Neal Town Stephenson (b. October 31, 1959 in Fort Meade, Maryland) is known primarily as a science fiction writer in the postcyberpunk genre with a penchant for diverting into explorations of mathematics, currency, and the history of science. He also writes non-fiction articles about technology in publications such as Wired Magazine, and works part-time as an advisor for Blue Origin, a company (funded by Jeff Bezos) developing a manned sub-orbital launch system *.
Though it can be argued that neither Cryptonomicon nor The Baroque Cycle constitute works of science fiction, Stephenson himself insists on describing these books as SF and booksellers have tended to classify them as such.
With the 2003 publication of Quicksilver, Stephenson debuted The Metaweb, a wiki (using the same software as Wikipedia) annotating the ideas and historical period explored in the novel.
Stephenson's books tend to have elaborate, inventive plots drawing on numerous technological and sociological ideas at the same time. This distinguishes him from other mainstream science fiction authors who tend to focus on a few technological or social changes in isolation from others. This penchant for complexity and detail suggests a baroque writer. His book The Diamond Age features "neo-Victorian" characters and employs Victorian-era literary conceits. In keeping with the baroque style, Stephenson's books have become longer as he has gained recognition. (Cryptonomicon is nearly a thousand pages long and contains various digressions, including a lengthy erotic story about antique furniture and stockings.)
Characteristic aspects of his books are the "breakdown in events", an acceleration in plot development, typically about three quarters into the novel, accompanied by a marked increase in violence and general confusion among the characters (and often readers); and abrupt endings without strong conclusions or denouement, which sometimes leave the reader hanging. While many readers consider this an annoyance, there is a contingent that admires the author's ability to tie up loose ends and transact a great deal of novelistic business within the space of 20 or 30 pages. This pattern holds for all of the Stephenson-penned books except perhaps Quicksilver. However, on the evidence of The Confusion (2004), that rule may still hold if one considers The Baroque Cycle as a single work.
1959 births | Seattleites | American science fiction writers | American technology writers | Hugo Award winning authors | Living people | Baroque Cycle | People from Maryland | People from Iowa | Internet history
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