The concept of plot and the associated concept of construction of plot, emplotment, has of course developed considerably since Aristotle made these insightful observations. The episodic narrative tradition which Aristotle indicates has systematically been subverted over the intervening years, to the extent that the concept of beginning, middle, end are merely regarded as a conventional device when no other is at hand.
This is particularly true in the cinematic tradition where the folding and reversal of episodic narrative is now commonplace. Moreover, many writers and film directors, particularly those with a proclivity for the Modernist or other subsequent and derivative movements which emerged during or after the early 20th century, seem more concerned that plot is an encumbrance to their artistic medium than an assistance.
The main plot in a story is called the A-Plot. The B-Plot is another independent plot within the same story.
The term "plot-driven" is used to describe work in which a preconceived plot and ending into which the characters' behaviour is moulded is the main thrust of the work. It is usually regarded as being the opposite of "character-driven".
Epistemological historian Paul Veyne (1971: 46-47; English trans. by Min Moore-Rinvolucri 1984: 32-33) applies the concept to real-life events, defining plot as “the fabric of history”, a system of interconnected historical facts:
“Facts do not exist in isolation, in the sense that the fabric of history is what we shall call a plot, a very human and not very ‘scientific’ mixture of material causes, aims, and chances--a slice of life, in short, that the historian cuts as he * wills and in which facts have their objective connections and relative importance...the word plot has the advantage of reminding us that what the historian studies is as human as a play or a novel....then what are the facts worthy of rousing the interest of the historian? All depends on the plot chosen; a fact is interesting or uninteresting...in history as in the theater, to show everything is impossible--not because it would require too many pages, but because there is no elementary historical fact, no event worthy atom. If one ceases to see events in their plots, one is sucked into the abyss of the infinitesimal.”
Especially a planned conspiracy is often called a plot. Examples are the Babington plot, the July 20 Plot or the Passover Plot.
The chief character in a plot is a protagonist and he or she is pitted against an antagonist.
Aristotle used the term mythos to denote plot. The description is deceptively simple, because the actions are performed by particular characters in a work and are the means by which they exhibit their moral and dispositional qualities.
There is a great variety to plot forms. Some plots are designed to achieve tragic effects and others to achieve the effects of comedy, romance, satire or any other genre.
A plot is distinguishable from a story. When a plot is like the pencil outline that guides the painter’s brush, the story is comparable to the finished painting.
Fabule | Plot | Faabula | Canevas | Canovaccio | Plot | プロット (物語) | Фабула | Juoni