These Romanesque styles originated in Normandy and became widespread in north western Europe, particularly in England which contributed considerable development and has the largest number of surviving examples. At about the same time a Norman dynasty ruled in Sicily, producing a distinctive variation incorporating Byzantine and Saracen influences which is also known as Norman architecture, or alternatively as Sicilian Romanesque.
As master masons developed the style and experimented with ways of overcoming the geometric difficulties of groin vaulted ceilings, they introduced features such as the pointed arch which were later characterised as being Gothic in style. Architectural historians and scholars consider that a style must be assessed as an integral whole rather than an aggregate of features, and while some include these developments within the Norman or Romanesque styles, others describe them as transitional or "Norman-Gothic Transitional". A few websites [http://www.racine.ra.it/ungaretti/gothic/norman_gothic.htm, use the term "Norman Gothic", but it is unclear whether they refer to the transitional style or to the Norman style as a whole.
In England, Norman nobles and bishops had influence before the Norman Conquest of 1066, and Norman influences affected late Anglo-Saxon architecture. Edward the Confessor was brought up in Normandy, and in 1042 brought masons to work on Westminster Abbey, the first Romanesque building in England. In 1051 he brought in Norman knights who built "motte" castles as a defence against the Welsh. Following the invasion Normans rapidly constructed motte-and-bailey castles, and in a burst of building activity built churches and abbeys, was well as more elaborate fortifications including Norman stone keeps.
The buildings show massive proportions in simple geometries, the masonry with small bands of sculpture, perhaps as blind arcading, and concentrated spaces of capitals and round doorways and in the tympanum under an arch. The "Norman arch" is the round arch. Norman mouldings are carved or incised with geometric ornament, such as chevron patterns round arches. The cruciform churches often had deep chancels and a square crossing tower which has remained a feature of English ecclesiastical architecture. Hundreds of parish churches were built and the great English cathedrals were founded from 1083.
After a fire damaged Canterbury Cathedral in 1174 Norman masons introduced the new Gothic architecture. Around 1191 Wells Cathedral and Lincoln Cathedral brought in the English Gothic style, and Norman became increasingly a modest style of provincial building.
The Normans settled mostly in an area in the east of Ireland, later known as the Pale, and constructed many Norman buildings including Trim Castle and Dublin Castle.
Sicily's Norman period lasted from circa 1070 until about 1200, debatable perhaps until the demise of Frederick II, in 1250, so can approximately be equated with the same period in England. Similar in many ways to the Norman architecture which evolved in England and northern France it also incorporated certain Byzantine influences. These Byzantine motifs were particularly obvious in the interiors of certain churches where the traditional Norman altar tribunes were decorated in gilded mosaics such as that at the cathedral at Monreale. The Palatin Chapel in Palermo built in 1130 is the perhaps the strongest example of this where the interior of the dome (itself a Byzantine feature) is decorated in mosaic depicting Christ Pantocrator accompanied by his angels.
During Sicily's later Norman era early Gothic influences can de detected such as those in the cathedral at Messina consecrated in 1197. However, here the high Gothic campanile is of a later date, and should not be confused with the early Gothic built during the Norman period, which featured pointed arches and windows rather than the flying buttresses and pinnacles later to manifest themselves in the Gothic era.
Architectural styles | Architectural history | Normannischer Baustil
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