Pantera was a popular heavy metal band from Arlington, Texas that formed in 1981. Emerging alongside influential classic thrash metal acts such as Slayer, Metallica, Megadeth, and Anthrax, Pantera was a key formulator of the groove metal (post-thrash) subgenre of heavy metal music.
It would not be until nine years after forming that Pantera saw its first bit of commercial success in its major label debut, Cowboys from Hell. From there, Pantera became one of the most celebrated heavy metal bands of the 1990s until its dissolution in 2003. Despite the generally cold reception of the band's first four albums, critics have lauded Pantera's style thereafter; Jason Birchmeier of the All Music Guide considers Pantera to be "arguably the greatest metal band of '90s and ... one of the greatest and most influential metal bands ever." The band has received accolades such as ranking forty-fifth on VH1's list of the "100 Greatest Artists of Hard Rock" and fifth on MTV's "Top 10 Greatest Heavy Metal Bands of All-Time".
The word "pantera" means "panther" in a number of other languages, but the name itself is derived from the band's home town of Pantego, Texas.
In 1982, Hart left the band and Glaze took over vocal duties. Rex Brown soon replaced Bradford on bass. While the band showed promise, it would take time before the band was able to make it farther than regional tours of Texas, Oklahoma, and Louisiana. Pantera began supporting fellow heavy metal acts such as Stryper, Dokken, and Quiet Riot, who in turn promoted Pantera's debut, Metal Magic.
Starting in 1983, Pantera released three initial albums (Metal Magic, Projects in the Jungle, and I Am the Night) before singer Glaze departed to form his own band, Lord Tracy. After exploring several vocalists, frontman Phil Anselmo was discovered in New Orleans, Louisiana. Soon Power Metal was released after Anselmo re-recorded some songs originally sung by Glaze. Pantera's style in these first four recordings is best described as glam metal. The band members would later ignore their independent releases in favor of sculpting a new, heavier image. To this day, Pantera's website does not list the records in its discography. These albums were never re-released and have become hard-to-find collector's items.
Pantera's first commercially successful album was also its first major label release: Cowboys from Hell (1990). The band was turned down "28 times by every major label on the face of the Earth" until Atco Records representative Mark Ross saw the band perform after Hurricane Hugo stranded him in Texas. To this point, Pantera's music was still heavily influenced by "classic heavy metal", with Rob Halford-style vocals and guitarist Abbott's more complex riffs and solos.
On Cowboys, however, Pantera began showing a more extreme style, leaving behind glam metal influences in favor of an amalgamation of power metal and groove metal dubbed "power groove" by the band. The album marked a critical juncture in the band's history and most fans, along with the band itself, consider it Pantera's "official" debut. This release includes the popular tracks "Cemetery Gates", a brooding seven-minute piece that focuses on death and religion, and the thrashing title track, which gives the band members their nickname and personality.
Pantera's unique "groove" style came to fruition in its breakthrough album Vulgar Display of Power (1992), which saw the replacement of the power metal falsetto vocals with a hardcore-influenced shouted delivery and heavier guitar sound. While some critics point to the rise of grunge music as the subsequent downfall of glam metal, others claim Pantera, most notably on Vulgar, as being the catalyst that overpowered popular '80s metal. Among critics and fans, it is frequently cited as the band's best effort. Songs like "Fucking Hostile", a fast, aggressive challenge of authority, the riff-driven "Walk", and "Mouth for War", remain some of the most popular songs in Pantera's catalog.
The extent to which Vulgar Display of Power grew in popularity can be assessed by the instant success of its follow-up, Far Beyond Driven (1994), which debuted at #1 in both U.S. and Australian album charts, the first metal album to do so. "I'm Broken", Driven's fourth track, was nominated for Best Metal Performance at the 1995 Grammys. In this release, Pantera took an even more extreme direction with its musical style.
Pantera's next album, The Great Southern Trendkill (1996), was released during grunge rock's dominance and at the onset of rap metal. It is often considered Pantera's "overlooked" album. Phil Anselmo recorded the vocals for this release in Nine Inch Nails frontman Trent Reznor's studio. In comparison to the band's previous efforts, there was a heavier emphasis on vocal overdubbing in a somewhat "demonic" fashion. Drug abuse is a popular theme in Trendkill, as exemplified by tracks such as "Suicide Note" and "Living Through Me (Hell's Wrath)". Perhaps the most popular song from Trendkill is "Drag the Waters", which advises the listener to take the motives of others with a grain of salt. "Drag the Waters" became the album's only music video, and likewise, the only track from the album to appear on the band's Far Beyond the Great Southern Cowboys' Vulgar Hits!.
