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Philip (Lionel) Corner (born April 10, 1933; name sometimes given as Phil Corner) is an American composer, trombonist, vocalist, and pianist.
Biography
Philip Corner studied at Columbia University with Otto Luening and Henry Cowell, later with Olivier Messiaen at the Paris Conservatoire and privately with Dorothy Taubman in New York. He taught at the New Lincoln School in New York from 1966-1972, the New School for Social Research from 1967-1970 and Rutgers University from 1972-1992, after which point he moved to Reggio Emilia, Italy with his wife, the dancer and choreographer Phoebe Neville.
He has been associated with Fluxus since 1961, was a resident composer and musician with the Judson Dance Theatre from 1962-1964 and later with the Experimental Intermedia Foundation. He co-founded with Malcolm Goldstein and James Tenney the Tone Roads Chamber Ensemble in 1963 (active until 1970), with Julie Winter Sounds Out of Silent Spaces in 1972 (active until 1979) and with Barbara Benary and Daniel Goode, Gamelan Son of Lion in 1976 (still active).
Works
Corner became interested in calligraphy during military service in Korea in 1960-1961 and studied it with Ki-sung Kim; it is often incorporated into his scores. While there he became enamored with Korean traditional music, particularly the jeongak composition Sujecheon, which he describes as "the most beautiful piece of music in the history of the world."* Many of his scores are open-ended in that some elements are specified, but others are left partially or entirely to the discretion of the performers. Some employ standard notation, whereas others are graphic scores, text scores, etc. His music also frequently explores unintentional sound, chance activities, minimalism, and non-Western instruments and tuning systems. Contact with artists in other media, especially dance and the visual arts, as well as a long-standing interest in Eastern religions such as Buddhism and study of the music of composers from the Baroque and Pre-Baroque eras has likewise impacted his music.
Representative works include the ensemble pieces Passionate Expanse of the Law, Sang-teh/Situations and Through the Mysterious Barricade, among many others. Also in his incredibly large oeuvre are piano pieces (perfect, Pictures of Pictures from Pictures of Pictures), choral works (Peace, be still), electronic music (the war cantata Oracle), and more than 400 works in the Gamelan series, to mention only some of his catalogue. He divides his output into five periods, each one reflective of his attitudes at the time:
- Culture, 1950s
- The World, 1960s and 1970s
- Mind, 1970s and 1980s
- Body, 1980s and 1990s
- Spirit; Soul, 1999 - present
Non-musical activities
In addition to his work as a composer and musician, he has created numerous assemblages, calligraphy, collages, drawings, and paintings, many of which have been exhibited internationally. He has also written much poetry, which like some of his music, has occasionally appeared under his Korean pseudonym Gwan Pok, meaning "Contemplating Waterfall".Discography
- 40 Years and One: Philip Corner Plays the Piano (2000). XI 125. Performed by composer, recorded 1998.
External links
- Entry in The Living Composers Project, A listing arranged with the composer of most of his musical works, also with biographical data
- PHILIP CORNER: AN INTRODUCTION by Anton Lukoszevieze
- Suspended Bell Gives Concert by Tom Johnson, Originally published on December 9, 1974.
- ARTPOOL'S FLUXUS LIBRARY: Philip Corner Bibliography
- FLUX' is us! by Philip Corner, first published in the 2002 Fluxus Constellation catalogue
- Frog Peak Artists: Philip Corner
- Forced Exposure Artists: Philip Corner
1933 births | Living people | 20th century classical composers | American composers | Living classical composers | Fluxus | American expatriates in Italy
"Philip Corner"