Novelty theory attempts to predict the ebb and flow of novelty in the universe as an inherent quality of time. It is an idea conceived of and discussed at length by Terence McKenna from the late 1960s until his death in the year 2000. Novelty theory involves ontology, morphogenesis, and eschatology. Novelty, in this context, can be thought of as newness, complexification, and dynamic change as opposed to static habituation. According to Mckenna, when "novelty" is graphed over time, a fractal waveform known as timewave zero or simply the timewave results. The graph shows at what times, but never at what locations, novelty is increasing or decreasing.
The theory was never published in a peer-reviewed journal and McKenna's sources and reasoning were primarily what would be considered numerological rather than mathematical by professional mathematicians and scientists, the theory has failed to gain any scientific credulity or much recognition. However, McKenna was highly critical of such fields for adhering to what he saw as a flawed Western dominated paradigm, and did not seek to create a theory acceptable to the mathematical community. The theory was, however, revised by nuclear physicist John Sheliak after a flaw was discovered by Matthew Watkins. The new revision is often referred to as Timewave One, but is also inclusive in the set of alternate waves in the Timewave Zero software. This new version is also acclaimed to match history more accurately.
Timewave Zero received a great deal of its public attention through the publications of R. U. Sirius, particularly the cyberculture magazine Mondo 2000.
Novelty theory has a few basic tenets:
This End of History was to be the final manifestation of The Eschaton, which McKenna characterized as a sort of strange attractor towards which the evolution of the universe developed.
His predictions for this transcendent event were wide ranging and varied, depending on his audience, and different times he conjectured the following: the mass of humanity would, by means of some technology, become mentally conjoined in a great collective; the moment in which time travel became a reality; the birth of self-conscious artificial intelligence; a global UFO visitation; and occasionally he even expressed doubt whether anything at all would happen. However, McKenna claimed that there was no contradiction between these scenarios, as they might all happen simultaneously.
McKenna repeatedly describes human cultural development as a succession of historical periods which are "compressed" versions of each other. In this manner, he describes an overall acceleration of human cultural development, which he likens to a "tightening spiral" approaching what he describes as the "transcendental object of the universe".
The acceleration of human cultural development has been observed by other philosophers and historians, perhaps most notably Ray Kurzweil in his Law of Accelerating Returns.
An accelerating, teleological movement from the origin of the universe to a theorized point of eschaton is described by Christopher Langan in his Cognitive-Theoretic Model of the Universe. Langan describes this as the universe attempting to "optimally self-actualize".
There are several criticisms of novelty theory. Most contend that it is a sophistry based on a form of irrational scientism with pseudo-scientific premises and reasoning.
One criticism in this vein is that novelty is not defined in natural units. Another is that the supporting, corroborative arguments are based on subjective historical analysis. McKenna was adept at this, and Rupert Sheldrake complained that the theory required his personality for its demonstration. Another criticism is that the historical end point was chosen arbitrarily.
When the user quits Fractal Time 7.1 (the last software package written to demonstrate the theory, see below), the program prints the following message before exiting:
Perhaps the real value of novelty theory, at the end of the technological war-driven 20th century, is that it is a parody. It is not a scientific theory, nor is it a pseudo-scientific theory -- it is a parody of a scientific theory. It basically mocks the pretensions of 20th century physical science. It purports to explain the nature of time and to elucidate the inner workings of the temporal world, yet it is obviously absurd, at least to a more than superficial examination. Novelty theory says to us: This is what any Cartesian-Newtonian scientific theory really is -- basically absurd. And since it is absurd, we should not, and do not have to, believe. This basically knocks the foundations out from under the assumptions of modern Western society, built as it is on a faith in modern physical science as being the authority as to the nature of the real world. In this sense Terence McKenna's thought is both liberating and subversive.
This disclaimer was built into the program by its author, Peter Meyer. Terence McKenna is not known to have ever issued such a statement. Indeed, in his published books, interviews, and recorded lectures McKenna consistently treats the theory as seriously as any of his other material. Some would see it as a stretch to say that the theory says anything about modern physical science, as it is not a generally accepted scientific or mathematical model.
Despite it being generally ignored by the scientific community due to its basis in the I Ching and the Mayan Calendar, as previously mentioned, there were several mathematical criticisms which led to subsequent minor revisions of the model.
McKenna recruited Royce Kelley and Leon Taylor in 1974 to model the mathematical underpinnings of his theory. This was done in FORTRAN, on a CDC 6400 computer at UC Berkeley.
The first program for a personal computer was written in 1978 or 1979 by Peter Broadwell, an employee of Ralph Abraham. It was made for the Apple IIe, and was the first to represent the data points as a graph. It was difficult to manipulate.
In the late 1970s the German professor of mathematics and physics Klaus Scharff developed his own computer model based on the data sets in The Invisible Landscape, which he considered primitive. It was written in Pascal.
In 1985 programmer Peter Meyer was asked by McKenna to write a new version for the Apple IIe. After finding the original work vague, and inspired by the recent publications of Benoit Mandelbrot, Meyer reinterpreted the waveform as a fractal. He completed this new version in Applesoft BASIC for the Apple IIe in February 1987. It was the first piece of software to allow calculation of resonances.
In 1989 he wrote the first MS-DOS version in Munich. It was written in C, supported multiple screens, and was much faster. It was also in German.
In 1990 it was bought back by Meyer, rewritten to take advantage of the FPU, and published by his company Dolphin Software in 1991. In April 1991 a German version of the MS-DOS software was commissioned by Gaia Media in Switzerland. A new German language version, with various improvements in resonance rendering, was written and released in 1993.
In 1994 a newer English language version was written with even more improvements.
In 1996 Matthew Watkins (founder of The RetroPsychoKinesis Project) published an objection which changed the underpinnings of the novelty theory, capturing the I Ching transform into a formula. A new DOS version was written by Meyer to incorporate this change in 1998. It was released as Fractal Time Version 6.72.
Physicist John Sheliak further revised the theory, and version 7.1 was subsequently released by Meyer in 1999.
The software is currently available at Peter Meyer's website: http://www.hermetic.ch/solo/frt.htm
For a complete history of the software see Peter Meyer's website: http://www.hermetic.ch/frt/hist.html
This article is licensed under the GNU Free Documentation License.
It uses material from the
"Novelty theory".
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