Some of the band's live performances were eventually compiled in its 1997 release, 101 Proof, which included fourteen live tracks and two new studio-quality songs: "Where You Come From" and "I Can't Hide". Some tracks have slightly different titles than their originals (e.g., "Hostile" instead of "Fucking Hostile"), while a track like "Dom/Hollow" ("Domination" and "Hollow", respectively) merged two separate songs together for a live performance.
Pantera's final album, Reinventing the Steel (2000), has several songs that deal with the topic of the band itself. Steel debuted at #4 on the Billboard 200 and included "Revolution is My Name" and "Goddamn Electric", the latter of which featured a Kerry King performance recorded during Ozzfest in Dallas. "Revolution is My Name" became the band's second nomination for Best Metal Performance in the 2001 Grammys.
Pantera also adopted a self-described "take no shit" attitude, epitomized in its popular song "5 Minutes Alone" off of Far Beyond Driven. According to drummer Vinnie Paul Abbott, during a show in San Diego, California, Anselmo was annoyed by a heckler and encouraged the crowd to "jump * ass and beat the shit out of him on the spot." Consequently, the band was sued; the man's father took action and called Pantera's manager, saying, "You just give me five minutes alone with that Phil Anselmo guy and I'll show him who's big daddy around here." Thus, "5 Minutes Alone" was born out of that experience.
The band members take pride in what they perceive to be an uncompromising career in which they never "sold out" or gave into trends. This is most noticeably highlighted in the themes and title of The Great Southern Trendkill. On Pantera's official Web site, Anselmo puts it in his own words:
We've survived every fucking trend. Heavy metal, grunge metal, funk metal, rap metal – and we're still here. We put everyone on notice that we don't fuck around. Our fans know we're true right down to the fucking core.
Similarly, the die-hard attitude of "We'll Grind That Axe For a Long Time" (from Reinventing the Steel) is, according to Anselmo, "in a way, our motto."
Aside from their thrash metal influences, the band members cite heavy metal pioneers Black Sabbath as one of their favorite bands. As a tribute, Pantera has recorded three different covers of Black Sabbath songs (all from the Ozzy Osbourne era). The first was "Planet Caravan", a slower, quieter song planned for the first Sabbath tribute album, Nativity in Black that eventually became the final track on Far Beyond Driven. The band performed Sabbath's "Electric Funeral" on the second Nativity in Black. The 2003 compilation album, The Best of Pantera: Far Beyond the Great Southern Cowboys' Vulgar Hits!, Pantera covered the Sabbath's "Hole in the Sky". Pantera's affinity for Black Sabbath is also shown through the lyrics, "Your trust is in whiskey and weed and Black Sabbath" in "Goddamn Electric".
The All Music Guide points to several elements of Exhorder's debut that could potentially explain its lack of success in relation to Pantera. In disagreement with the opinion that Exhorder is "Pantera minus the good songs," AMG's review of Slaughter in the Vatican expresses that "perhaps a more accurate billing would be to call them Pantera without the major label backing." They also point to the fact that the title of Exhorder's debut, along with the unsubtle album cover, "certainly didn't help * cause any."
However, some fans and critics dispute any notion that Pantera "stole" Exhorder's sound. Brian Davis, a contributor to Internet radio station KNAC, addresses the issue as follows:
Exhorder's main "claim to fame" is the common opinion that they're the band that Pantera stole their sound from. That's total bullshit. There are minor similarities in guitar style, and on occasion, vocalist Kyle Thomas spits out a line or scream that will bring Pantera to mind, but to go so far as to say that Pantera is an Exhorder clone is ludicrous.
Despite originally decrying Pantera as a rip-off to their sound, former lead vocalist of Exhorder, Kyle Thomas, has recently stated that he does not care about any of the criticism and is sick of seeing Exhorder's name tied to Pantera's. He also stated that he and the members of Pantera were great friends who used to tour together, and that he mourns the loss of Dimebag Darrell.
When I got together with James *, he and I created a guitar style that everybody and their brother is playing now, everyone. I'm not gonna name anybody 'cause I'm not gonna promote them. OK, we'll say "panther" in Spanish. You're welcome guys. We might as well be cooking their dinner for them or pushing their little wheelbarrow to the bank for them.
