New Age music, is a vaguely defined style of music that is generally quite melodic and often primarily instrumental. Defining certain groups or albums as New Age can be a source of contention among fans, since the borders of this genre are not well defined. Partly due to some artists' affiliation with New Age beliefs, many other artists and bands have specifically stated that they do not consider their own music to be New Age.
A large percentage of music described as New Age music is electronic and instrumental, frequently relying on sustained pads or long sequencer-based runs. Very long songs, up to 20 minutes and more, are not uncommon. Vocal arrangements and usage of acoustic instruments is less common (in many cases, high-quality samples are used instead of the latter). Recordings of naturally occurring sounds are sometimes used as an introduction to a track or throughout the piece. Said features also apply to many sub-genres of ambient music as well, and there is no boundary defined between ambient music and New Age music.
From 1968 to 1973, German musicians such as Holger Czukay (a former Karlheinz Stockhausen's student), Popol Vuh and Tangerine Dream released a number of works featuring experimental sounds and textures build with "electronics", synthesizers, acoustic and electric instruments; their music, referred to as Cosmic music can be regarded as Ambient or New Age, depending on point of view. Later Brian Eno defined the styles and patterns of Ambient in a way that easily merged and co-developed with the styles of many musicians such as Robert Fripp, Jon Hassell, Laraaji, Harold Budd, Cluster, Jah Wobble from late 1970s to today.
Other influences are early electronic music, classical music, ethnic music and world music. The minimalism of Terry Riley and Steve Reich (Indian influenced in the former case) can also be cited as an influence, along with artists like Tony Conrad, LaMonte Young who utilized drones since the early 1960s. Connected to the creation of New Age music is the resurgence of interest in Gregorian Chant during the second half of the 20th century.
The solo ECM performances by artists like Keith Jarrett (especially his record The Köln Concert), Ralph Towner (especially his records Blue Sun and Solo Concert) and Lyle Mays's first eponimous album, are usually thought to be an influence on Ambient/New Age music.
The acoustic solo and group performances by the early Windham Hill artists such as Andy Summers, William Ackerman, Alex de Grassi, George Winston, and Michael Hedges. All of these artists were called New Age Musicians for much of the last 30 years.
Popular themes in New Age music include Space and the Cosmos, Environment and Nature, Wellness in being, Harmony with one's self and the world, Dreams or Dreaming and Journeys of the mind or spirit. G.E.N.E. produced a string of albums that described, musically, places like Pacific and Mediterranean islands, and a special CD with recordings of sounds of different oceans. The band Software has several albums that specifically state the electronic aspect of music, such as Chip Meditation, Electronic Universe (both in two parts) and Digital Dance. Titles of New Age songs are frequently descriptive: examples include Principles of Lust (Enigma), Purple Dawn (Anugama), Shepherd Moons (Enya), Straight' a Way To Orion (Kitaro), The Quiet Self (Gregorian).
Music genres | Ambient music | New Age music
New Age (Musik) | música New Age | New Age (musique) | ニューエイジミュージック | New Age (musik) | 新世纪音乐
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