Pompeii is a ruined Roman city near modern Naples in the Italian region of Campania, in the territory of the comune of Pompei. It was destroyed during a catastrophic eruption of the volcano Mount Vesuvius in 79 AD. The volcano buried the city under many feet of ash and it was lost for 1,600 years before its accidental rediscovery. Since then, its excavation has provided an extraordinarily detailed insight into the life of a city at the height of the Roman Empire. Today, it is one of Italy's leading tourist attractions and is a UNESCO World Heritage Site.
The town was founded around the 6th century BC by the Osci or Oscans, a people of central Italy. It had already been used as a safe port by Greek and Phoenician sailors. When the Etruscans threatened an attack, Pompeii allied with the Greeks, who then dominated the Gulf of Naples. In the 5th century BC, the Samnites conquered it (and all the other towns of Campania); the new rulers imposed their architecture and enlarged the town. It has been supposed that during the Samnites' domination, Rome conquered Pompeii for a while, but these theories have not been verified.
Pompeii took part in the war that the towns of Campania initiated against Rome, but in 89 BC it was besieged by Sulla. Although the troops of the Social League, headed by Lucius Cluentius, helped in resisting the Romans, in 80 BC Pompeii was forced to surrender after the conquest of Nola. It became a Roman colony with the name of Colonia Cornelia Veneria Pompeianorum. The town became an important passage for goods that arrived by sea and had to be sent toward Rome or Southern Italy along the nearby Appian Way.
Pompeii was a lively place, and evidence abounds of literally the smallest details of everyday life. For example, on the floor of one of the houses (Sirico's), a famous inscription Salve, lucru (Welcome, money), perhaps humorously intended, shows us a trading company owned by two partners, Sirico and Nummianus (but this could be a nickname, since nummus means coin, money). In other houses, details abound concerning professions and categories, such as for the "laundry" workers (Fullones). Wine jars have been found bearing what is apparently the world's earliest known marketing pun, Vesuvinum (combining Vesuvius and the Latin for wine, vinum). Graffiti carved on the walls shows us real street Latin. In 89 B.C., after the final ocupation of the city by Roman General Lucius Cornelius Sulla, Pompeii was finally annexed to the Roman Republic. Under this period Pompeii underwent a vast period of development, largely new infrastructure, most of which was built during the augustan period, worth noting are an amphitheater, a Palaestra with a central cella natatoriua or swimming pool, and aqueduct which covered more than 25 street fountains, more than 4 public baths (the largest of which remained unfinished after the eruption) , and a large number of private houses (domus) and businesses. The aqueduct branched out through 3 main pipes from the Castelum Aquae, where the waters were collected before being distributed to the city, although it did much more than distribute the waters, it did so with the prerequisite that in the case of gradually extreme drought, the water supply would first fail to reach the Public Baths (least vital service), then private houses and bussinesses, and when there would be no water flow at all, the system would then at last fail to supply the public fountains (most vital service) in the streets of Pompeii.
The large number of well-preserved frescoes throw a great light on everyday life and have been a major advance in art history of the ancient world, with the innovation of Pompeian Styles the First/Second/Third Style demarcation]].
At the time of the eruption, the town could have had some 20,000 inhabitants, and was located in an area in which Romans had their vacation villas. Prof. William Abbott explains "At the time of the eruption, pompeii had reached its high point in society as many Romans frequently visited Pompeii on vacations". It is the only ancient town of which the whole topographic structure is known precisely as it was, with no later modifications or additions. It was not distributed on a regular plan as we are used to seeing in Roman towns, due to the difficult terrain. But its streets are straight and laid out in a grid, in the purest Roman tradition; they are laid with polygonal stones, and have houses and shops on both sides of the street. It followed its decumanus and its cardus, centred on the forum.
Besides the forum, many other services were found: the Macellum (great food market), the Pistrinum (mill), the Thermopolium (sort of bar that served cold and hot beverages), and cauporioe (small restaurants). An amphitheatre and 2 theatres have been found, along with a palaestra or gymnasium. A hotel (of 1,000 square meters) was found a short distance from the town; it is now nicknamed the "Grand Hotel Murecine".
In 2002 another important discovery at the mouth of Sarno river revealed that the port also was populated and that people lived in palafittes, within a system of channels that suggested a likeness to Venice to some scientists. These studies are just beginning to produce results.
The inhabitants of Pompeii, as those of the area today, had long been used to minor tremors (indeed, the writer Pliny the Younger wrote that earth tremors "were not particularly alarming because they are frequent in Campania"), but on 5 February, 62there was a severe earthquake which did considerable damage around the bay and particularly to Pompeii. In the time between 62 and the eruption in 79 AD, some rebuilding was done, but some of the damage had still not been repaired at the time of the eruption [http://www.archaeology.co.uk/cwa/issues/cwa4/pompeii/eruption.htm.
An important current field of research concerns structures that were being restored at the time of the eruption (presumably damaged during the earthquake of 62). Some of the older, damaged, paintings could have been covered with newer ones, and modern instruments are being used to catch a glimpse of the long hidden frescoes. The probable reason why these structures were still being repaired 10 years after the earthquake was the increasing frequency of smaller quakes that led up to the eruption.
By the 1st century AD, Pompeii was only one of a number of towns located around the base of Mount Vesuvius. The area had a substantial population which grew prosperous from the region's renowned agricultural fertility. Many of Pompeii's neighboring communities, most famously Herculaneum, also suffered damage or destruction during the 79 AD eruption.
Giuseppe Fiorelli took charge of the excavations in 1860. During early excavations of the site, occasional voids in the ash layer had been found that contained human remains. It was Fiorelli who realised these were spaces left by the decomposed bodies and so devised the technique of injecting plaster into them to perfectly recreate the forms of Vesuvius's victims. What resulted were highly accurate and eerie forms of the doomed Pompeiani who failed to escape, in their last moment of life, with the expression of terror often quite clearly visible (see *)
Some have theorized, without proof, that Fontana initially found some of the famous erotic frescoes and, due to the strict modesty prevalent during his time, reburied them in an attempt at archaeological censorship. This view is bolstered by reports of later excavators who felt that sites they were working on had already been visited and re-buried. A detailed discussion of the erotic art of Pompeii, with pictures, can be found in a separate article.
Last Days of Pompeii is the 1991 rock opera by alternative rock band Nova Mob.
Pompeii am Götterdämmerung is the name of a song by the popular band, The Flaming Lips, on their album "At War With the Mystics".
Rexford (Rex) Phillips, a.k.a. “Rexino Mondo,” wrote, sang, narrated and produced a 210-minute “audio book” entitled Messenger From Pei. It tells of his tour of duty in the U.S. Army’s 10th Special Service Company in Korea, where he encountered, befriended and eventually discovered strong bonds with actress Debbie Reynolds. Unexplainable cross-currents take them on a journey into a past lifetime, and in particular their escape from “decadent Pei,” just prior to that city’s complete destruction, the same as the final days of its corrupted daughter-to-be “Pompeii.” The work was produced in 1992, and had limited circulation.
Siouxsie and The Banshees single 'Cities in Dust'(1985) was also inpired by the destruction of Pompeii.
Archaeological sites in Italy | Roman sites of Campania | Destroyed cities | World Heritage Sites in Italy | Roman Empire paintings | Eruption of Vesuvius, AD79
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