Orson Scott Card (born August 24, 1951) is a prolific and best-selling author working in numerous genres.
Card's launch in the publishing industry was with science fiction books (Hot Sleep and Capitol) and later the fantasy book Hart's Hope. However, he remains best known for the seminal novel Ender's Game, which has remained popular since its publication in 1985.
Ender's Game and its sequel Speaker for the Dead were both awarded the Hugo Award and the Nebula Award, making Card the only author (as of 2006) to win both of Science Fiction's top prizes in consecutive years. Card continued the series with Xenocide, Children of the Mind, Ender's Shadow, Shadow of the Hegemon, Shadow Puppets, and the 2005 release of Shadow of the Giant. Card has also announced a 'Christmas in Battle School' book, a book that connects the "Shadow" series and "Speaker" series together, and a book that takes place after Shadow of the Giant and before Card's short story "Investment Counselor". Furthermore, Card recently announced that Ender's Game will soon be made into a movie (see Ender's Game (film)).
He has since branched out into contemporary fiction, such as Lost Boys, Treasure Box and Enchantment. Other works include the novelization of the James Cameron film The Abyss, the alternate histories The Tales of Alvin Maker and Pastwatch: The Redemption of Christopher Columbus, the comic book Ultimate Iron Man for Marvel Comics' Ultimate Marvel Universe series, and Robota, a collaboration with Star Wars artist Doug Chiang.
His writing is dominated by detailed characterization and moral issues. As Card says, "We care about moral issues, nobility, decency, happiness, goodness—the issues that matter in the real world, but which can only be addressed, in their purity, in fiction."
Some of his novels have stories explicitly drawn from scripture or church history. For example, Stone Tables is about the life of the Biblical prophet Moses. His Women of Genesis novels address the lives of Old Testament women Sarah, Rebekah, Rachel, and Leah, while The Folk Of The Fringe stories and Saints are about Latter-day Saint pioneers. In some of his other writings the influence of his Mormon beliefs is less obvious. For example, parallels can be made between Card's Homecoming and Alvin Maker sagas and the story line in the Book of Mormon and the life of LDS founder Joseph Smith, Jr.
In addition to his novels and short stories, Card has had an active career as a nonfiction writer. He helped create the scripts for the "Dramatized Church History" series radio play type productions telling the story of the LDS church from its inception to the mid 1980s.
During the 1980s he wrote many technical articles and columns, primarily for Compute!'s Gazette and Ahoy!, two magazines covering Commodore home computers.
After returning to Provo, Utah, from his LDS mission in Brazil, Card started the Utah Valley Repertory Theatre Company, which for two summers produced plays at "the Castle," a Depression-era outdoor amphitheater behind the then-active state mental hospital in Provo; his company's were the first plays ever produced there. Meanwhile, he took parttime employment as a proofreader at BYU Press, then made the jump to fulltime employment as a copy editor. In 1976, in the midst of a paid acting gig in the LDS Church's musical celebrating America's Bicentennial, he secured employment as an assistant editor at the Church's official magazine, The Ensign, and moved to Salt Lake City.
It was while he worked at BYU Press that he first wrote the short story "Ender's Game" and submitted it to several publications. It was eventually purchased by Ben Bova at Analog and published in the August 1977 issue. Meanwhile, he started writing half-hour audioplays on LDS Church history, the New Testament, and other subjects for Living Scriptures in Ogden, Utah; on the basis of that continuing contract, some freelance editing work, and a novel contract for Hot Sleep and A Planet Called Treason, he left The Ensign and began supporting his family as a freelancer.
He completed his master's degree in English at the University of Utah in 1981 and began a doctoral program at Notre Dame University, but the recession of the early 1980s caused the flow of new book contracts to temporarily dry up. He returned to fulltime employment as the book editor for Compute! Magazine in Greensboro, North Carolina, in 1983, and has resided there ever since. In October of that year, a new contract for the Alvin Maker "trilogy" (now up to 6 books) allowed him to return to freelancing.
In 2005, Card accepted a permanent appointment as "distinguished professor" at Southern Virginia University in Buena Vista, Virginia, a small liberal arts college with a Mormon atmosphere. (It is run by a group of LDS people, but unlike the BYU schools, is not owned by The Church of Jesus Christ of Latter Day Saints.) Card has justified this action by citing his frustration with dismal teaching methodology for creative writing in most universities, and his desire to teach the techniques of effective fiction writing to writers whose values are more harmonious with his own. Card has worked closely with colleagues to develop new and effective ways to educate aspiring writers and has published two books on the subject. He was eager for the opportunity to apply these techniques in a university environment—his assorted workshops did not allow the follow-through he desired. Card splits his time evenly between writing and teaching.
Card has stated that one of the most important elements of writing is gauging reader interest. Writers can achieve this by training someone to serve as their "wise reader," who makes a note of every time attention flags, belief falters, or confusing text causes the reader to reread a passage. This allows the writer to identify weaknesses and find his or her own solutions to the problems. But he cautions that this "training" ruins the ability of this person to just go with the flow and enjoy good books, without constantly making mental notes of places where problems arise.
Likewise, he points out the importance of developing ideas before they can become good stories, and fleshing out details of the world that may not be put into print at all. He refers often to the works of other authors - for example, in his 1990 book "How to Write Science Fiction and Fantasy," he refers to Octavia Butler as an excellent writer of exposition, and quotes the opening paragraphs of "Wild Seed," a novel from her Patternist series, as an example of effective expository text.
In the fall of 2005, Card also launched Orson Scott Card's Intergalactic Medicine Show (*). He edited the first two issues, but found that the demands of teaching, writing, and directing plays for his local church theatre group made it impossible to respond to writers' submissions in a timely manner; former Card student and experienced freelance writer and editor Edmund Schubert became the new editor as of 1 June 2006.
He has described himself as a Moynihan Democrat, and later as a "Tony Blair" Democrat, saying he has to look outside the U.S. for someone representative for his views now that Moynihan has died and the Democrats oppose Bush. He has written columns condemning extremist liberals as being part of what's wrong with America, and praises Zell Miller for trying to save the Democratic Party. During the 2004 election Card wrote many articles supporting the Bush/Cheney ticket, criticizing John Kerry, and lambasting his own state's senator, John Edwards, as being absurd, insincere, and an opportunistic shill. Prior to the 2004 presidential race, Card had written that his state needed to regain control from people like Edwards and advocated running a strong primary opponent against Edwards should he run for reelection to the Senate.* He has also been a staunch defender of Fox News, stating that he likes his news to share an "American" viewpoint. Card also publicly endorses children of illegal immigrants receiving in-state college tuition rates and is opposing tax cuts and unfettered deregulation.
Card has made many comments about homosexuality that are viewed as homophobic by the GLBT community and those who support gay rights:
These quotes were taken from an essay he wrote in Sunstone, a magazine read primarily by doctrinally liberal members of the LDS church. There are some who maintain that the comments refer solely to Latter-day Saints who openly engage in a homosexual lifestyle, despite the church's policy that such acts are sinful and to be avoided; however, others point out that he talks about "laws" and mentions in the same essay "This applies also to the polity, the citizens at large", a comment that is clearly not confined to members of the LDS church.
Living people | 1951 births | American fantasy writers | American novelists | American science fiction writers | Hugo Award winning authors | Nebula Award winning authors | Latter Day Saints | LGBT rights opposition | Same-sex marriage opposition | Latter Day Saint art and culture | People from Greensboro, North Carolina | People from Washington | People from California
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