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Plot in literature, theatre, movies


According to Aristotle's Poetics, a plot in literature is "the arrangement of incidents" that (ideally) each follow plausibly from the other. The plot is like the pencil outline that guides the painter's brush (compare sketch). An example of the type of plot which follows these sorts of lines is the linear plot of development to be discerned within the pages of a bildungsroman novel. Aristotle notes that a string of unconnected speeches, no matter how well-executed, will not have as much emotional impact as a series of tightly connected speeches delivered by imperfect speakers.

The concept of plot and the associated concept of construction of plot, emplotment, has of course developed considerably since Aristotle made these insightful observations. The episodic narrative tradition which Aristotle indicates has systematically been subverted over the intervening years, to the extent that the concept of beginning, middle, end are merely regarded as a conventional device when no other is at hand.

This is particularly true in the cinematic tradition where the folding and reversal of episodic narrative is now commonplace. Moreover, many writers and film directors, particularly those with a proclivity for the Modernist or other subsequent and derivative movements which emerged during or after the early 20th century, seem more concerned that plot is an encumbrance to their artistic medium than an assistance.

The main plot in a story is called the A-Plot. The B-Plot is another independent plot within the same story.

The term "plot-driven" is used to describe work in which a preconceived plot and ending into which the characters' behaviour is moulded is the main thrust of the work. It is usually regarded as being the opposite of "character-driven".

Use for real-life events

Epistemological historian Paul Veyne (1971: 46-47; English trans. by Min Moore-Rinvolucri 1984: 32-33) applies the concept to real-life events, defining plot as “the fabric of history”, a system of interconnected historical facts:

“Facts do not exist in isolation, in the sense that the fabric of history is what we shall call a plot, a very human and not very ‘scientific’ mixture of material causes, aims, and chances--a slice of life, in short, that the historian cuts as he * wills and in which facts have their objective connections and relative importance...the word plot has the advantage of reminding us that what the historian studies is as human as a play or a novel....then what are the facts worthy of rousing the interest of the historian? All depends on the plot chosen; a fact is interesting or uninteresting...in history as in the theater, to show everything is impossible--not because it would require too many pages, but because there is no elementary historical fact, no event worthy atom. If one ceases to see events in their plots, one is sucked into the abyss of the infinitesimal.”

Especially a planned conspiracy is often called a plot. Examples are the Babington plot, the July 20 Plot or the Passover Plot.

Elements of plot in a narrative

The plot in a dramatic or narrative work is constituted by its events and actions, as these are rendered and ordered towards achieving particular artistic and emotional effects.

  1. Initial situation - the beginning. It is the first incident that makes the story move.
  2. Conflict or Problem - goal which the main character of the story has to achieve.
  3. Complication - obstacles which the main character has to overcome.
  4. Climax - highest point of interest of the story.
  5. Suspense - point of tension. It arouses the interest of the readers.
  6. Denouement or Resolution - what happens to the character after overcoming all obstacles/failing to achieve the desired result and reaching/not reaching his goal.
  7. Conclusion - the end of the story.

The chief character in a plot is a protagonist and he or she is pitted against an antagonist.

Aristotle used the term mythos to denote plot. The description is deceptively simple, because the actions are performed by particular characters in a work and are the means by which they exhibit their moral and dispositional qualities.

There is a great variety to plot forms. Some plots are designed to achieve tragic effects and others to achieve the effects of comedy, romance, satire or any other genre.

A plot is distinguishable from a story. When a plot is like the pencil outline that guides the painter’s brush, the story is comparable to the finished painting.

Plot in printing


Plot also refers to a drawn graphical representation of data, such as the output of a plotter or the process of plotting data by hand. Plots are used in

Other meanings


Plot also describes a small piece of land, such as

See also


Narratology

Fabule | Plot | Faabula | Canevas | Canovaccio | Plot | プロット (物語) | Фабула | Juoni

 

This article is licensed under the GNU Free Documentation License. It uses material from the "Plot".

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