth, it would exterminate Venus's just-discovered intelligent race — and the hero can avert genocide only by murdering his best friends.
In "Delenda Est" the stakes are the highest imaginable. Time-travelling outlaws have created a new 20th Century — "not better or worse, just completely different". The hero can fight the outlaws and restore his (and our) familiar history — but only at the price of totally destroying the world which has taken its place. "Risking your neck to in order to negate a world full of people like yourself" is how the hero describes what he eventually undertakes.
Fitting Anderson's love for olden years, Ander-Saxon, a kind of learnèd writing with Germanic-rooted words only, is named after him.
Reissued by Baen as:
Polesotechnic League period of Nicholas van Rijn (by internal chronology):
Terran Empire period of Dominic Flandry, a secret agent trying to hold off the inevitable collapse of a decadent galactic empire (by internal chronology):
A final combination of Anderson's 'Time Patrol' short stories. The entire list is:
1926 births | 2001 deaths | American science fiction writers | American fantasy writers | Hugo Award winning authors | Nebula Award winning authors | Nebula Grand Masters | Pegasus Award winners | Filkers | Science Fiction Hall of Fame
Пол Андерсън | Poul Anderson | Poul Anderson | Poul Anderson | Poul Anderson | Poul Anderson | Poul Anderson | פול אנדרסון | Poul Anderson | ポール・アンダースン | Poul Anderson | Андерсон, Пол | Poul Anderson | พอล แอนเดอร์สัน | Андерсон Пол Вільям | 波尔·安德森
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