Daniel Dennett's Multiple Drafts Model of Consciousness is a physicalist theory of consciousness based upon cognitivism, which views the mind in terms of information processing. The theory is described in depth in his book, Consciousness Explained, written in 1991. As the title states, the book proposes a high-level explanation of consciousness which is consistent with support for the possibility of strong AI.
Dennett describes the Multiple Drafts theory as first-person operationalism. As he states it:
Dennett claims that conventional explanations of the colour change boil down to either Orwellian or Stalinesque hypotheses, which he says are the result of Descartes' continued influence on our vision of the mind. In an Orwellian hypothesis, the subject comes to one conclusion, then goes back and changes that memory in light of subsequent events. This is akin to George Orwell's Nineteen Eighty-Four, where records of the past are routinely altered. In a Stalinesque hypothesis, the two events would be reconciled prior to entering the subject's consciousness, with the final result presented as fully resolved. This is akin to Joseph Stalin's show trials, where the verdict has been decided in advance and the trial is just a rote presentation.
Dennett argues that there is no principled basis for picking one of these theories over the other, because they share a common error in supposing that there is a special time and place where unconscious processing becomes consciously experienced, entering into what Dennett calls the 'Cartesian theater'. Both theories require us to cleanly divide a sequence of perceptions and reactions into before and after the instant that they reach the seat of consciousness, but he denies that there is any such moment, as it would lead to infinite regress. Instead, he asserts that there is no privileged place in the brain where consciousness happens. Dennett states that, "
With no theater, there is no screen, hence no reason to re-present data after it has already been analyzed. Dennett says that, "the Multiple Drafts model goes on to claim that the brain does not bother 'constructing' any representations that go to the trouble of 'filling in' the blanks. That would be a waste of time and (shall we say?) paint. The judgement is already in so we can get on with other tasks!"
According to the model, there are a variety of sensory inputs from a given event and also a variety of interpretations of these inputs. The sensory inputs arrive in the brain and are interpreted at different times, so a given event can give rise to a succession of discriminations, constituting the equivalent of multiple drafts of a story. As soon as each discrimination is accomplished, it becomes available for eliciting a behaviour; it does not have to wait to be presented at the theatre.
Like a number of other theories, the Multiple Drafts model understands conscious experience as taking time to occur, such that "percepts do not instantaneously arise in the mind in their full richness" . The distinction is that Dennett's theory denies any clear and unambiguous boundary separating conscious experiences from all other processing. According to Dennett, consciousness is to be found in the actions and flows of information from place to place, rather than some singular view containing our experience. There is "no central experiencer
Different parts of the neural processing assert more or less control at different times. For something to reach consciousness is akin to becoming famous, in that it must leave behind consequences by which it is remembered. To put it another way, consciousness is the property of having enough influence to affect what the mouth will say and the hands will do. Which inputs are "edited" into our drafts "is not an exogenous act of supervision, but part of the self-organizing functioning of the network, and at the same level as the circuitry that conveys information bottom-up" .
The conscious self is taken to exist as an abstraction visible at the level of the intentional stance, akin to a body of mass having a 'center of gravity'. Analogously, Dennett refers to the self as the 'center of narrative gravity', a story we tell ourselves about our experiences. Consciousness exists, but not independently of behavior and behavoral disposition, which can be studied through heterophenomenology.
The origin of this operationalist approach can be found in Dennett's immediately preceding work. Dennett (1988) explains consciousness in terms of access consciousness alone, denying the independent existence of what Ned Block has labeled phenomenal consciousness. He argues that "Everything real has properties, and since I don't deny the reality of conscious experience, I grant that conscious experience has properties". Having related all consciousness to properties, he concludes that they cannot be meaningfully distinguished from our judgements about them. He writes:
In other words, once we've explained a perception fully in terms of how it affects us, there is nothing left to explain, In particular, there is no such thing as a perception which may be considered in and of itself (a quale). Instead, the subject's honest reports of how things seem to them are inherently authoritative on how things seem to them, but not on the matter of how things actually are.
The key to the Multiple Drafts Model is that, after removing qualia, explaining consciousness boils down to explaining the behavior we recognize as conscious. Consciousness is as consciousness does.
Bogen (1992) points out that if Cartesian materialism is true, then the brain is bilaterally symmetrical. In that case, there might be two Cartesian theatres, so arguments against only one are flawed. Velmans (1992) argues that the phi effect and the "cutaneous rabbit" illusion demonstrate that there is a delay whilst modelling occurs and that this delay was discovered by Libet.
It has also been claimed out that the argument in the Multiple Drafts model does not support its conclusion .
Even the notion of consciousness as drafts is not unique to Dennett. According to Hankins, Dieter Teichert suggests that Paul Ricoeur's theories agree with Dennett's on the notion that "the self is basically a narrative entity, and that any attempt to give it a free-floating independent status is misguided." * Others see Derrida's (1982) representationalism as consistent with the notion of a mind that has perpetually changing content without a definitive present instant.
To those who believe that consciousness entails something more than behaving in all ways conscious, Dennett's view is seen as eliminativist, since it denies the existence of qualia and the possibility of philosophical zombies. However, Dennett is not denying the existence of the mind or of consciousness, only what he considers a naive view of them. The point of contention is whether Dennett's own definitions are indeed more accurate, whether what we think of when we speak of perceptions and consciousness can be understood in terms of nothing more than their effect on behavior.
Commentary on Daniel C. Dennett and Marcel Kinsbourne (1992) Time and the observer: The where and when of consciousness in the brain.
in Consciousness in Modern Science, Oxford University Press 1988. Reprinted in W. Lycan, ed., Mind and Cognition: A Reader, MIT Press, 1990, A. Goldman, ed. Readings in Philosophy and Cognitive Science, MIT Press, 1993. http://ase.tufts.edu/cogstud/papers/quinqual.htm
Searle, J. (1980) "Minds, Brains and Programs"
(commentary on Dennett & Kinsbourne "Time and the observer", BBS, 1992, 15(2): 183-201) Copyright Cambridge University Press
Consciousness studies | Philosophy of mind | Psychological theories
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"Multiple Drafts Model".
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