A possible explanation for Mustaine's statement could come from the fact that Pantera's guitarist, Dimebag Darrell, auditioned for Megadeth shortly before Cowboys from Hell was released. Darrell insisted his brother, bandmate Vinnie Paul, be included, but since Megadeth already had a drummer, it backed off and recruited Marty Friedman instead.
Anselmo instead decided to carry on full-time with one of his side projects, Superjoint Ritual, which has, as of 2003, released two albums. Following the release of the second Superjoint Ritual album, the Abbott brothers formed New Found Power, later renamed Damageplan.
The break-up of the band was not amicable and subsequently a war between Superjoint and Damageplan was waged via the heavy metal and musical press. Among the accusations thrown were that Anselmo and the Abbott brothers had difficulties in agreeing upon the direction in which they wanted Pantera's music to go in. Vinnie Paul and Dimebag later commented that Anselmo was forcing them to make the music that Anselmo wanted to make, and that they were not allowed to experiment and take chances with their recordings. In addition, Anselmo's drug habits (for example, a rather infamous heroin overdose after a show) are known to have caused some turmoil within the band. Finally, likely as a result of the other issues Pantera faced internally, the relationship between Anselmo and the Abbott brothers was rapidly deteriorating in general. Anselmo's comment in a 2004 issue of Metal Hammer magazine saying that "Dimebag deserves to be beaten severely" typified Pantera's internal conflicts; Anselmo insists that this comment was tongue-in-cheek. Caught up in the torrent was bassist Rex Brown, who ultimately aligned himself with Anselmo, joining him on the second Down album – A Bustle in Your Hedgerow.
VH1's Behind the Music Pantera episode premiered May 11, 2006.
| Album Cover | Date of Release | Title | Label | US sales |
| January 1, 1983 | Metal Magic | Metal Magic Records | ||
| January 1, 1984 | Projects in the Jungle | Metal Magic Records | ||
| January 1, 1985 | I Am the Night | Metal Magic Records | 25,000 | |
| January 1, 1988 | Power Metal | Metal Magic Records |
| Album Cover | Date of US Release | Title | Label | Chart positions | US sales |
| July 24, 1990 | Cowboys from Hell | Atlantic Records | Heatseekers: #27 | 1,000,000+ | |
| February 25, 1992 | Vulgar Display of Power | Eastwest Records | Billboard Top 200: #44 | 2,000,000+ | |
| March 15, 1994 | Far Beyond Driven | Eastwest Records | Billboard Top 200: #1 | 1,000,000+ | |
| May 22, 1996 | The Great Southern Trendkill | Eastwest Records | Billboard Top 200: #4 | 1,000,000+ | |
| July 29, 1997 | 101 Proof | Eastwest Records | Billboard Top 200: #15 | 500,000+ | |
| March 14, 2000 | Reinventing the Steel | Eastwest Records | Billboard Top 200: #4 Top Canadian Albums: #8 Top Internet Albums: #5 | 500,000+ | |
| September 23, 2003 | Far Beyond the Great Southern Cowboys' Vulgar Hits! | Reinventing Hell: The Best of Pantera (international title)Eastwest Records | Billboard Top 200: #38 | 1,000,000+ |
| Year | Title | Chart positions | Album | |||
| US Hot 100 | US Modern Rock | US Mainstream Rock | UK Singles Chart | |||
|---|---|---|---|---|---|---|
| 1993 | "Walk" | - | - | - | #35 | Vulgar Display of Power |
| 1994 | "I'm Broken" | - | - | - | #19 | Far Beyond Driven |
| 1994 | "Planet Caravan" | - | - | #21 | #26 | Far Beyond Driven |
| 1999 | "Cat Scratch Fever" | - | - | #40 | - | Detroit Rock City soundtrack |
| 2000 | "Revolution is My Name" | - | - | #28 | - | Reinventing the Steel |
| Album Cover | Date of Release | Title | Label | US sales |
| 1985 | The Hot 'n Heavy Home Video | Metal Magic Records | ||
| 1991 | Cowboys from Hell: The Videos | ATCO | 50,000+ | |
| 1993 | Vulgar Video | Elektra | 100,000+ | |
| 1997 | 3: Watch it Go | Elektra | 100,000+ | |
| 1999, 2006 | 3 Vulgar Videos from Hell | (DVD re-release)Elektra/Rhino | 100,000+ |
Thrash metal musical groups | Pantera | Texas musical groups
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